Movie Review – Abominable

TL;DR – A truly charming film from start to finish.     

Score – 4 out of 5 stars

Post-Credit Scene – There are some pictures during the credits that tell a story.

Abominable. Image Credit: Universal.

Review


Films targeted at children often have a perception that they are of lower quality than other forms of cinema. Indeed some of the trailers for upcoming films I watched before this backed that assessment up. But every now and again a film casts off those assertions and shows that if you focus on quality it should not matter whom your target audience is. Well, today we get just such a film, as we explore a monster on the run through China.

So to set the scene, we open in a laboratory in Shanghai scared and alone and not knowing where we are. After hearing Dr Zara’s (Sarah Paulson) intentions for us we flee captivity and that is when you discover the animal fleeing is a yeti. Everest (Joseph Izzo) flees into the city and tries to hide after being hit by a truck only to end up on the roof of Yi’s (Chloe Bennet) apartment complex. Yi is focusing all her life on doing odd jobs so she can earn enough money to go on a tour of China her dad always promised to take her on. But when she finds the injured Everest there is only one thing on her mind, getting him to his home.

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Movie Review – Ad Astra

TL;DR – A stunning film exploring the world of one man as it all falls apart around him    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Ad Astra. Image Credit: 20th Century Fox.

Review

Goodness, it has been a while since I have watched a film quite like this. Where we dive straight into the mind of one character and follow their drive through a slowly deteriorating experience. I think the last film that I watched that was able to pull this off was Arrival and you get hints of that here as well. With that in mind, let’s dive into a murky world of space exploration and the legacy/damage of our parents.

So to set the scene, we open in the near future where humankind has made their first steps into the solar system. One of the main drives is to find out if there is any other intelligent life out there in the universe but of course like all things mining and profit are not far behind. Major Roy McBride (Brad Pitt) is working on the large space antenna that goes all the way up into low-Earth-orbit when a cosmic storm hits and he is thrown from the structure. Landing thanks to a parachute he is taken to Space Command Headquarters where he finds out that his long lost dad Clifford (Tommy Lee Jones) might be alive and might also be the one behind the surge that has killed 40,000 people and climbing. So Roy hops on a rocket for the Moon only to discover not all is what it seems.

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Exploring the Past – Jupiter Ascending (2015)

TL;DR – One of those films that are close but no cigar, but you have to admire that they go at 100km an hour from start to finish    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Jupiter Ascending. Image Credit: Warner Brothers.

Review

One of my true joys in life is watching and witnessing a new work of glorious Science Fiction for the first time. Like those moments when you watched Farscape for the first time or watched the flaming guitar in Mad Max Fury Road explode out into the desert sun. However, sometimes it can be just as interesting to watch a film/TV show that is close but just not quite there and today we take a look back at just such a film.

So to set the scene, we open in on Jupiter Jones (Mila Kunis) who lives with her extended family in Chicago after her father Maximilian (James D’Arcy) was murdered back in Russia and her mother Aleksa (Maria Doyle Kennedy) fled to the States. Jupiter spends her time cleaning rich peoples houses and dreaming of getting out of it all. Well one day she gets that wish after a genetic test shows that she is the perfect reincarnation of the old matriarch of House Abrasax, an ancient alien dynasty that seeded life on Earth all those years ago.  

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TV Review – The Last Kids on Earth: Book 1

TL;DR – This is an interesting take on the End-Of-The-World genre

Score – 4 out of 5 stars

The Last Kids on Earth. Image Credit: Netflix.

Review

When I say to you Zombie Apocalypse, I think for many people the first thing you would do is suppress a sigh. As a genre, it has been used multiple times and these days one could say that it has been done to death as long as they immediately followed it up immediately with ‘pun not attended’. However, every now and again, a new show will use the setting to explore something new and today we get to look at just such a show.

So to set the scene, we open in on Day 42 with Jack Sullivan (Nick Wolfhard) the only known survivor in his town. 42 Days ago portals opened up over his town and monsters and zombies came flooding out attacking the town. Some escaped, some were rescued, but more still were turned into zombies to roam the streets. Abandoned by his foster family, Jack survives by hiding in his foster brother’s treehouse and using that as a base of operation. He is trying to find his best buddy Quint (Garland Whitt) and rescue his flame June (Montse Hernandez), but first he needs to survive being hunted by a monster angry because Jack poked its eye out.

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Movie Review – Battle at Big Rock (Jurassic World: Battle at Big Rock).

Battle at Big Rock (Jurassic World: Battle at Big Rock). Image Credit: Universal.

Review

While I was not alone here, I know when I walked out of Jurassic World: Fallen Kingdom I was greatly disappointed at all the talent that went into what felt like a missed opportunity. It was a film that had an end goal in mind but not how to get to that goal in an organic way. Well, today a little surprise was dropped on the internet with a short film showing the aftermath and if anything it shows just how good the goal they were shooting for was.

The setup is really simple, you have family with a Father (Andre Holland) and Mother (Natalie Martinez) cooking food from their three children (Melody Hurd, Pierson Salvador, Noah Cole & Ethan Cole). There is the usual bickering with a little extra edge because this is still a family coming together when the father notices that nobody is outside anymore and that is when you hear the first rumble.

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Movie Review – Shanghai Fortress (Shànghǎi Bǎolěi, 上海堡垒)

TL;DR – There is an interesting concept here, but the film goes out of its way to make its characters come off as bland and one-note     

Score – 2.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Shanghai Fortress (Shànghǎi Bǎolěi, 上海堡垒). Image Credit: Netflix.

Review

It has been an interesting couple of years for the Alien Invasion genre after being almost abandoned in the years since September 11. Long gone were the triumphant speeches and bold proclamations and in were gritty scenes of dirt and muck. However, then there was a resurgence with different countries taking a look with Attack the Block in the UK and Occupation in Australia to name just two. Well, today we get to see China’s take on the global destruction masterpiece. But will it soar or will fall, only time will tell.    

So to set the scene, in the not too distant future the first manned Chinese space ship brought back a new energy source Xianteng that revolutionised the world. Everything was great but the energy source was like a beacon drawing the aliens to Earth. Starting with Rio de Janeiro the mothership moved across the planet, destroying city after city. In a last-ditch effort, the United Nations and what was left of the world’s government set up base in the last major centre Shanghai. Here they hope to make a last stand and maybe just maybe fight back and take back the planet before more cities like Los Angeles and New Delhi are turned to ash.

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TV Review – The I-Land

TL;DR – This is really a slow burn but then it grabs you as all the different parts start to merge together and you discover what is behind The Island and the number 39.

Score – 3.5 out of 5 stars

The I-Land. Image Credit: Netflix.

Review

One of my great joys is watching the TV Show Survivor where they throw a bunch of random people on an island and subject them to the elements and every puzzle under the Sun. It is such an interesting scenario, that I am surprised that we don’t see more people take advantage of it narratively. Well, today we get to look at a show that does just that, exploring a world where you can trust nothing and no one, not even what you can see with your own two eyes.  

So to set the scene, one morning you wake up, but you are not at home in your bed, you are on a beach lying in the sand with waves crashing into you. To add to this you cannot remember how you got there, or even who you are. As Chase (Natalie Martinez) tries to get her bearings she stumbles across KC (Kate Bosworth) and discovers that she is not alone. There are ten of them and no one can remember anything bar waking up on the beach. As they try to find something of their past lives, the reality of their situation dawns and soon the power politics show their heads and worse. Now from here, we will be looking at the season as a whole so there will be [SPOILERS] ahead.

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Movie Review – The Farewell (Bié Gàosù Tā, 別告訴她)

TL;DR – A truly emotional work of film that affected me in ways film rarely does.     

Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Farewell (Bié Gàosù Tā, 別告訴她). Image Credit: A24.

Review

Wow, just wow, I thought I had some handle on how this film was going to affect me when I walked in, but I had no idea. I didn’t know I would be tearing up in the first five minutes and that it would not stop until the credits rolled. It is a film like this that shows the power of the medium to tell stories that can affect us on our deepest human level.

So to set the scene, Billi (Awkwafina) is struggling to find her place in the world after failing to get the fellowship that she was after. While at her parents to use their washing machine she notices that her mother Jian (Diana Lin) and father Haiyan (Tzi Ma) are acting odd. Wounding the worse, Billi discovers that her beloved Nai Nai (Shuzhen Zhao) has been diagnosed with late-stage cancer, but also that the family has decided not to tell her. Using a wedding as an excuse the whole family is going over to China in part to say goodbye without actually saying goodbye.       

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Movie Review – Good Boys

TL;DR – This is a film that on the surface is really crass, but they use that crassness as a cover to tell a story with real heart    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Good Boys. Image Credit: Universal.

Review

Well, this might be one of the biggest surprises that I have seen so far this year. To be honest, I was not really sure what I was going to see when I sat down at my screening of Good Boys. However, given it was being produced by Seth Rogan, and written by this guy who wrote Year One there may have been some subconscious preconceptions floating there. But what I could not expect was a film with real heart.

So to set the scene, we open in on our main trio Max (Jacob Tremblay), Lucas (Keith L. Williams), and Thor (Brady Noon) who are in the first weeks of Middle School in year six. They have been friends forever and call themselves the Beanbag Boys, but while they have been inseparable in life to this point things are rapidly changing. Max is trying to get the courage to ask out Brixlee (Millie Davis), Lucas is struggling with changing family life, and Thor is trying to escape his past reputation and be accepted by the cool kids like Soren (Izaac Wang). All of this comes to a head one day when Max is invited to a kissing party setting off a chain of events that change everything.

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Movie Review – Take Home Pay

TL;DR – A look at what happens when the competing interests of money and family collide

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Take Home Pay. Image Credit: M2S1 Films.

Review

Today we get to dive back into the world of Pasifika Cinema as we explore a film that takes on themes like tradition v modernity, brother v brother, money v family, and honour v fun. However, all of this is tempered by a comedic style that is unique to this part of the world and a heart that just shines.

So to set the scene, Popo (Ronnie Taulafo) and Alama (Vito Vito) are brothers living in rural Samoa working for their father planting, harvesting, and selling taro. Alama dreams of ways to make things easier for his family, even if it does not always go right, and Popo just dreams of getting out of the country. Well that opportunity arrives when they need labourers in New Zealand and both Alama and Popo get the chance to earn some more money for home. They spend their days picking kiwifruit and all is going well until the day they have to leave and Popo runs off, with both his and all of Alama’s money.

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