Category Archives: Movie Reviews

The Kitchen – Movie Review

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TL;DR – A thoughtful meditation on identity, community, and family.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Izi pears out from behind the slit in his door.

The Kitchen Review –

I am always fascinated by the techniques that filmmakers use to hit you with emotions. Sometimes, it can be pretty forceful, like a slap in the face. Other times, it is like a tide coming in, almost imperceptible, until you realise that you have been engulfed. Today’s film skews closer to the latter and is just as powerful for it.  

So to set the scene, in the not-to-distant future, Izi (Kane Robinson) lives in The Kitchen. A large, dense residential area on the outskirts of London’s centre. It is a difficult life because the police are trying to move people out of the slum, but most have nowhere to go. Izi works for Life After Life, a company that repurposes the remains of people who have died to become the support network for a new tree to be planted in a reclamation project. It is here when he discovers one of the names is someone deeply familiar to him from his past. A woman whose only griever is her son Benji (Jedaiah Bannerman).

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The Color Purple (2024) – Movie Review

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TL;DR – While it has its powerful moments, you can’t help but sit there and feel that this would have been better not as a musical.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening for this film

Warning – Contains scenes that may cause distress.

Celie and Nettie play in a tree.

The Color Purple Review –

Today, we are looking at a film that is quite difficult to parse because it is a film of mountains and valleys. When it soars, it soars, and you are captivated by the movie as it sweeps through the sky. But for every peak, we must then wade through a deep valley of missed opportunities. It is such a stark range that it is hard to find your footing at times.

So to set the scene, Celie (Phylicia Pearl Mpasi) and Nettie (Halle Bailey) are grouping up on the Georgia coastline at the start of the 1900s. Things are difficult for the sisters for many reasons, most notably their step-father Alfonso (Deon Cole). His actions have led to Celie being pregnant twice now and both babies being sent away. Life for Celie only becomes worse when she is married off to Ol’ Mister Johnson (Louis Gossett Jr.) and her sister is sent away. But the coming of Shug Avery (Taraji P. Henson) might be the chance Celie (Fantasia Barrino) needs to find herself.       

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Sixty Minutes (60 Minuten) – Movie Review

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TL;DR – While the narrative needed some strength, we got a quality action film with some stand-out brawls.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Octavio runs while time counts down.

Sixty Minutes Review –

It is Action Friday because after finishing off the final episode of Reacher’s second season, it is time to take a trip to Berlin to check out a German action film. While we have seen a lot of action films, I realised that I have never seen one out of Germany before. Well, today is the day I will fix that.

So to set the scene, Octavio Bergmann (Emilio Sakraya) is an MMA fighter who is stuck in a dilemma. He is facing the biggest and most prosperous fight in his life. But it is also his daughter Leonie’s (Morîk Maya Heydo) birthday, and the fighter Benko (Aristo Luis) is late, very late. He is stuck between a rock and a hard. But when his ex and mother of Leonie, Mina (Livia Matthes), gives him an ultimatum: see his daughter by 6 pm (one hour away) or be cut out of her life, well, that decision becomes clear for Octavio. Just maybe not for all the shady people who put bets on the fight. Oh, and it is rush hour in Berlin.

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Lift – Movie Review

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TL;DR – It may not be original, but it needs to be said that Lift failed to launch.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A literal ton of gold.

Lift Review –

Historically, I have tended to have a better time with the sort of films that Netflix has been championing as of late because even if they are not high art, they still have amusing moments. Or at least bank their blandness of stars with personalities that can shine through. Well, today, we have a film that flounders when it should soar.

So to set the scene, we open on an art auction in Venice that is happening in tandem with London. Cyrus (Kevin Hart), a world-renowned art thief, is there, as is Abby (Gugu Mbatha-Raw), the Interpol agent out to capture him. When an NFT for N8 (Jacob Batalon) sale goes wrong, it is time for a chase through the canals. It is a scene of chaos, but it is all a distraction. But when Abby’s boss, Huxley (Jean Reno), discovers a terrorist plot and needs something heisted from a plane in mid-air, well, it looks like Abby will need Cyrus and his team.   

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Maboroshi (Alice and Therese’s Illusory Factory/ Alice to Therese no Maboroshi Kôjô/ アリスとテレスのまぼろし工場) – Movie Review

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TL;DR – While there were some good ideas here, an unfortunate narrative focus and other frustrating narrative issues held it back for me.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Steel Factory on fire.

Maboroshi Review –

When something supernatural happens, is that divine retribution or divine protection? In a time of crisis, do people continue to carry on, or do they give up? What happens when you are stuck? Can you go on?

So to set the scene, it is 1991 in a small town in Japan, as Masamune (Junya Enoki) and his friends are all staying up late studying when an explosion rips out into the night. The local steel factory is ablaze, sending flames up into the air. Then, a light flashes through the air, and time becomes a bit funky. Running outside, they see the factory on fire, but cracks appear in the sky, and the smoke from the factory is not as innocent as it first appears. Everyone in the town senses the presence because everyone is trapped, and no one can get out.  

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Role Play – Movie Review

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TL;DR – There are some moments when the film shines. However, there is a lot of space in between those moments filled with missed opportunities.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.  

Role Play Review –

In the Spy and Spy-adjacent world, one of the core narratives that we see is when a spy’s family does not know what they do for a day job. The most famous is probably True Lies, but we see a lot of them moving from the more comical to the more serious, depending on the vibe that they want. That is if you can choose a vibe.  

So to set the scene, on the surface, the Brackett family is your perfectly normal middle-American suburban unit. The father, Dave (David Oyelowo), is an architect. They have two wonderful kids, Caroline (Lucia Aliu) & Wyatt (Regan Bryan-Gudgeon), and oh, by the way, when Emma (Kaley Cuoco) says she is going out of town to work cooperate management, she actually is a very successful assassin. Emma wants to have some time at home, but her handler, Raj (Rudi Dharmalingam), wants her back out in the field. After Emma forgets their anniversary, they decide to have a fun night out where they pretend to be two strangers meeting in a bar. One long ride stuck in the tunnel and the poor advances of Bob (Bill Nighy), and it looks like the night might be a bit of a mess. It would be the wrong time for someone’s cover to get blown.   

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The Holdovers – Movie Review

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TL;DR – It was a wonderful, moving, sad, delightful, and wild ride, unlike anything I have seen before, and it has been sitting in the back of my mind since I watched it. 

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A failed exam paper.

The Holdovers Review –

When you are watching a film, there are times when you have an experience where you become completely absorbed into the narrative. Taken back 50 years to a place you have never been before, to a place that you have no connection with, but you are taken there wholly. These cases are where the narrative, the direction, and the acting all come together for a perfect work. Today, we look at just such a film that focuses on three actors who give their all to the proceedings.

So to set the scene, it is coming to the end of the year in 1970 as we come to Barton Academy in New England. The term is coming to an end, and everyone is getting ready to go home to their families for Christmas, well, almost everyone. Every year, there is a handful of students who can’t make it back home for the break and stay over at the school, the titular holdovers. Paul Hunham (Paul Giamatti) teaches ancient civilizations and is hated by most of the students, does not want to be the one stuck with the holdovers but gets out manoeuvred by another staff member. Angus Tully (Dominic Sessa) wants to go home for the holidays, but his mother is spending it with her new husband, and Mary Lamb (Da’Vine Joy Randolph) lives on campus but is facing her first Christmas alone. They make an odd bunch as the snow comes in.     

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Joy Ride – Movie Review

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TL;DR – A film that is both crass, hilarious, and heartfelt, all in equal measure.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.

The gang on a motorbike.

Joy Ride Review –

In the last run, before we do our best of 2023 lists, I wanted to try films that I knew I would enjoy and just missed, but also those that don’t fit into his category. There was a point in the year when it looked like everyone was putting out mature comedies again. Some were great, others not so much. So, I didn’t give much thought to Joy Ride during its short theatrical ride in Australia, and I think that might have been a mistake.

So to set the scene, it is 1998, and the Chen family has just moved into a new and very white neighbourhood called White Hills. But when Lolo Chen (Ashley Park) found Audrey Sullivan (Sherry Cola), there was an instant connection, a best friend connection that stayed with them all their lives, well up to this point. Audrey is going back to China for the first time, and she is taking Lolo with her as a translator. Lolo wants to see if they can find Audrey’s birth mother while they are there, but Audrey is just focused on her job because if she nails it, she will be moving out of White Hills. But throw in the complications of Lolo’s cousin Deadeye (Sabrina Wu), Audrey’s college roommate Kat Huang (Stephanie Hsu), and her business meeting with Chao (Ronny Chieng) happening in a club, and things soon start falling apart.  

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Talk To Me – Movie Review

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TL;DR – A completely fraught film that captivates and terrifies you in equal measures.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Mia holds the hand.

Talk To Me Review –

As I do this final wrap-up of 2023, there is one film that I tried to see multiple times, but life or odd showing times always got in the way. I knew I could not do my end-of-year lists without seeing it, so I was happy to see it had slipped onto Netflix while I had my back turned.

So to set the scene, there is a part roaring in a suburban house, but cutting a swath through the gathering is Cole (Ari McCarthy) looking for his brother Duckett (Sunny Johnson). Cole is concerned but is shocked when he finds Duckett under the influence of something. Trying to get him to safety, he confronts all the partygoers filming the pair out of amusement when Duckett pulls a knife from the counter and stabs Cole in front of the gathering. Later, Mia (Sophie Wilde) is still reeling on the anniversary of their mother’s death when she takes her friend Jade (Alexandra Jensen) and Jade’s Brother Riley (Joe Bird) to a party where the kids are playing a new game, Talk To Me. It is a porcelain hand covered in words that, if you say the right words, you can see a visage of the other side and let them into your body. Just don’t let them stay more than 90 seconds.

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Rebel Moon – Part One: A Child of Fire – Movie Review

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TL;DR – Moments of interest in the middle of a sea of mess.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Gas Giant.

Rebel Moon – Part One: A Child of Fire Review –

Before we begin our best of 2023 list, there are a handful of movies that I want to catch up on, one of them being this new Science Fiction magnum opus from Zack Snyder. Snyder has always been at least an interesting director because he has a clear visual style, and that has worked for him in the past. The question is if this will work for him today?

So to set the scene, there is a large empire that spans across space, reaching out and conquering all they could find from the Motherworld. That is until assassins kill the King (Cary Elwes) and Queen (Rhian Rees) in a coup d’etat. There is a power vacuum filled by a Regent (Fra Fee) who sent his ships out to the edge of his domain to make sure no plant picks this moment to rebel against them. On the backwater moon of Veldt, things are proceeding as they always do until the ship commanded by Atticus Noble (Ed Skrein) appears in orbit over their settlement. While some in the town see an opportunity, Kora (Sofia Boutella) knows the reality: they are here to take, and take, and take.

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