Solo Mio – Movie Review

TL;DR – It has a level of heartwarming charm I was not expecting but was grateful to experience out in the Italian countryside.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid for the Amazon Prime subscription used to watch this film.

Being left at the altar.

Solo Mio Review Introduction

Well, it is the middle of the year, well more than the middle, and it is at this point and time that I start to get a bit reflective on the time that has passed and the coming storm that is the end of the year. It is the time of year when you want something that is just full of charm, and I think that will be the type of film we will look at today.

So, to set the scene, it was the perfect romance right up until Matt (Kevin James) was left at the altar by Heather (Julie Ann Emery) at their Italian destination wedding. As you can imagine, that is the perfect kind of embarrassment at any time and place, but there is an extra level of disaster when you are in a foreign country. Even worse, when your entire honeymoon package is 100% non-refundable. What is Matt to do? Well, it is paid for, and you can’t get your money back; well, you might as well enjoy it.  

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The Dink – Movie Review

TL;DR – A delightful romp across the court

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Apple TV subscription used to watch this film.

Dusty losses it on a pickleball court.

The Dink Review Introduction

Have you ever had just one of those weeks when nothing catastrophic happened in your life, but each and every aspect of your life is difficult for some reason? It is one of those weeks when you need to sit down and watch something with joy, something with fun. With that in mind, I thought it was time to sit down and watch the latest Jake Johnson joint.

So, to set the scene, Dustin ‘Dusty’ Boyd (Jake Johnson) grew up as ‘The Hammer’ and smashed his way into the world of tennis. That was before an injury cut short his promising career. Now Dustin teaches little kids at his dad’s (Ed Harris) tennis centre, boring the children and antagonising those using the Pickleball courts. Tennis is the king, but pickleball is on the rise, and they want more and more courts. Thus, there is only one solution for this dilemma: a duel.    

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28 Years Later: The Bone Temple – Movie Review

TL;DR – An incredibly confronting film that made me regret eating dinner but reveals a wealth of thematic depth beneath the gore.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime subscription used to watch this film.

Warning – Contains scenes that may cause distress.

The Bone Temple at dusk.

28 Years Later: The Bone Temple Review Introduction

Today we’re looking at an unusual sequel. After decades of waiting for 28 Years Later, The Bone Temple arrived so quickly afterwards that some audiences may have assumed it was the same film. I tried to watch it in cinemas, but the scheduling never worked out. But now it’s out on streaming, it’s time to give it a watch.

So, to set the scene, we open in the moments after the end of 28 Years Later with Spike (Alfie Williams) having to fight for his life in front of Jimmy (Jack O’Connell) and his cult of Jimmies. Meanwhile, around the Bone Temple, Dr Kelson (Ralph Fiennes) has made some odd discoveries about Sampson (Chi Lewis-Parry) that the alpha might indeed be his friend, or more importantly, the real person might still be in there. There is a bit of assumed knowledge going into this film, as it does expect that you have watched the previous film.

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The Last House – Movie Review

TL;DR – This is a film that is trying something, but it is working in a space where other contemporaries have excelled.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix subscription used to watch this film.

Water filling in the cracks of shattered glass.

The Last House Review Introduction

Today we are looking at something that is becoming increasingly rare in modern cinema: a genuinely original film. Not adapted, not spun off, and not based on a toy from 50 years ago. Given how uncommon these projects have become, I knew I had to give The Last House a watch.

So, to set the scene, one Sunday morning a surprise rainstorm appeared on the horizon. It felt like a normal day, but then the internet failed. But even stranger was the fact that none of the doors or windows would open. That’s okay, because you can break windows, right? No, the glass cracks but doesn’t break. Now, you and everyone you know are stuck in their houses, with only the food you happened to have inside.

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One Night Only – Movie Review

TL;DR – This is such a silly premise for a film, but goodness does the chemistry and commitment of the cast make it work.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Owen pushing Allie out of the way.

One Night Only Review Introduction

Today we are looking at a film that might have the most preposterous premise for a story, and that is me taking into account that the ridiculous becoming normal is very much the nature of existence in this time we live in. But can you do something interesting with a preposterous premise? A Dystopian Romcon? That is what we will look at today.  

So, to set the scene, in the not-too-distant future, the United States has outlawed sex outside marriage and enforces this via sensor data chips implanted in every person that sends information about your bodies back to the government via 5G. However, for one night a year, the ban is lifted. It is here where we meet Owen (Callum Turner), who is about to propose to his girlfriend (Maya Hawke) over dinner and Allie (Monica Barbaro), who is tired of meaningless hookups and is hoping to find something more meaningful on this of all nights. That is their plan, but like an old general once said, no plans survive first contact with the enemy.

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Spider-Man: Brand New Day – Movie Review

TL;DR – While there are limitations from a narrative perspective, the core strength of the characters shines through in a compelling way.

Rating: 4 out of 5.

Post-Credit Scene – There is an end-credit sting.

Disclosure – I paid to watch this film.

Spider-Man sitting upside down on a skyscraper.

Spider-Man: Brand New Day Review Introduction

This was a bit of an odd film for me, because of a number of factors. The first being my love of the MCU has been waning; I have not had the time or strength to keep up with its Disney+ outputs, and some of its recent films have been profoundly lacklustre. To add to this, I found the resolution of the last film, Spider-Man: No Way Home, to feel more like corporate maintenance than compelling storytelling. But given half the cast of the Odyssey is here, I thought it prudent to give it at least a go on its own terms.
 
So, to set the scene, it has been a hard couple of years for Peter Parker (Tom Holland), while Spider-Man (Tom Holland) has been out there becoming the hero of New York as he always wanted to be. Peter has lived a closed-off life, as the memory of the loss of Aunt May (Marisa Tomei) looms large. It doesn’t help that his two best friends, MJ (Zendaya) and Ned (Jacob Batalon), both forgot who he was and went off to live their own lives. But when an unknown entity starts attacking the Department of Damage Control by jumping between people, Peter realises there could be a dangerous enemy afoot, unless the imbalances in his own body take him down first.

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72 Hours – Movie Review

TL;DR – A film that is made worse by the addition of a lead character that should not be there.

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

He's Ours! in text.

72 Hours Review Introduction

Today we are looking at a very odd film, because on the surface, this is a comedy that should work, a perfect fish-out-of-water disaster film in the vein of Dude Where Is My Car or Eurotrip. However, there is one narrative choice that permeates the film and makes it worse in every possible way.  

So, to set the scene, Joe (Kevin Hart) is an advertising executive looking to become the chief creative officer. The one problem is that he sucks at connecting with Gen Z, which is becoming a liability to him getting the top job. This is when he accidentally gets included on a group thread for a bachelor party in Miami. It was a mistake, but when the world gives you an opportunity for a purpose-built focus group, you might as well take advantage of it. Though Hunter (Ben Marshall), Freshman (Kam Patterson), Mason (Mason Gooding), and Nick (Marcello Hernández) might not be happy with the exploitation.  

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The Odyssey (2026) – Movie Review

TL;DR – The Odyssey is a rare blockbuster that combines spectacle, emotion, and myth in equal measure. It left me awestruck, unsettled, and completely engrossed from beginning to end.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes which may cause distress.

Warning – Contains scenes with flashing lights.

Ships on the ocean at sunset.

The Odyssey Review Introduction

There are many foundational myths across the world, such as the Epic of Gilgamesh, Kebra Nagast, and Beowulf, to name a few. Each is written in a style of myth and history in a way that evokes the human condition. Today we look at Christopher Nolan’s dive into this world, taking on the unenviable task of bringing The Odyssey to the big screen.  

So, to set the scene, it has been twenty years since Odysseus (Matt Damon) left on the command of Agamemnon (Benny Safdie) to siege Troy and return the ‘kidnapped’ Helen (Lupita Nyong’o) to Menelaus (Jon Bernthal). However, it has been eight years since the city fell to the Trojan Horse gambit, and Odysseus has still not returned home to his wife Penelope (Anne Hathaway) and son Telemachus (Tom Holland). This has been enough time for new suitors to start sniffing around, trying to gain the kingship of Ithaca via marrying Penelope. She has held them off for years, even as they use Zeus’ Sacred law to bleed her dry with banquet after banquet. Penelope holds on, partly because she knows they will kill her son as soon as a new heir is born, but also because deep down in her heart, she knows that Odysseus is alive out there somewhere.

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Enola Holmes 3 – Movie Review

TL;DR – This is one of the films where the presentation almost makes up for the lack of narrative substance, almost.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure –I paid for the Netflix service that viewed this film.

Enola looks through a porthole.

Enola Holmes 3 Review Introduction

I think one of those rare lingering joys of this streaming era is when they go full tilt into an odd concept with full vigour. One of these rare examples is the Enola Holmes series. Every few years, Millie Bobby Brown gets to pop into some amusing action and talk to the camera like she was auditioning for The Office, and it has been a delight. I quite liked Enola Holmes and Enola Holmes 2, so let’s see if the third film sticks the landing.   

So, to set the scene, in a beautiful cathedral in the heart of Malta, there is a wedding incoming. One slight problem: the bride is having second thoughts, mainly about losing her identity. Or at least the name on which she had built everything. But as Enola (Millie Bobby Brown) makes her way through the countryside to Tewkesbury (Louis Partridge), she is intercepted by Dr Watson (Himesh Patel) to inform her that Sherlock (Henry Cavill) is missing, not just missing, but kidnapped.  

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Moana (2026) – Movie Review

TL;DR – For better or worse, it is almost beat-for-beat the same film as 2016.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Moana and Tala walk along the beach.

Moana Review Introduction

Well, here we are with a live-action remake of an animated film that was only released ten years ago. Disney’s track record with live-action remakes is not great, and that is before we even consider the ones they quietly dumped onto Disney+ like straight-to-DVD sequels. Which puts me in a kind of odd situation, as I am on record with how much I like the original Moana; indeed, it is still one of My Personal Top 10 Animated Films of All Time, and I even kind of liked the flawed sequel. However, last year’s How to Train Your Dragon showed that you can make that transition work, so I am here to see if You’re Welcome lands as well in 2026 as it did in 2016.  

So, to set the scene, deep in the Pacific Ocean, the demi-god Maui (Dwayne Johnson) attempted to harness the power of life from the goddess Te Fiti. He steals her heart, but instead of having the power over life, Maui is instantly defeated by the lava demon Te Kā and the heart and his magical fishing hook are flung into the ocean, separating Maui from his power and releasing death into the ocean. Or at least that’s the story that Tala (Rena Owen) tells to scare the children of the village, but it has been so many years since then, and surely these are just stories. But it is these stories that drive Moana (Catherine Laga’aia) to see what exists outside the reef that rings her island; however, her father Tui (John Tui), the chief, has banned people from leaving the island and the protection of the reef because of the dangers that lurk in the open ocean. But when death and disease come to her island, Moana will have to make a journey past what she knows and into the great abyss that surrounds every island.  

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