One of the good things about watching films from around the world is that you get to experience a whole range of new stories. This is usually a boon, however, sometimes it all falls flat, and today, unfortunately, we look at the later.
So to set the scene, we open in on Cannes on the French seaside where Naïma (Mina Farid) has just turned 16. She is trying to find her place in the world and see her future. At the start of summer her cousin Sofia (Zahia Dehar) who just lost her mother comes to stay from Paris. It is a time for finding oneself under the French sun.
TL;DR – A fascinating and engaging story filled with great performances and many yikes moments
⭐⭐⭐⭐
Rating: 3.5 out of 5.
TL;DR – A fascinating and engaging story filled with great performances and many yikes moments
Review –
When you sign up to watch a Guy Ritchie film, you sort of know what you are going to get yourself into as he has a very specific style. It is one that is a very flash in the pan, but with a lot more substance than similar filmmakers. On the whole, I do tend to enjoy his style of filmmaking and the stories he focuses on because at the very least they will be entertaining. Well let’s dive into his latest that I was not able to catch in cinemas given ‘waves hands around’, but I am looking forward to now.
So to set the scene, we open with Michael ‘Mickey’ Pearson (Matthew McConaughey) walking into a pub he owns ordering a pint and a pickled egg and phoning his wife Rosalind ‘Ros’ Pearson (Michelle Dockery). Only to find out there is someone unknown in the house with her which is just the moment that someone puts a bullet in the back of his head. Jump to Raymond ‘Ray’ Smith (Charlie Hunnam) arriving at his home only to find general sleazeball and private instigator Fletcher (Hugh Grant) waiting for him with a story and a demand for 20 million dollars. A tale of a bad man who wants to get into the world of legitimacy from a world of danger and it goes about as well as you can expect.
TL;DR – A exploration of tension when one wrong step can be fatal.
⭐⭐⭐⭐
Rating: 3.5 out of 5.
Post-Credit Scene – There is no post-credit scene
Review –
One of the things I like the most about cinema is when they let me know of stories that I have previously been unaware of. As well as this, I have seen a lot of prison break films in my time, some fictional, some real, some ‘we think this is how they did it’, and I have always found them fascinating. Well, today we get to explore both of these with Escape From Pretoria.
So to set the scene, we open in the heart of apartheid South Africa with accrual footage of the time. It is here where we are introduced to Tim Jenkin (Daniel Radcliffe) and Stephen Lee (Daniel Webber) who work setting up leaflet bombs for the African National Congress or ANC. One day after a successful campaign, they are captured by the police and sentenced to twelve and eight years in the all-white political prisoner’s prison in Pretoria. While in Pretoria jail they meet Denis Goldberg (Ian Hart) who was put on trial with Nelson Mandela and fellow prisoner Leonard Fontaine (Mark Leonard Winter). They dream of escaping, but how do you do that when you are locked behind several feet of steel?
TL;DR – It starts ridiculously serious for its subject matter before finding its groove after several films.
Well, when you are stuck at home unemployed in the middle of a pandemic, you can either head down some very unhelpful rabbit holes, or you can take the time filling in some blanks in your life. After spending too much time with the first, I decided to give the later a chance. So which movie blank should I look at correcting? This was the query set before me. There are a lot of films and genres to choose from but if there is one that most of my friends have seen, but I haven’t it would be the Fast & Furious Franchise, and well where better than to start there.
This has always been an odd franchise for me as I set well out of its target audience, hell I can’t even drive a manual, let alone parse most of the racing dialogue. Indeed, the only reason I know one of the characters is driving a 1970 Plymouth Barracuda and the other is driving a 2012 Nissan GT-R R35 Bensopra is that I looked it up in the Wiki. However, it keeps going from strength to strength, and while I had reviewed some of the later films, it was an oversight not to go back to the beginning and start anew. To fix this, over the last few days, I have now watched all of the feature films in the franchise. So let’s dive into The Fast Saga a world of fast cars, high-speed crashes, so many different heists, and family above all.
TL;DR – A fun trip down memory lane, while learning a thing or two about the International Space Station.
⭐⭐⭐⭐
Rating: 3.5 out of 5.
Post-Credit Scene – There is no post-credit scene
Review –
The Magic School Bus was one of those shows that I can’t help but think back fondly on. Like I can still remember an episode where they went inside a decaying log for some reason. So when a new episode of the show popped up in my feed, and one set in space no less, I had to check it out, and I got sent back in time and into the future all at once.
So to set the scene, we skip all the standard preamble and start with the Bus as a rocket blasting off into space. Ms Frizzle (Kate McKinnon) is taking the whole group up to the International Space Station. The astronauts are heading back to Earth, so the team is watching over the station until the next crew arrives the following day.
Today we review a film that might be the oddest film I have watched from a conceptional perspective. It is a reinterpretation of the story of the Lion King remake, a movie I thought was okay but not much more. But this reframing is the barest framework the film uses throughout to explore everything from religion to music to race and more. This should not work, but it does.
It explores many themes during its runtime and gives each and every one of them the justice they deserve. Image Credit: Disney+.
TL;DR – A film that presents a lot of interesting questions, but I am not sure it answers everything it sets out to do.
Score – 3 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
One of the great things about World Cinema is that you can explore whole worlds you don’t know about and see them come alive. I have never been to Brazil or Nigeria, but through cinema, I can experience those stories, the pain and the joy.
So to set the scene, Amadi (O.C. Ukeje) has been tasked by his family to fly across from Lagos, Nigeria to São Paulo, Brazil. He is in the unfamiliar country for one reason, to find out what happened to his estranged older brother Ikenna (Chukwudi Iwuji). What makes things worse is when he discovers that the story that Ikenna has told his family is a lie, and if he does not find out what happened he might have to take on the mantle of the older brother as is required in Igbo society.
I am going to start with the fact that as someone from Australia, I do not know if the film represents Igbo society or Brazil. So I am proceeding in this review under the assumption that they do in this regard unless I discover otherwise.
TL;DR – A look into the world of Rubik’s Cubes and those who can solve them in under 7 seconds.
Post-Credit Scene – There is no post-credit scene
Review –
One of the great things about documentaries is when they take you into a world that you have no idea about. Today we get a film that does just that, with the world of Rubik’s Cubes. I don’t get Rubik’s Cubes. My brain cannot compute them. The skill involved boggles my mind, so watching it all unfold is a real joy.
Where this documentary works is by offering us an insight into a world that everyone has a handle on but then also something you can’t quite comprehend. I think everyone has played with a Rubik’s Cube at some point in their lives. It is a novelty thing, that let’s be honestly more than a few of us have only finished one because we pealed the colour panels off and switched them around. It is a tactile situation that we can all relate to, so when you see people move their fingers in a blur and shift chaos into order in mere seconds.
TL;DR – A film that takes an interesting premise and then does nothing of note with it.
Score – 1.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
Today we look at a film trying to be a snapshot of a time and a place, which unfortunately fails on both accounts. Which is a real shame because there is a lot of potential in the direction the film was heading in that just never eventuates. Because of this, our review will be more of a constructive look at some of the ways it went wrong so you can avoid these traps in the future.
So to set the scene, in 1966, the world is on the precipice of global failure with two nuclear powers on the brink of calamity and the draft for the Vietnam War accelerating. Liza (Mikey Madison) is just finishing up the school year when she runs into the new trumpet player Brett (Sean H. Scully). They lament on the state of the world, and of their mutual issues with their guardians. When Brett, let’s Liza know that he is moving across the country after the summer, they decide to take a trip up the Californian coast while they still can.
When I walked in to see Babyteeth, I had no idea I was walking into. Sure, from the wigs I assumed it had something to do with cancer, it also had Ben Mendelsohn, so at the very least I was going to be entertained by that. However, nothing could prepare me for the emotional roller coaster that I would be taken on from start to finish.
So to set the scene, Milla (Eliza Scanlen) is preparing for her last day at school for a while as soon she would be starting chemotherapy as her cancer had returned. While she is waiting to get on the train, someone crashes into her from behind. Moses (Toby Wallace) had just been kicked out of home due to his drug addiction. They run off to get her hair cut, and Milla brings him home to meet her parents Henry (Ben Mendelsohn) and Anna (Essie Davis). It goes about as well as you expect it would.
I do feel that I have to preface my review with the note that moments in this film are painful to watch. So difficult that you want to turn away from the screen because the pain is too raw to bear. I say this because I feel people are going to come away with very different feelings about this film, and I wanted to give a little forewarning before we dived into the review proper.
TL;DR Movie Reviews and Analysis 