Tag Archives: Michelle Yeoh

Wicked: For Good (Wicked: Part Two) – Movie Review

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TL;DR – While Cynthia Erivo & Ariana Grande still shine, the choice to split the film into two parts has had a detrimental effect on the pacing, narrative, and structure of the film.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A propaganda poster of the Wicked Witch.

Wicked: For Good Review Introduction –

If I look back on the last twelve months, there may have been one film, outside of Chicken Jocky, that captured the imagination of people in the cinemas. It felt like everyone was holding space for Wicked, as it dominated the box office and broader pop culture. Thanks mainly to it being anchored by two of the best lead actors in the business for a musical film like this: Cynthia Erivo & Ariana Grande. But here’s the thing, and it’s a big one. The choice to end the first film at the traditional intermission moment meant that everything that the general public understood of Wicked was all in that first film, and thus, I was worried about how Part Two would go. I think I was right to be concerned.  

So, to set the scene, at the end of Wicked, Elphaba (Cynthia Erivo) discovered that the Wonderful Wizard of Oz (Jeff Goldblum) is nothing but a fraud. Oz and his accomplice Madame Morrible (Michelle Yeoh) needed Elphaba’s natural magical abilities, but not if she was a threat. So Elphaba escaped their clutches, but has now been branded the “Wicked Witch of the East” in a propaganda campaign that stretches across the lands. Everyone now has to live with the consequences of their actions. Glinda (Ariana Grande) always wanted to be in the spotlight, but is she willing to do what it takes to stay there when it means betraying her friends? And will Fiyero (Jonathan Bailey) discover his strength before it is too late?   

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Star Trek: Section 31 – Movie Review

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TL;DR – There are some interesting ideas here and some fun action sequences, but it is held back by serious pacing issues that occurred when they crunched this into a movie.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Paramount+ service that viewed this film.

A Section 31 communicator.

Star Trek: Section 31 Review –

Well, if there is one series of Star Trek that always seemed to get brushed aside, it was Deep Space Nine, and while a lot of people have come around on it in recent years, even the other Star Trek production teams at the time didn’t truly understand it, which meant that up until maybe Lower Decks, we have never seen the impact of the show on the broader universe. Well, almost never. Because there was one part of the show that nearly everyone since has picked up and run with: Section 31. Which would be great if that was not the one bit of Deep Space Nine that I didn’t like. Well, if Star Trek is going to dabble in making movies again, and they are going to use Section 31 as the base, then headlining it with Michelle Yeoh absolutely should be the best way to start it off.   

So, to set the scene, Philippa Georgiou (Michelle Yeoh) was the Terran Emperor of the Mirror Universe, brought into our Universe before being sent far into the future. There, she was unable to live, and she was sent back to a time that would be more stable for her by The Guardian of Forever [sometime in the early 2300s]. Here, Georgiou has been living under the guise of Madame du Franc at the space station Baraam. But there is an alien selling a bioweapon Godsend, and a Section 31 team led by Alok Sahar (Omari Hardwick) was sent into to neutralise Georgiou and take out the weapons dealer. But of course, it all goes wrong.  

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Wicked (Wicked: Part 1) – Movie Review

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TL;DR – One of the most faithful musical adaptations that I have ever seen, but that brings all the musical’s strengths and weaknesses.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

The Emerald City.

Wicked Review –

Today, we are looking at what might be the most convoluted production history in this site’s history. We are reviewing a Movie [Wicked] adaptation of a Musical [Wicked], which is an adaptation of a Novel [Wicked: The Life and Times of the Wicked Witch of the West], which is a reinterpretation of another Novel [The Wonderful Wizard of Oz], which in itself is most well known for its Movie Adaptation [The Wizard of Oz] whose design legacy can be seen our feature today. There have even been several more attempts to work in this space in recent years, with Oz the Great and Powerful and even Agatha All Along earlier this year. It could be a crowded or iconic market position, but does it make the most of its situation? That is what we will look at today.

So, to set the scene, Elphaba Thropp (Cynthia Erivo) has not had an easy life ever since she came into this world covered in a dark shade of green. She was thought of as some kind of curse by her own family and lived almost in isolation with Midwife (Sharon D. Clarke), her bear nurse. Growing up, she always had these moments where she acted out with magic, but she could never control the bursts. But her life is changed when one of those magical bursts happens as she is escorting her sister Nessarose (Marissa Bode) to Shiz University, and she is spotted by Madame Morrible (Michelle Yeoh) expert in all things magic. The only problem is that there are no rooms for her at the university unless Galinda Upland (Ariana Grande-Butera) shares her private suite.  

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A Haunting in Venice – Movie Review

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TL;DR – The stronger of the three so far that explores faith, mystery, and, of course, murder.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

skellington

A Haunting in Venice Review –

I love a good murder mystery film, and when you want a good murder mystery, you can’t go past the Queen of Murder Mysteries, Agatha Christie. She has a way with words that have made it through the ages, and the latest interpretation of her work on the big screen has been helmed by Kenneth Branagh with their Murder on the Orient Express in 2017 and Death on the Nile in 2022. Today, we get the third instalment in the series, and what, spoiler alert, is my favourite of the three.

So to set the scene, it is now 1947, and it has been ten years and one world war since we last saw Hercule Poirot (Kenneth Branagh) on the Nile. After a lifetime of investigations, Poirot has taken to seclusion and retirement in a house in Venice with only his bodyguard Vitale Portfoglio (Riccardo Scamarcio) and the daily pastries boat making their way past his door. It is a life of quiet solitude that is punctured when an old friend/acquaintance/annoyance, Ariadne Oliver (Tina Fey), arrives at his door with a conundrum. There is a medium, Joyce Reynolds (Michelle Yeoh), going around claiming that she can talk with the dead, and no matter what Oliver can do, she can’t work out Joyce’s tricks. Joyce is doing a séance for local celebrity Rowena Drake (Kelly Reilly) to speak with her recently lost daughter Alicia (Rowan Robinson) as it is Hallowe’en. All Poirot has to do is work out her tricks, and surely there won’t be any other deaths …

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Transformers Series Review – Exploring the Past

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TL;DR –.We explore the highs and lows, and lows, of the Transformers film series.

Disclosure – I paid for the Paramount+/Amazon Prime services that viewed these films.

Transformers –

We might be in the era of nostalgia, but that does not mean that current films can capture what made those original properties soar. An excellent example of this is Transformers, a series that swings wildly in quality and in how it connects with the series it is based on, and now I have watched them all.

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Transformers: Rise of the Beasts – Movie Review

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TL;DR – This is a solid entry in the series that shows that there are still legs under this franchise, even if it does end in a very predictable way.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to see this film

Optimus Prime

Transformers: Rise of the Beasts Review –

For a long time, it felt like the Transformers Franchise was destined to but absolute garbage, maybe occasionally dipping into mediocre. Then Bumblebee happened, and for the first time since maybe 2007, it felt like someone who understood the characters was taking a crack at the series, and good things happened. However, was this an anomaly or a start of a new trend? That is what we are exploring today.

So to set the scene, on a world a long time ago, a planet is under attack in a galaxy far away. But this is not just an invasion, for the planet eater Unicron (Colman Domingo) is here to not only consume the planet wholesale, but he sends his minion Scourge (Peter Dinklage) down to secure the Transwarp Key from the Maximals so that he can warp to any planet in the Universe and consume it. Apelinq (David Sobolov) fights to give his Maximals time to escape, and the key is lost. Back on Earth, it is 1994, and it has been seven years since the Autobots arrived at the end of Bumblebee, and their short pitstop has turned into a prolonged stay as they can’t find a way off the planet. This pains Optimus Prime (Peter Cullen). Still, when Elena Wallace (Dominique Fishback) accidentally reveals part of the Transwarp Key, he sees an opportunity, but the Autobots are not the only ones who spotted the key’s energy signature.   

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The School for Good and Evil – Movie Review

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TL;DR – There were hints of something fabulous here, but it just felt like it was always held back from reaching its true potential.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film

The School for Good and Evil

The School for Good and Evil Review –

Many genres land for me on a personal level; one of them is taking traditional narratives and bringing a new twist to them. You can see it clearly when someone takes a swing at an old fairy tale and brings new life into it. Today we are looking at just such a film in a land far from our own, full of good and evil.

So to set the scene, in the long past of the fairy tale world, two brothers, Rhian (Kit Young) and Rafal (Kit Young) created a school to bring balance between good and evil, a balance that is now broken between them and the world after the use of forbidden blood magic. A long time later, in the small town of Gavaldon, two outcast girls, Sophie (Sophia Anne Caruso) and Agatha (Sofia Wylie), are complete opposites but also best friends. One day while in town, they stop into Deauville’s Storybook Shop, they learn about the legend of The School of Good of Evil, and Sophie puts all her hope into the wishing tree that it is real. Well, one night, under a red sky, they find out the answer the hard way. Even worse, they might have made a mix-up as they stare down Lady Leonora Lesso, the Dean of the School for Evil (Charlize Theron) and Prof. Clarissa Dovey, the Dean of the School for Good (Kerry Washington).  

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Minions: The Rise of Gru – Movie Review

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TL;DR – While it might not hit as hard as its predecessors, it was still a joy to be back in this world.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I was invited to a press screening of this film

Gru and the Minions in the one bed.

Minions: The Rise of Gru Review –

This may be due to my never having children, much to my mother’s chagrin, but I have always liked the Despicable Me films. Gru (Steve Carell) discovering who he is through the prism of his daughter’s love and then becoming a better person for it. Well, that is some compelling stuff. Heck, I even like those quirky little minions always up to mischief. I think I was the only one who laughed at their cameo in Mortal Engines. I am sure that would have changed if I had been subjected to them time after time. But coming in here, I thought that Despicable Me 3 might have started to show the limits of this story, and I wondered could a prequel help?

So to set the scene, it is 1976, and a very different set of villains torment the globe, which the film wastes no time showing as we see Belle Bottom (Taraji P. Henson) race through town, evading the authorities at every turn. In the lair of The Vicious 6, she reveals to their leader Wild Knuckles (Alan Arkin) a map to an ancient stone pendent of power. Well, one trip to Asia later, one betrayal, and one Bond-inspired title sequence later, there is now a free spot open in The Vicious 6, and a young Gru wants in.

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Everything Everywhere All at Once – Movie Review

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TL;DR – You may have been told how wild this film is, but trust me, whoever was talking to you was completely underselling it.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Everything Everywhere All at Once. Image Credit: A24.

Everything Everywhere All at Once Review –

The word surreal gets thrown around quite a bit and usually means something that might be a bit cerebral or weird or maybe both. But for something to be genuinely surreal, it needs to challenge the nature of reality, to contest the very bedrock we live our lives on. Films will often dip their toes into the surreal, but every now and again, a film will dive in headfirst. Today, we are looking at just such a film that just might nail everything it sets out to do.

So to set the scene, in a city in America, Evelyn Wang (Michelle Yeoh) lives above the laundromat that she runs with her husband Waymond (Ke Huy Quan). Things are pretty stressful for Evelyn at the moment. The IRS is auditing the business. She is trying to put together a party for he estranged father, Gong Gong (James Hong), she is feuding with her daughter Joy (Stephanie Hsu), and Waymond is about to drop divorce papers on her. As they arrive at the IRS to be audited by Deirdre Beaubeirdra (Jamie Lee Curtis), Waymond suddenly changes into a completely different person. He declares that Evelyn is in trouble because a force from another universe is hunting her down, and it just might have found its prey, and that is when the alarms go off.

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Shang-Chi and the Legend of the Ten Rings – Movie Review

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TL;DR – The cast was terrific, the action was tight, and it was funny to boot.   

Rating: 4 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Disclosure – I paid to see this film

Shang-Chi and the Legend of the Ten Rings. Image Credit: Disney.

Shang-Chi and the Legend of the Ten Rings Review –

I walked into Shang-Chi with a little bit of trepidation. Marvel has not had a good track record when delving into this realm, with Iron Fist being the low point, but even Dr Strange didn’t get everything right. But this time, Marvel was not just dipping their toes into this genre. It was diving all the way in. Thankfully those trepidations were for nothing as they have nailed it.

So to set the scene, we open with the story of Xu Wenwu (Tony Leung), who discovered a mystical set of ten rings. These rings gave him tremendous power and eternal life, and he used that to take control across the world, both actively and from the shadows. In 1996, he started his mission to claim the one realm he had not concurred, but his expedition to Ta Lo failed with him being the only one alive. At the gates to Ta Lo, he expected to find a guardian. He didn’t expect to find one that outclassed him in every way or that he would actually find love. He and Ying Li (Fala Chen) go home and start a family, but it ends in tragedy. In the modern-day, their son Shang-Chi (Simu Liu) goes by Shaun and works as a valet in San Francisco with his best friend Katy (Awkwafina). It is a quiet life, right up until they get attacked on a bus by a bunch of goons sent by his father.

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