Movie Review – The Legend of Baron To’a

TL;DR – A bonkers fun film from first till last    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards:

NominatedExplosive Action

The Legend of Baron To'a. Image Credit: Madman.

Review

Do you know what I needed this week? I needed a bit of fun, you know what I think a lot of people need this week, a little fun, well, have I got news for you. It has been great over the last couple of years to see Pasifika Cinema go from strength to strength and today we get to look at another entry into the great canon.

So to set the scene, we open in on the great Baron To’a (John Tui) himself as he does a tour of his home and local culdesac Kinlock Ave. He is the heart of the local community and he is most proud of his son Fritz (Lotima Pome’e). However, it cannot last and twenty years later when Fritz (Uli Latukefu) returns to help sell his house after his uncle Otto (Nathaniel Lees) stops returning his calls he finds that the sac is a very different place than what he remembered.   

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Movie Review – Queen and Slim

TL;DR – It is a provocative and powerful film, while it does not hit every note right, when it excels it does so with gusto   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards

Nominated: All The Tension.

Queen and Slim. Image Credit: Universal Pictures.

Review

Some films are just there to provide a little entertainment and then to be done and there is nothing wrong with that because everyone needs a little fun in their lives. However, other films want to be provocative, some films that want to educate, some films that want to hold a mirror up to society, and some that want to all of that and more.  

So to set the scene, we open in a diner in Ohio as two people start the awkward banter of getting to know each other. Slim (Daniel Kaluuya) is interested to know why Queen (Jodie Turner-Smith) picked tonight to respond to his Tinder request after leaving it on hold for weeks, well Queen just didn’t want to be alone that night. After dinner Slim is taking Queen home when they are pulled over by police Officer Reed (Sturgill Simpson) for a very minor traffic infraction. While the officer is checking the car for drugs (which are not there nor was there any reason to believe there was) Queen, a defence attorney gets out of the car and the officer shoots her in her leg. A scuffle ensues and Slim in self-defence shoots the officer in the head killing him. What do you do? Do you stay and try to explain what happens, or do you run? You run!

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Movie Review – The Way Back (Finding the Way Back) (2020 film)

TL;DR – A film that feels more personal than I have seen in a while and at the very least a loot messier     

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Way Back. Image Credit: Warner Brothers.

Review

There are many things that make reviewing The Way Back a difficult prospect. Part of that comes from intentional narrative devices that help the film in some ways and hinder it in others. Also, this is just a really raw film at times looking at a subject material that is both important but also deeply relevant to the lead actor. Which gets us into the realm of how much of this is performance and how much of this is reality thrown up on the screen. All of these are difficult things, but they were because in many respects this is a difficult film.

So to set the scene, Jack Cunningham (Ben Affleck) spends his days alone, even when he is surrounded by people. He wakes up with a beer, he showers with a beer, he drinks on the way to work, he hides booze while he is working, and he drinks himself silly when he gets home. After Thanksgiving dinner with his sister Beth (Michaela Watkins) who is clearly concerned that he is not seeing anyone after his marriage with Angela (Janina Gavankar) fell apart he arrives home to find an odd message on his phone. His old school wants him to come back and be the new basketball coach.

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Exploring the Past – Consequences (Posledice) (2018)

TL;DR – An exploration of the effects of toxic masculinity and all its consequences.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Consequences (Posledice). Image Credit: Temporama.

Review

There are films out there that sometimes you can see the trajectory coming a mile away, you see the pain incoming and like a crash in slow motion you can’t look away. Today we look at just such a film, one of pain and sadness and inevitability.

So to set the scene, we open in on Andrej (Matej Zemljic) who spends his days not being at school and his nights parting away. One night ends with him punching a woman and that rightly is that. He is sent to a juvenile correction facility as a last chance before jail time. Here he meets Žele (Timon Sturbej) the local ringleader and it is here when we see that this story is not going to end well.

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Movie Review – Dark Waters

TL;DR – A film that comes at you like the rising tide, slow at first and then before you know it you have become overwhelmed     

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Dark Waters. Image Credit: Universal Studios.

Review


Having grown up in the era of Erin Brockovich, I am hard-wired to like a good biopic, especially one where someone takes down a major corporation that should have known better. Well, today we get to see a film that does pretty much all of that and does it very well indeed.

So to set the scene, we open back in the 1970s as a bunch of kids go skinny dipping in a lake in Parkersburg, West Virginia only to get shoed away from the site by men from the DuPont Corporation in a boat firing foam at a residue building up on the surface. Sometime later, in Cincinnati, Ohio, Robert Bilott (Mark Ruffalo) has just been made a partner in the Taft Stettinius & Hollister law firm when he is interrupted in a meeting by Wilbur Tennant (Bill Camp) an old friend of Robert’s grandmother. He has a problem with his farm, ever since DuPont built a rubbish tip next door to his property all of his cattle have been dying of odd diseases. Robert is reluctant to intercede but he makes a trip out to Parkersburg and finds things are not what they seem.

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Movie Review – Yeh Ballet

TL;DR – a fun film about finding your place in the world through a talent you never knew you had   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Yeh Ballet. Image Credit: Netflix.

Review

We continue our look at Indian cinema this week with an interesting film that has recently arrived on Netflix. It is a film that charts the highs and lows of two kids finding a new outcome for their lives. Also, it is kind of cool that it is all based on a true story.  

So to set the scene, we open in on the Mumbai slums as Asif (Achintya Bose) competes in a festival of people stacking on top of each other to get the prize hanging above. Elsewhere Nishu (Manish Chauhan) has made it onto the TV and while his raw talent is impressive, his lack of skill lets him down. Both of the boys have a trajectory of where their lives are headed and neither of them is happy with where it is going. All of this changes when a local talent scout and dance studio owner (Jim Sarbh) brings over the cantankerous Saul Aaron (Julian Sands) to coach his students in ballet and he sees something brilliant in the two boys from the slums.       

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Movie Review – Guns Akimbo

TL;DR – There is a kernel of a good idea here, and there are parts of it where you can see how it could have made a really good film, just maybe not the one we got    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Guns Akimbo. Image Credit: Madman

Review

When you here that the premise of a film is that someone has bolted guns to Daniel Radcliffe’s hands and let him loose in the world. Well, that congers up a lot of images and expectations, indeed Daniel has been bouncing from one delightfully odd film to the next since his time in/as Harry Potter. At the very least, it is the kind of set up when you know before walking in that it is either going to be amazing or a dumpster fire but not in-between. Well trust me, I am just as surprised as you that I got it very wrong.   

So to set the scene, Miles (Daniel Radcliffe) is your usual loner who lives a less than great life as a code monkey for a soul-sucking corporation. But at night, he finally comes alive as he trolls, well other trolls. One night, however, things take a turn as he discovers ‘Skizm’, which is kind of like Twitch but with murder, indeed we are introduced to the program with Nix (Samara Weaving) annihilating another contestant because two people start and only one comes out alive. Well, Miles starts trolling the chat and eventually gets noticed by the admin Riktor (Ned Dennehy) who smashes down his door, knocks him out, and performs a little surgery. Miles wakes up with a splitting headache … oh and two guns bolted to his hands.

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Movie Review – The Invisible Man (2020 film)

TL;DR – A film filled with amazing acting, and technical brilliance, however it was one of the most difficult films I have reviewed due to the issues of abuse that it explores.

Score – I am honestly not sure what to score to give this film

Post-Credit Scene – There is no post-credit scene that I saw

Warning – Depicts scenes of abuse

Awards

Nominated: Explosive Action, Best Australian Film & All The Tension
Winner: All The Tension

The Invisible Man (2020 film). Image Credit: Universal Pictures.

Review

A couple of years ago I stumbled upon Upgrade and thus discovered the wonderful work of Leigh Whannell. Since then, I have been waiting to catch his next film, so I was really excited to get the invite to see The Invisible Man. This was also a film that was going to reframe an old classic monster film and bring it into the modern age, which also intrigued me because that is my jam. However, while watching the film, I found myself feeling very conflicted with the subject material. All of this left me very unsettled in a way that I have spent the past two weeks wondering if the film approached it in an appropriate way or not.  

So to set the scene, we open in on a mansion on the top of a cliff, waves crash against the rocks on a cold winters night as we zoom in on the isolated house. In the house, there is a couple asleep in a bed, Cecilia Kass (Elisabeth Moss) and Adrian Griffin (Oliver Jackson-Cohen), but only one of them is actually asleep. We watch as Cecilia slowly slips out of the bed, at first you think it is just that she does not want to disturb Adrian, but soon you discover there is something more to it than that. In fact, she is leaving him in the middle of the night, the only time she could, which means that when every sound could be her undoing. The moment she grabs her hidden go bag you immediately understand why she is leaving. As she escapes over the high walls of the house everything starts to get better, that is until things start moving in rooms that should be empty.

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TV Review – Brooklyn Nine-Nine: The Jimmy Jab Games II

TL;DR – A return from the blast of the past shows how far the show has grown

Score – 4 out of 5 stars

Brooklyn Nine-Nine: The Jimmy Jab Games II. Image Credit: NBC.

Review

Way back in at the start of the show, Brooklyn Nine-Nine was still finding its feet. It was an experimental time, with this show exploring several different plot threads to see if they worked. Some of them worked like, Halloween, some of them did not, like Charles (Joe Lo Truglio) trying to date Rosa (Stephanie Beatriz), and some still were just lost to time. However, every now and again, one of those threads from the past gets born again, and this is just one such episode.

So to set the scene, Terry (Terry Crews) and Santiago (Melissa Fumero) have to leave the 99 for the day to do some departmental training. Thus they leave Peralta (Andy Samberg) in charge … but with no speech about being responsible because time has changed him. Now he is the guy that will buy the safe car and is trying to start a family. Well, no one gets to tell Jake he can’t be reckless, so it is now time for him to resurrect an even from the deep past the Jimmy Jab Games. Now we will be looking at the episode as a whole so there will be [SPOILERS] ahead. 

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TV Review – Lost in Space: Season 2

TL;DR – A really great continuation of the first season showing the strengths of this new interpretation at every turn

Score – 4 out of 5 stars

Lost in Space: Season 2. Image Credit: Netflix

Review

We are currently living through a second Golden Age for Science Fiction on TV and one of the first really cool examples of that was a new Lost in Space landing on our screens a couple of years ago. It was energetic, delightful, but also had some thematic weight behind it. Well, Season Two is upon us, so it’s time to see how well it did.    

So to set the scene, at the end of Season One, the family Robinson, that is Maureen (Molly Parker), John (Toby Stephens), Will (Maxwell Jenkins), Judy (Taylor Russell), and Penny (Mina Sundwall) along with Don West (Ignacio Serricchio) and Dr Smith (Parker Posey) got launched through a warp portal by Robot (Brian Steele) to protect them. This leads them to land on a planet that is habitable, bar all the methane in the atmosphere. The warp drained most of the Jupiter 2’s power meaning they can breathe and stay warm but not a whole lot else. All of this changes when Maureen notices that there is a patch of lightning in the distance that comes so regularly that you can schedule it, and maybe a lighting jolt is just what the Jupiter 2 needs. Now as we go on there will be some [SPOILERS] as we will be looking at the season as a whole, so just be warned if you have not seen it yet.     

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