Kangaroo (2025) – Movie Review

TL;DR – This is a profoundly Australian film, and in that I mean more its structure than the narrative. But once it gets going, you can’t help but get caught up in the charm, because it has it in spades.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Joeys.

Kangaroo Review Introduction

While Australia is known as a place where big-budget films come to film, where you can walk down the street of Brisbane one day and suddenly it is New York for Thor. However, we also have a vibrant domestic film culture, or we do at the moment, looking at you politicians not doing enough to support the local industry. However, there are times when you could tell a film is Australian, even if no sound of an accent passed your ears, and today’s film is a good example of this.  

So, to set the scene, Chris Masterman (Ryan Corr) is the local weather reporter for Channel 6’s Rise and Shine Australia. He wants to be more than the person they cut to in the morning when they need someone to get a bucket of water thrown at them. But no one takes him seriously. Well, Chris is going to change that when the opportunity to go viral presents itself. Unfortunately, it blows up so spectacularly in his face that not only is he not up for promotion, but he is fired and put on the instant reject list for every production team in Sydney and beyond. He has one shot to get his career back on track, and that is to drive to Broome and do some regional work. But when his car accidentally hits a kangaroo on the outskirts of Silver Gum, he is stuck in the small town waiting for his car to be fixed, but also looking after a now orphaned joey with the help of Charlie (Lily Whiteley).

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The Bad Guys 2 – Movie Review

TL;DR – A film full of energetic characters, stunning animation, and a wonderful, uplifting vibe that permeated every part of the story.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I was invited to a press screening of this film.

The Bad Guys driving a car out of a building.

The Bad Guys 2 Review Introduction

Back in 2022, Dreamworks Animation was in a bit of a creative quandary. It had just finished up its Kung Fu Panda and How to Train Your Dragon series, but then it kind of just floundered for a while. But then The Bad Guys happened. It was an explosion of energy in a way the studio hadn’t found in the past years. But it was also stepping into a brand-new animation style that blended 2D and 3D styles into something that perfectly understood the medium they were adapting. We dipped back into this world with The Bad Guys: Little Lies and Alibis earlier in the year, but I am glad to say that it is time to dive into the sequel I have been waiting for.


So, to set the scene, ever since the events of The Bad Guys where the team of Mr Wolf (Sam Rockwell), Mr Snake (Marc Maron), Mr Piranha (Anthony Ramos), Mr Shark (Craig Robinson), and Ms Tarantula (Awkwafina) turned good to stop the master villain Professor Marmalade (Richard Ayoade). They have been serving their time and trying to reemerge in society. But they can’t find a job, because everyone thinks that they are just undercover waiting to rob everyone. This is made more complicated when the Phantom Bandit starts robbing the city of all its MacGuffinite in the style of The Bad Guys. What’s worse: being blamed for a crime you didn’t commit, or knowing someone’s out there copying your old moves? Well, The Bad Guys need to get to the bottom of this before Governor Diane Foxington (Zazie Beetz) and police commissioner Misty Luggins (Alex Borstein) must act.

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The Roses – Movie Review

TL;DR – A film built entirely on the chemistry of Benedict Cumberbatch and Olivia Colman, which is a fundamentally good idea. But then the film makes several choices that make you pause.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Benedict Cumberbatch and Olivia Colman.

The Roses Review Introduction

Unfortunately, 2025 has not been kind to the satirical Dark Comedy, with many noted filmmakers falling in the attempt to capture that vibe. With film after film falling in its wake. However, can a remake of a classic from 1989 find its footing? Well, to pull that off, you would need to cast two leads with impeccable chemistry and bring it into the 21st century, but there is a chance you can pull it off.    

So, to set the scene, Theo (Benedict Cumberbatch) and Ivy (Olivia Colman) are both professionals working in London and being held back by their respective bosses. However, fate brought them together one day, and the chemistry was instant, so instant that they took a gamble to fly off to California after one meeting. Ten years later, they are married with twins, and Ivy has put her career on hold to raise the family. But when a calamity strikes and Theo is fired, Ivy steps up to take the slack, working in her new restaurant. It is a complete 180° shift in their marriage dynamic, which I am sure will have no lasting repercussions.   

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Honey Don’t! – Movie Review

Honey Don’t! – No matter how much style, Honey Don’t! has, and it has a lot, none of that makes up for the hollow narrative that meanders around before realising it needs to finish at some point.

Rating: 2 out of 5.

Post-Credit Scene – There is an audio sting at the end of the credits, but it’s not something you need to stay for.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress

HNYDONT number plate on a car.

Honey Don’t! Introduction

Today, we are looking at a film that is confounding. Honey Don’t! has style, is filled with a strong cast, and an interesting setting. Throw in one of the Coen brothers, and this should have been absolute gold. But no matter what they threw at the screen, none of it stuck. To the point where it is almost interesting just how much it misses the mark
 
So, to set the scene, we arrive at a car crash, a lady drove over an embankment and ended up at the bottom of a canyon. Oddly, police detective Marty Metakawich (Charlie Day) from homicide is there, but why is Honey O’Donahue (Margaret Qualley), a private investigator, on the scene? Well, for you see Mia (Kara Petersen), who is now dead, we assume, was a potential client of Honey’s, and the question remains: was she killed before she could talk?   

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Nobody 2 – Movie Review

TL;DR – While it does not hit as hard as the first Nobody, Home Alone in an amusement park, when you can kill those after you, is a solid hook.

Rating: 3.5 out of 5.

Post-Credit Scene – There are photos in the credits.

Disclosure – I paid to watch this film.

Hutch waits for the kill.

Nobody 2 Introduction

Back in 2021, we saw a genre being born, where we discovered that if you wanted to ace the John Wick action style and transport it into different franchises, then you got the people who made John Wick to do it. Thus, Nobody smashed its way through many competitors and solidified Derek Kolstad and 87North Productions as one of the kings of modern action films. Now, the question is whether that can strike lightning twice with an old, grumpy man trying to live his life.

So, to set the scene, ever since the events in the first film, Hutch (Bob Odenkirk) has had to keep working for the Barber (Colin Salmon) to pay off his debt. While he is working to help his family, it takes him away from them most of the time, as shown in the carefully crafted montage at the start of the film. Things are getting to the breaking point with the family when Hutch decides that he needs to have a vacation, to reconnect with his family, and to take them to somewhere that is special to him, Plummerville. Nostalgia might have been doing a lot of the heavy work. Still, the family make the most of the odd amusement park and tourist town, until a confrontation in an arcade sees someone hit Hutch’s daughter Sammy (Paisley Cadorath). It does not matter if his wife, Becca (Connie Nielsen), wants him to de-escalate, or if he is being a bad role model for his son Brady (Gage Munroe); you don’t hit one of his children. I sure hope this guy is not connected to corrupt cops (Colin Hanks), a corrupt mayor (John Ortiz), and a ruthless smuggler (Sharon Stone), because things could escalate quickly if that were the case.

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Holy Cow (Vingt Dieux) – Movie Review

TL;DR – A delightful romp set in the French countryside, in a world of cheese, stock cars, and the perils of growing up.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Comté cheese.

Holy Cow Introduction

One of my favourite films to review is when directors/writers have been putting in the work to build their craft and finally get the chance to bring their first feature outing to the big screen. Today’s entry is just such a film, with Louise Courvoisier bringing so much of herself to the big screen. Well, it is time to fly to rural France and into the world of cheese.  

So, to set the scene, Totone (Clément Faveau) has just left school and is enjoying that time in his life where all he needs to do in a day is have fun, go drinking with his friends, and occasionally get into fights with kids from the other village. However, his entire life is upended when his father is killed in a car crash, and suddenly, he must care for his young sister Claire (Luna Garret). Totone must sell almost everything to survive; however, when he discovers there is a €30,000 prize for the best Comté cheese. Well, Totone takes it upon himself and commits some minor theft to make the best cheese in the valley.

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Weapons – Movie Review

TL;DR – This is one of the most ‘messed’ up films that I have seen, the kind of film where you cross your arms in a vain attempt to put a barrier between you and the screen.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

WarningContains scenes that may cause distress.

2:17 on a clock.

Weapons Review

Sometimes you sit down and realise you were fundamentally unprepared for the film you were about to see. That you were prepared for the horror that was coming, well, you thought you were prepared. You crossed your arms, hoping to shield yourself from what was on screen, but nothing could prepare you for Weapons.

So, to set the scene, in a small leafy town in the countryside of America, you can find Maybrook and its elementary school. It is a quaint place where nothing much ever happens, that is, until one day Justine Gandy (Julia Garner) walked into her third-year class to find it empty of every student bar one, Alex Lilly (Cary Christopher). One month later, the police are no closer to finding what happened to those seventeen children, and the town is tearing itself apart looking for them. There must be a focus on all that rage, guilt, and sorrow, and unfortunately for Justine, she is that focus. So, as the town focuses their rage on her, the question remains: What happened to the kids at 2:17 in the morning on that fateful day?

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Murderbot: Season 1 – TV Review

TL;DR – While this was a ridiculous romp of a show, beneath that exterior lies a fascinating character piece about identity, free will, and community.

Rating: 4 out of 5.

Disclosure – I paid for the AppleTV+ service that viewed this show.

Murderbot standing outside of the habitat.

Murderbot Review

Well, we have come to the end of what was an exciting, if odd series. I love my Sci-fi in almost every flavour, and sometimes you want a lighter, silly flair to it. Today’s series that we are exploring has that, indeed, it has that in spades. However, what it also has is an honest heart, which was the bigger surprise, and one that I deeply love to discover.

So, to set the scene, we open on the Mining Station Aratake in the Corporation Rim. Here, all the miners are celebrating the end of the mining expedition 115-24TTX. The one person not celebrating is the Security Unit, which has to follow human orders and tries to keep them safe. But as he is sitting there, he is able to hack the Governor Module in his head, thus Security Unit 238776431 did not have the right ring to it, so it became Murderbot (Alexander Skarsgård). He was a free bot, but given the corporation would kill him the moment they discovered he was rogue, which is how he ended up on Mining Survey 0Q17Z4Y, with more humans, ones who just might care about him, because they were weird. Now, from here, we will be looking at the series as a whole, so there will be some [SPOILERS] ahead.

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PEAK – Video Game Review

TL;DR – An enjoyable single-player experience that comes alive with a group.

Rating: 4.5 out of 5.

Disclosure – I paid for this game.

Looking down to the shore from the PEAK.

Peak Review –

One of the events I find fascinating is Game Jams. These are where developers set themselves a short period, usually a day or two, to see what they can build in that time. Here, time forces you to be creative and many weird and wonderful games, from Goat Simulator to Thomas Was Alone and everything in between, have been spawned. Usually, game jams spawn ideas that later become something grand. Still, I have never seen a game conceptualised in February and then released in June before, which is what we will examine today.

So, to set the scene, you are just a happy little guy going on a flight to a new tropical destination on Bingbong Airlines. But disaster strikes, and your plane crashes into an unknown tropical island. What do you do? Well, Scoutmaster Myers’ Wilderness Handbook Vol. 1 advises in How Not to Die, to run, not walk, and “You’ve gotta get to High Ground”. Looking around, you see a high peak in the distance, so it is time to collect supplies, gird your lions, and start climbing.

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Escape – Movie Review

TL;DR – While it dabbles in exploitation, the film never really comes together as a whole.

Rating: 2 out of 5.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

A woman running towards a cabin in the desert.

Escape Review

So, to set the scene, we open with a woman running for her life in a desert as she is being chased by a truck. 24 hours earlier, while a bunch of women have arrived at a luxurious island hideaway for a holiday, at a workshop, a comically evil trafficker is setting out the rules to his henchmen. They need ten women captured to be shipped off by Friday. The women are having a blast, not knowing they are walking into danger.  

Well, there is a lot I can say about this film, but I want to highlight some of its strengths. They make the most of their shooting location on the Canary Islands, which helps the narrative or at least makes it more energetic. I also liked that, on the whole, the women were written as out of their depth but not entirely stupid. For example, realising that maybe having a wrench would be a good idea. However, I think they would have preferred being kidnapped and wearing more practical footwear.

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