TL;DR – An exploration of the effects of toxic masculinity and all its consequences.
Score – 3.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
There are films out there that sometimes you can see the trajectory coming a mile away, you see the pain incoming and like a crash in slow motion you can’t look away. Today we look at just such a film, one of pain and sadness and inevitability.
So to set the scene, we open in on Andrej (Matej Zemljic) who spends his days not being at school and his nights parting away. One night ends with him punching a woman and that rightly is that. He is sent to a juvenile correction facility as a last chance before jail time. Here he meets Žele (Timon Sturbej) the local ringleader and it is here when we see that this story is not going to end well.
TL;DR – A film that comes at you like the rising tide, slow at first and then before you know it you have become overwhelmed
Score – 4 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
Having grown up in the era of Erin Brockovich, I am hard-wired to like a good biopic, especially one where someone takes down a major corporation that should have known better. Well, today we get to see a film that does pretty much all of that and does it very well indeed.
So to set the scene, we open back in the 1970s as a bunch of kids go skinny dipping in a lake in Parkersburg, West Virginia only to get shoed away from the site by men from the DuPont Corporation in a boat firing foam at a residue building up on the surface. Sometime later, in Cincinnati, Ohio, Robert Bilott (Mark Ruffalo) has just been made a partner in the Taft Stettinius & Hollister law firm when he is interrupted in a meeting by Wilbur Tennant (Bill Camp) an old friend of Robert’s grandmother. He has a problem with his farm, ever since DuPont built a rubbish tip next door to his property all of his cattle have been dying of odd diseases. Robert is reluctant to intercede but he makes a trip out to Parkersburg and finds things are not what they seem.
TL;DR – a fun film about finding your place in the world through a talent you never knew you had
Score – 3.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
We continue our look at Indian cinema this week with an interesting film that has recently arrived on Netflix. It is a film that charts the highs and lows of two kids finding a new outcome for their lives. Also, it is kind of cool that it is all based on a true story.
So to set the scene, we open in on the Mumbai slums as Asif (Achintya Bose) competes in a festival of people stacking on top of each other to get the prize hanging above. Elsewhere Nishu (Manish Chauhan) has made it onto the TV and while his raw talent is impressive, his lack of skill lets him down. Both of the boys have a trajectory of where their lives are headed and neither of them is happy with where it is going. All of this changes when a local talent scout and dance studio owner (Jim Sarbh) brings over the cantankerous Saul Aaron (Julian Sands) to coach his students in ballet and he sees something brilliant in the two boys from the slums.
TL;DR – There is a kernel of a good idea here, and there are parts of it where you can see how it could have made a really good film, just maybe not the one we got
Score – 2.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
When you here that the premise of a film is that someone has bolted guns to Daniel Radcliffe’s hands and let him loose in the world. Well, that congers up a lot of images and expectations, indeed Daniel has been bouncing from one delightfully odd film to the next since his time in/as Harry Potter. At the very least, it is the kind of set up when you know before walking in that it is either going to be amazing or a dumpster fire but not in-between. Well trust me, I am just as surprised as you that I got it very wrong.
So to set the scene, Miles (Daniel Radcliffe) is your usual loner who lives a less than great life as a code monkey for a soul-sucking corporation. But at night, he finally comes alive as he trolls, well other trolls. One night, however, things take a turn as he discovers ‘Skizm’, which is kind of like Twitch but with murder, indeed we are introduced to the program with Nix (Samara Weaving) annihilating another contestant because two people start and only one comes out alive. Well, Miles starts trolling the chat and eventually gets noticed by the admin Riktor (Ned Dennehy) who smashes down his door, knocks him out, and performs a little surgery. Miles wakes up with a splitting headache … oh and two guns bolted to his hands.
TL;DR – A film filled with amazing acting, and technical brilliance, however it was one of the most difficult films I have reviewed due to the issues of abuse that it explores.
Score – I am honestly not sure what to score to give this film
Post-Credit Scene – There is no post-credit scene that I saw
A couple of years ago I stumbled upon Upgrade and thus discovered the wonderful work of Leigh Whannell. Since then, I have been waiting to catch his next film, so I was really excited to get the invite to see The Invisible Man. This was also a film that was going to reframe an old classic monster film and bring it into the modern age, which also intrigued me because that is my jam. However, while watching the film, I found myself feeling very conflicted with the subject material. All of this left me very unsettled in a way that I have spent the past two weeks wondering if the film approached it in an appropriate way or not.
So to set the scene, we open in on a mansion on the top of a cliff, waves crash against the rocks on a cold winters night as we zoom in on the isolated house. In the house, there is a couple asleep in a bed, Cecilia Kass (Elisabeth Moss) and Adrian Griffin (Oliver Jackson-Cohen), but only one of them is actually asleep. We watch as Cecilia slowly slips out of the bed, at first you think it is just that she does not want to disturb Adrian, but soon you discover there is something more to it than that. In fact, she is leaving him in the middle of the night, the only time she could, which means that when every sound could be her undoing. The moment she grabs her hidden go bag you immediately understand why she is leaving. As she escapes over the high walls of the house everything starts to get better, that is until things start moving in rooms that should be empty.
TL;DR – A return from the blast of the past shows how far the show has grown
Score – 4 out of 5 stars
Review –
Way back in at the start of the show, Brooklyn Nine-Nine was still finding its feet. It was an experimental time, with this show exploring several different plot threads to see if they worked. Some of them worked like, Halloween, some of them did not, like Charles (Joe Lo Truglio) trying to date Rosa (Stephanie Beatriz), and some still were just lost to time. However, every now and again, one of those threads from the past gets born again, and this is just one such episode.
So to set the scene, Terry (Terry Crews) and Santiago (Melissa Fumero) have to leave the 99 for the day to do some departmental training. Thus they leave Peralta (Andy Samberg) in charge … but with no speech about being responsible because time has changed him. Now he is the guy that will buy the safe car and is trying to start a family. Well, no one gets to tell Jake he can’t be reckless, so it is now time for him to resurrect an even from the deep past the Jimmy Jab Games. Now we will be looking at the episode as a whole so there will be [SPOILERS] ahead.
TL;DR – A really great continuation of the first season showing the strengths of this new interpretation at every turn
Score – 4 out of 5 stars
Review –
We are currently living through a second Golden Age for Science Fiction on TV and one of the first really cool examples of that was a new Lost in Space landing on our screens a couple of years ago. It was energetic, delightful, but also had some thematic weight behind it. Well, Season Two is upon us, so it’s time to see how well it did.
So to set the scene, at the end of Season One, the family Robinson, that is Maureen (Molly Parker), John (Toby Stephens), Will (Maxwell Jenkins), Judy (Taylor Russell), and Penny (Mina Sundwall) along with Don West (Ignacio Serricchio) and Dr Smith (Parker Posey) got launched through a warp portal by Robot (Brian Steele) to protect them. This leads them to land on a planet that is habitable, bar all the methane in the atmosphere. The warp drained most of the Jupiter 2’s power meaning they can breathe and stay warm but not a whole lot else. All of this changes when Maureen notices that there is a patch of lightning in the distance that comes so regularly that you can schedule it, and maybe a lighting jolt is just what the Jupiter 2 needs. Now as we go on there will be some [SPOILERS] as we will be looking at the season as a whole, so just be warned if you have not seen it yet.
TL;DR – We have a crew, repeat we have a crew, this is not a drill
Score – 4.5 out of 5 stars
Review –
For the first three episodes of the season Remembrance, Maps and Legends, and The End is the Beginning, it felt like we were setting the scene, getting our call to adventure, our call to the stars, we were building the world, and in one word bringing it all together. But now we are in space, and it is simply pure joy.
So to set the scene, we start back in time in a fateful time where Picard (Patrick Stewart) on Vashti when he was happy. He was starting to move people out of Romulus, making friends, establishing real progress, however, then the synthetics attacked Mars and everything went to hell. In the present, the crew of the La Sirena have come together on their task, only now that they are in the Beta Quadrant, Picard has another calling, to meet some friends from the past and write some past wrongs. Now we will be looking at the episode as a whole so there will be [SPOILERS] ahead.
TL;DR – A fun episode with a returning great guest star but a lacklustre b-plot
Score – 4 out of 5 stars
Review –
Like most half-an-hour comedy shows Brooklyn Nine-Nine usually has an A and a B plot that different character appears in and maybe come together in the end. However, sometimes one of the plot points just works so much better than the other that it can’t help but overshine it. Well, this might be the problem we have today.
So to set the scene, Jake Peralta (Andy Samberg) and Amy Santiago (Melissa Fumero) decided last week that they were not going to hold off having a baby and that they would start trying right away. Well, things are progressing but everything gets turned on its head when Pimemento (Jason Mantzoukas) burst into the precinct stating that someone is trying to kill him, but then he can’t remember more than 24 hours ago and that 24 hours is from 5 months in the past. Now we will be looking at the episode as a whole so there will be [SPOILERS] ahead.
TL;DR – An episode that looks to both the past and the future at the same time.
Score – 4.5 out of 5 stars
Review –
Well if there is one thing better than having a new episode of Brooklyn Nine-Nine, well it is having two new episodes back-to-back and today that is just what we get. We’ve already looked at Manhunter, so now let take some time to explore Captain Kim, both the character Captain Kim (Nicole Bilderback) but also the episode.
So, to set the scene, with Captain Holt (Andre Braugher) no longer a captain after his year-long demotion, the Nine-Nine needs a new captain and no one is really happy about that. Well, that’s not a problem, sure the captain is probably a spy planted there to make their lives a misery, but then they have dealt with this before … well, maybe not quite this before. Now we will be looking at the episode as a whole so there will be [SPOILERS] ahead.
TL;DR Movie Reviews and Analysis 