Tag Archives: Ralph Fiennes

28 Years Later – Movie Review

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TL;DR – A wildly fascinating film, filled with interesting creative choices. I am not sure that makes it a great movie, but it does make it a wildly engaging one.

Rating: 4 out of 5.

Post-Credit Scene – There are snippets during the credits.

Disclosure – I paid to see this film.

Warning – Contains scenes that may cause distress.

Warning – Contains flashing lights.

Blood splattered across a television playing Teletubbies.

28 Years Later Review –

In the last year or so, we have been inundated with sequels to old films with a significant gap since the previous movie. Think Beetlejuice Beetlejuice or Gladiator II. Well, today we are dipping into the Zombie genre with a sequel that is just as long, but probably works from an alliteration perspective [as long as we ignore months, and let’s be honest, who hasn’t done that at one point]

So, to set the scene, we open in the throughs of the first rage virus outbreak as carnage spreads across the Scottish Highlands. 28 Years Later, the rage virus has been stopped in Europe and now the British Iles are quarantined. No one can leave once they touch the ground. Settlements are few and far between, but on an island off the British coast, a community has survived on Holy Island. Where only a tidal causeway connects with the mainland. Spike (Alfie Williams) lives on the island with his mother Isla (Jodie Comer) who is profoundly sick, and Jamie (Aaron Taylor-Johnson) his father. Jamie desperately wants to take Spike out on his first killing trip, more than a few years before the town would like them to. But as they explore a fallen world they come across something they are not ready for, an Alpha (Chris Gregory/ Chi Lewis-Parry).

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Conclave – Movie Review

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TL;DR – An exquisitely acted and produced film that takes you into a world rarely seen with the weight of a drama but with all the fascination of a political intrigue.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Red Cardinals against white marble columns.

Conclave Review –

It is tough to see honest explorations of faith and religion in modern cinema. When films exploring faith come out of Hollywood, they usually feel like hollow vessels divorced from reality. But then you watch movies that come out of the faith-based industry, and more often than not, you are watching trumped-up emotional blackmail hiding under the frame of faith. So, call me surprised when I sat down to watch Conclave and discovered something different.   

So, to set the scene, the Pope is dead, long live the Pope. If there is ever an organisation that has embraced the pomp and circumstance, it is the Catholic Church, and this happens in death just as much or even more than life. Cardinal Thomas Lawrence (Ralph Fiennes), who is Dean of the College of Cardinals, has to convene a conclave to pick the next Pope even though he feels unworthy of the task. However, as cardinals fly in from across the globe, it is clear that there is tension regarding how the Church will move forward. Will it embrace tradition or modernity? Or maybe somewhere in between.

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The Wonderful Story of Henry Sugar – Movie Review

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TL;DR – A fascinating literary turducken that captivates you.  

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A writers writing room.

The Wonderful Story of Henry Sugar Review –

In the last week, we have looked at first The Rat Catcherand thenPoison, two fascinating adaptations of Roald Dahl’s short stories by Wes Anderson. It was at this point that I discovered that they were from a group of four that were released, and I had missed the first two. Well, that can not do, so we got back to the start with The Wonderful Story of Henry Sugar, which may have given some critical context for the ones that followed.

So to set the scene, we open with ‘a writer’ (Ralph Fiennes) explaining their process of getting ready to write when he introduces us to Henry Sugar (Benedict Cumberbatch). Henry is a rich man and one of the many useless rich people floating around like seaweed in the world. But Henry liked to bet. So, on one wet and dreary day, he drifted through a grand house till he came across a peculiar book in the library, A Report on Imdad Khan: The Man Who Sees Without His Eyes by Dr. Z.Z. Chatterjee, dated December 1935, Calcutta. Henry was immediately engrossed with the tale.  

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Poison – Movie Review

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TL;DR – Tense, engaging, and captivating.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

the bungalow.

Poison Review –

After watching The Rat Catcher last night, I discovered it was not just a one-off, with Wes Anderson producing several of Roald Dahl’s short stories. With that in mind, I needed to see if they were all as absurdly compelling as the first, and I jumped into Poison.  
                          
It was midnight when Timber Woods (Dev Patel) drove home, trying not to wake his roommate. He should not have bothered because Harry (Benedict Cumberbatch) was still awake. Perplexed, Woods stuck his head in to see how he was when a barely audible whisper sang out ‘Help!‘.  

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The Rat Catcher – Movie Review

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TL;DR – An uncomfortable tale that draws you in, holds you captive, and then leaves you thinking.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Richard Ayoade

The Rat Catcher Review –

As I sat down to wonder what I would watch as the weather wandered by and the well-lit day wound to a weary – what the word for end is that starts with a w would be that I can’t think of at the moment even though I scoured my mind looking for one. I looked at Netflix to discover that there is a Wes Anderson production of a Roald Dahl short story, and that is a combination you don’t say no to.

So to set the scene, one morning, an editor (Richard Ayoade) tells us of the life of a Rat Man (Ralph Fiennes) who has come on behalf of the town to a local garage run by Claud (Rupert Friend). He is a peculiar man who looks much like the prey he hunts. But then you see, rats are clever prey, as they are watching you as you pursue them.    

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The Menu – Movie Review

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TL;DR – This is one of those films that revels in subverting something that brings me great joy and captivates me the entire time it is doing that.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Warning – Some scenes may cause distress.

Oyster Foam, with lemon lemon gel

The Menu Review –

There is always a delight when you walk into s film with no idea what you are about to witness. Even more so when that film goes to places, you would never have expected. Well, today we have just such a film which was taken to the next level with me only seeing it because of a mix-up, and I am delighted that mix-up happened because goodness, what an experience.

So to set the scene, we open at a boat dock as Margot (Anya Taylor-Joy) and her date Tyler (Nicholas Hoult) wait in fancy evening attire. They and a bunch of important critics, celebrities, foodies, and businessmen are taking a trip to one of the world’s most exclusive restaurants, Hawthorne, run by Julian Slowik (Ralph Fiennes), hidden away on its own island. The restaurant’s maître d’ Elsa (Hong Chau) takes them on a tour of the island, revealing all its natural bounties and constructed eccentricities. Everything has been tailored to each guest. The only issue is that Margot was not meant to be there, and no one let the restaurant or Chef know.

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The King’s Man – Movie Review

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TL;DR – A war film that does not know what it wants to say about war   

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Disney+ subscription that viewed this film.

The King’s Man. Image Credit: 20th Century Studios.

The King’s Man Review –

Overall, I thoroughly enjoyed the first entry into this universe with Kingsman: The Secret Service. I even liked the follow-up Kingsman: The Golden Circle, though I may be alone on that front. So when I heard that there was going to be a prequel, I was interested but also concerned because revisionist histories can land like a thud. And after watching it all, I’m still not sure.

So to set the scene, we open in South Africa, 1902 with Orlando Oxford (Ralph Fiennes) and his wife Emily Oxford (Alexandra Maria Lara) arriving at British Concentration Camp during the Boer War. They were inspecting the facilities for the Red Cross and meeting Lord Herbert Kitchener (Charles Dance) when a sniper kills Emily in the crossfire. 12-years later, the world is careening towards war because a mysterious force is pulling strings behind the scenes, pushing King George of Britain (Tom Hollander), Kaiser Wilhelm of Germany (Tom Hollander) and Tsar Nicholas of Russia (Tom Hollander) into conflict.

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No Time to Die – Movie Review

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TL;DR – A solid ending for Daniel Craig’s run as Bond, giving James the most to play with as the world explodes around him.     

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a Press Screening of this film

No Time to Die. Image Credit: Universal Pictures.

No Time to Die Review –

Well, it has been a long time, getting from there to here. Eighteen months since it was meant to be released, and Bond is finally making its return. Part of me was concerned that we would never get to see the film out in the real, another part of me was concerned given how Spectre turned out, but here we are. There is always a trepidation going into the film where you know it is an actor’s last. Thankfully, I should not have been concerned because this film almost knocks off Skyfall as my favourite of the Craig era.  

So to set the scene, we open in the middle of the Norwegian winter as a young girl (Coline Defaud) is looking after her sick mother (Mathilde Bourbin). As she is cleaning up a spill, she sees a man in the window wearing a mask. He is here to kill Mr White, but his family is an excellent second choice since he is not there. In the present, Bond (Daniel Craig) and Madeleine Swann (Léa Seydoux) are enjoying their retirement travelling down the Italian coastline arriving at the town of Matera. Swann is concerned that James keeps looking over his shoulder, but that seems fortuitous given that soon bullets start ringing out across the countryside. 

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Movie Review – Official Secrets

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TL;DR – A powerful exploration of what happens when all the institutions that are meant to protect us from abuse of power fail   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Official Secrets. Image Credit: Universal.

Review –

There are films that are perfectly timed in their release, sometimes it is the world shifting around you, sometimes you get lucky and just so happen to be shining a light on something that is about to come to the foreground, and sometimes it is always good to be reminded of speaking truth to power. Well, today we get a film that does all three of those as it explores the absolute mess that was the justifications for the Iraq War. A mess that America, UK, Australia, and others found themselves in through no one’s fault but their own.

So to set the scene, in 2003 the world was on the cusp of war as America in the wake of September 11 has set its sights on a new foe Iraq. Not happy to just sit and wait for the weapon inspectors to do their jobs, they were placing enormous pressure on the United Nations Security Council to pass a resolution allowing the war. As this is happening, Katharine Gun (Keira Knightley) was working in the UK’s signal intelligence agency GCHQ as a translator, when she receives a memo from her superiors asking them to support NSA efforts to pressure UNSC diplomates to vote for the war. As this goes against her job and is quite possibly illegal, she takes a copy of the memo and gives it to a trusted friend to see if it is as bad as she thought it was, and well it was.

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Movie Review – Holmes & Watson

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TL;DR – This is one of those films where you walk out thinking three things, 1) how dare you charge people money to see this, 2) I am embarrassed for everyone involved in the film & 3) how dare you charge people money to see this     

Score – 0 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Watson and Holmes. Image Credit: Sony

Review –

Sometimes you see a film and you have to wonder ‘how did this get greenlit’, like people paid over 40 million dollars to put this together, agents recommended this movie to their clients, and they even got Alan Menken to write a story. However, instead of being excited when every big name cast member walked onto the film, you felt sad, like ‘oh no, they dragged Hugh Laurie into this mess too.’ Why is that, well this is because this is the worst film I have seen all year, and since I am writing this on the 31st of December, I doubt that will be surpassed because this is also the worst film I have ever reviewed. Hey good news Pixels, you are not on the bottom anymore.   

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