TL;DR – A film that spends a long time trying to find its voice but never quite gets there due to issues with the story.
Score – 3 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Warning – Depicts scenes of sexual abuse
Review –
I watched a lot of films that have had difficult moments to watch, today I look at a film that is filled with them. This makes it a film that is hard to unpack because it has a big barrier of entry. Today we will try to examine that difficulty as we explore The Prince.
So to set the scene, we open in on a scene carnage as a throat is cut and someone bleeds out on the floor. We then find ourselves walking through the dimly lit halls of a local jail. Jaime (Juan Carlos Maldonado) shuffles from one cell to the next before finding himself in the cell of Potro (Alfredo Castro) one of the jail’s patriarchs a place where safety and danger can be one and the same.
TL;DR – This is a film of two halves, one that really works, and one that really doesn’t
Score – 3.5 out of 5 stars
Post-Credit Scene – There is a mid-credit scene
Review – Today we get to review a film out of Mexico that delves into the world of office workplaces. A place of conflict, love, war, and comedy. It is here where we see the best and the worst of ourselves and others and it can be both a metaphorical and literal riot at times, and a bit frustrating at others.
So to set the scene, we open in on a city street in Mexico as someone in a mascot outfit walks down the street to the sounds of Staying Alive. He is very popular with everyone as they line up to take selfies with him right up until an elderly man shots him in the head with a t-shirt gun. It is here where we meet Omar Buendía (Gustavo Egelhaaf) the man behind the mascot outfit and his Abuelo (Alejandro Suárez) the man behind the gun. Well, Omar’s Abuelo has a minor heart attack, so has to step away from his job forcing Omar to find a steady white-collar job. Well, welcome to Relo Tech, a world of extremes … also a really toxic work environment.
TL;DR – A difficult film to watch at times but an interesting look at power, addiction, family, and abuse.
Score – 3 out of 5 stars
Post-Credit Scene – There is a mid and post-credit scene
Warning – Depicts scenes of abuse
Review –
I had realised that my drive to experience more of world cinema has taken a back seat for a while, so today I decided to change that. More than just change that, I thought it would be best to dive into a cinema I haven’t really explored before. As if on cue, Ali & Alia appeared and well one does not look providence in the face and then blink.
So to set the scene, we open flying through a town until we land in a football field where two sides are drawn together in opposition. On one side is Ali (Khalifa Albahri) and on the other is Aboud (Mayed al Ali). What is the fight about, well we jump back a little time and we see the start of it all. One day as Ali is escorting Alia (Neven Madi) to the local clothes shop when he is accosted by a bunch of layabouts. Instead of standing up for himself, he says nothing. This upsets Alia because he is not acting like a man. This rebuke starts a spiral in Ali’s life that affects everyone around him.
TL;DR – When you can make a running tally of bad paedophile jokes and that is not the biggest problem with your film then you have some real problems.
Score – 1.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
Have you ever watched a film that is filled with talented people with an interesting concept, but it fails on almost every level. Well if you haven’t, I have the film for you, which shows you that you need to pick a tone when you start rather than trying to find one in production.
So to set the scene, Officer James Coffee (Ed Helms) is going through life, and not succeeding bar the fact that he is dating Vanessa Manning (Taraji P. Henson). Well in one day Vanessa’s son Kareem (Terrence Little Gardenhigh) found out they were sleeping together and he became the laughing stock of the police force when Orlando Johnson (RonReaco Lee) escapes from the back of his police cruiser. To get back at Coffee, Kareem sets it up so Coffee would take him to a friend’s place but instead it was to a place so he could get a beat down. Well, it all fell apart and now Kareem and Coffee are on the run.
TL;DR – There is an interesting film here, but it just does not quite come together
Score – 3 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
In a film, time can be just as much part of the narrative landscape as the words the actors say. It can shape a film, it can direct a film, it can hide and it can reveal. Today, we look at a film that plays with time in its narrative, and while it never quite works it is interesting.
So to set the scene, we open in on a young Jonas (Nicolas Bauwens) playing Tetris on the Gameboy, while his dad fills up the car. Rage quitting he sees something out in the darkness and is attacked by a memory one he can’t shake. Many years later, Jonas (Félix Maritaud) is a very different person, but he is still haunted by the past.
TL;DR – An exploration of the effects of toxic masculinity and all its consequences.
Score – 3.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
There are films out there that sometimes you can see the trajectory coming a mile away, you see the pain incoming and like a crash in slow motion you can’t look away. Today we look at just such a film, one of pain and sadness and inevitability.
So to set the scene, we open in on Andrej (Matej Zemljic) who spends his days not being at school and his nights parting away. One night ends with him punching a woman and that rightly is that. He is sent to a juvenile correction facility as a last chance before jail time. Here he meets Žele (Timon Sturbej) the local ringleader and it is here when we see that this story is not going to end well.
TL;DR – There is a kernel of a good idea here, and there are parts of it where you can see how it could have made a really good film, just maybe not the one we got
Score – 2.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
When you here that the premise of a film is that someone has bolted guns to Daniel Radcliffe’s hands and let him loose in the world. Well, that congers up a lot of images and expectations, indeed Daniel has been bouncing from one delightfully odd film to the next since his time in/as Harry Potter. At the very least, it is the kind of set up when you know before walking in that it is either going to be amazing or a dumpster fire but not in-between. Well trust me, I am just as surprised as you that I got it very wrong.
So to set the scene, Miles (Daniel Radcliffe) is your usual loner who lives a less than great life as a code monkey for a soul-sucking corporation. But at night, he finally comes alive as he trolls, well other trolls. One night, however, things take a turn as he discovers ‘Skizm’, which is kind of like Twitch but with murder, indeed we are introduced to the program with Nix (Samara Weaving) annihilating another contestant because two people start and only one comes out alive. Well, Miles starts trolling the chat and eventually gets noticed by the admin Riktor (Ned Dennehy) who smashes down his door, knocks him out, and performs a little surgery. Miles wakes up with a splitting headache … oh and two guns bolted to his hands.
TL;DR – A film filled with amazing acting, and technical brilliance, however it was one of the most difficult films I have reviewed due to the issues of abuse that it explores.
Score – I am honestly not sure what to score to give this film
Post-Credit Scene – There is no post-credit scene that I saw
A couple of years ago I stumbled upon Upgrade and thus discovered the wonderful work of Leigh Whannell. Since then, I have been waiting to catch his next film, so I was really excited to get the invite to see The Invisible Man. This was also a film that was going to reframe an old classic monster film and bring it into the modern age, which also intrigued me because that is my jam. However, while watching the film, I found myself feeling very conflicted with the subject material. All of this left me very unsettled in a way that I have spent the past two weeks wondering if the film approached it in an appropriate way or not.
So to set the scene, we open in on a mansion on the top of a cliff, waves crash against the rocks on a cold winters night as we zoom in on the isolated house. In the house, there is a couple asleep in a bed, Cecilia Kass (Elisabeth Moss) and Adrian Griffin (Oliver Jackson-Cohen), but only one of them is actually asleep. We watch as Cecilia slowly slips out of the bed, at first you think it is just that she does not want to disturb Adrian, but soon you discover there is something more to it than that. In fact, she is leaving him in the middle of the night, the only time she could, which means that when every sound could be her undoing. The moment she grabs her hidden go bag you immediately understand why she is leaving. As she escapes over the high walls of the house everything starts to get better, that is until things start moving in rooms that should be empty.
TL;DR – Unfortunately this is a film that mostly falls flat in-between shout outs to Olive Garden. Score – 3 out of 5 stars
Post-Credit Scene – There is a mid-credit scene
Review –
For a long time, there has been a drive to find a great adaptation of a video game, and on the whole, the best we have gotten is mediocre. Well, today we look at a film that is trying to break through that history and alas it does not quite get there even though it is clear that all the cast is giving their all.
So to set the scene, in a magical kingdom far away, there was a young blur bouncing across the green world with in-built loop-d-loops. His power is almost limitless, but that comes with danger and one day that danger comes home to roost. As they are attacked, Sonic’s (Ben Schwartz) adopted mother Longclaw (Donna Jay Fulks) helps him flee by giving him rings that allow him to jump from world to world keeping ahead of the kidnappers. Well, many years later, one of those jumps leads him landing on Earth where he watched the residents of Green Hills, Montana like the local sheriff Thomas Michael “Tom” Wachowski (James Marsden) go about their lives. All is good, until one day when he accidentally sets off an EMP, drawing danger in the form of Dr Robotnik (Jim Carrey) right to his door.
TL;DR – One of the weirdest films I have ever watched and I don’t know if that is a good or bad thing, maybe both?
Score – I honestly don’t know out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
Quite often a film will come across your desk that has elements of oddness to it, sometimes that oddness is a sprinkling of seasoning over the finished production, sometimes that oddness is a core component of the meal. However, I have never seen a film that had its oddness so baked into the film that it permeated every aspect of the filmmaking from start to finish. Well, that changes today with The Lighthouse.
So to set the scene, Ephraim Winslow (Robert Pattinson) has arrived by small boat onto a desolate island in the middle of the Atlantic. He is to be an assistant wickie or lighthouse keeper under Thomas Wake (Willem Dafoe). They have to work four hard long weeks isolated on the small island, but then they get to go home with decent pay. The work is hard and the close quarters start to come to bare on the two men, made worse when the winds turn and the waves crash and the island becomes isolated from everything and everyone. Now because of the nature of this film it hard to really discus it on any level without spoiling the film a little bit, so be cautious of that as you read on.
TL;DR Movie Reviews and Analysis 