Movie Review – The Way Back (Finding the Way Back) (2020 film)

TL;DR – A film that feels more personal than I have seen in a while and at the very least a loot messier     

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Way Back. Image Credit: Warner Brothers.

Review

There are many things that make reviewing The Way Back a difficult prospect. Part of that comes from intentional narrative devices that help the film in some ways and hinder it in others. Also, this is just a really raw film at times looking at a subject material that is both important but also deeply relevant to the lead actor. Which gets us into the realm of how much of this is performance and how much of this is reality thrown up on the screen. All of these are difficult things, but they were because in many respects this is a difficult film.

So to set the scene, Jack Cunningham (Ben Affleck) spends his days alone, even when he is surrounded by people. He wakes up with a beer, he showers with a beer, he drinks on the way to work, he hides booze while he is working, and he drinks himself silly when he gets home. After Thanksgiving dinner with his sister Beth (Michaela Watkins) who is clearly concerned that he is not seeing anyone after his marriage with Angela (Janina Gavankar) fell apart he arrives home to find an odd message on his phone. His old school wants him to come back and be the new basketball coach.

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Exploring the Past – Consequences (Posledice) (2018)

TL;DR – An exploration of the effects of toxic masculinity and all its consequences.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Consequences (Posledice). Image Credit: Temporama.

Review

There are films out there that sometimes you can see the trajectory coming a mile away, you see the pain incoming and like a crash in slow motion you can’t look away. Today we look at just such a film, one of pain and sadness and inevitability.

So to set the scene, we open in on Andrej (Matej Zemljic) who spends his days not being at school and his nights parting away. One night ends with him punching a woman and that rightly is that. He is sent to a juvenile correction facility as a last chance before jail time. Here he meets Žele (Timon Sturbej) the local ringleader and it is here when we see that this story is not going to end well.

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Movie Review – Dark Waters

TL;DR – A film that comes at you like the rising tide, slow at first and then before you know it you have become overwhelmed     

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Dark Waters. Image Credit: Universal Studios.

Review


Having grown up in the era of Erin Brockovich, I am hard-wired to like a good biopic, especially one where someone takes down a major corporation that should have known better. Well, today we get to see a film that does pretty much all of that and does it very well indeed.

So to set the scene, we open back in the 1970s as a bunch of kids go skinny dipping in a lake in Parkersburg, West Virginia only to get shoed away from the site by men from the DuPont Corporation in a boat firing foam at a residue building up on the surface. Sometime later, in Cincinnati, Ohio, Robert Bilott (Mark Ruffalo) has just been made a partner in the Taft Stettinius & Hollister law firm when he is interrupted in a meeting by Wilbur Tennant (Bill Camp) an old friend of Robert’s grandmother. He has a problem with his farm, ever since DuPont built a rubbish tip next door to his property all of his cattle have been dying of odd diseases. Robert is reluctant to intercede but he makes a trip out to Parkersburg and finds things are not what they seem.

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Movie Review – Yeh Ballet

TL;DR – a fun film about finding your place in the world through a talent you never knew you had   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Yeh Ballet. Image Credit: Netflix.

Review

We continue our look at Indian cinema this week with an interesting film that has recently arrived on Netflix. It is a film that charts the highs and lows of two kids finding a new outcome for their lives. Also, it is kind of cool that it is all based on a true story.  

So to set the scene, we open in on the Mumbai slums as Asif (Achintya Bose) competes in a festival of people stacking on top of each other to get the prize hanging above. Elsewhere Nishu (Manish Chauhan) has made it onto the TV and while his raw talent is impressive, his lack of skill lets him down. Both of the boys have a trajectory of where their lives are headed and neither of them is happy with where it is going. All of this changes when a local talent scout and dance studio owner (Jim Sarbh) brings over the cantankerous Saul Aaron (Julian Sands) to coach his students in ballet and he sees something brilliant in the two boys from the slums.       

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Movie Review – Guns Akimbo

TL;DR – There is a kernel of a good idea here, and there are parts of it where you can see how it could have made a really good film, just maybe not the one we got    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Guns Akimbo. Image Credit: Madman

Review

When you here that the premise of a film is that someone has bolted guns to Daniel Radcliffe’s hands and let him loose in the world. Well, that congers up a lot of images and expectations, indeed Daniel has been bouncing from one delightfully odd film to the next since his time in/as Harry Potter. At the very least, it is the kind of set up when you know before walking in that it is either going to be amazing or a dumpster fire but not in-between. Well trust me, I am just as surprised as you that I got it very wrong.   

So to set the scene, Miles (Daniel Radcliffe) is your usual loner who lives a less than great life as a code monkey for a soul-sucking corporation. But at night, he finally comes alive as he trolls, well other trolls. One night, however, things take a turn as he discovers ‘Skizm’, which is kind of like Twitch but with murder, indeed we are introduced to the program with Nix (Samara Weaving) annihilating another contestant because two people start and only one comes out alive. Well, Miles starts trolling the chat and eventually gets noticed by the admin Riktor (Ned Dennehy) who smashes down his door, knocks him out, and performs a little surgery. Miles wakes up with a splitting headache … oh and two guns bolted to his hands.

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Movie Review – Shubh Mangal Zyada Saavdhan (Extra Careful of Marriage)

TL;DR – A fascinating if a little blunt film about love in India  

Score – 4 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Shubh Mangal Zyada Saavdhan (Extra Careful of Marriage). Image Credit: T-Series.

Review

In my endeavour to watch more non-English language films, I had been spending a lot of time with those coming out of Europe, but this week I want to shift things by focusing on India. With that in mind, today we look at the first of two Indian films out this week that really intrigued me and this is a film is all about finding love even in the face of your family.

So to set the scene, we open in on two guys making a last-minute rush to get to a train that is about to depart as we hear about just how much weddings cost in India. We then go back a bit in time to meet Kartik (Ayushmann Khurrana) and his partner Aman (Jitendra Kumar) who hide who they are from their families by living away in Delhi. One day as they are helping a good friend elope they get caught by her family and need to get out of town for a bit. Well, that’s good timing because Aman’s cousin Goggle (Maanvi Gagroo) is about to be married back in Ahmedabad. The only problem is that Aman’s family does not know he is gay and it goes about as well as you imagine it does.

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Movie Review – The Invisible Man (2020 film)

TL;DR – A film filled with amazing acting, and technical brilliance, however it was one of the most difficult films I have reviewed due to the issues of abuse that it explores.

Score – I am honestly not sure what to score to give this film

Post-Credit Scene – There is no post-credit scene that I saw

Warning – Depicts scenes of abuse

Awards

Nominated: Explosive Action, Best Australian Film & All The Tension
Winner: All The Tension

The Invisible Man (2020 film). Image Credit: Universal Pictures.

Review

A couple of years ago I stumbled upon Upgrade and thus discovered the wonderful work of Leigh Whannell. Since then, I have been waiting to catch his next film, so I was really excited to get the invite to see The Invisible Man. This was also a film that was going to reframe an old classic monster film and bring it into the modern age, which also intrigued me because that is my jam. However, while watching the film, I found myself feeling very conflicted with the subject material. All of this left me very unsettled in a way that I have spent the past two weeks wondering if the film approached it in an appropriate way or not.  

So to set the scene, we open in on a mansion on the top of a cliff, waves crash against the rocks on a cold winters night as we zoom in on the isolated house. In the house, there is a couple asleep in a bed, Cecilia Kass (Elisabeth Moss) and Adrian Griffin (Oliver Jackson-Cohen), but only one of them is actually asleep. We watch as Cecilia slowly slips out of the bed, at first you think it is just that she does not want to disturb Adrian, but soon you discover there is something more to it than that. In fact, she is leaving him in the middle of the night, the only time she could, which means that when every sound could be her undoing. The moment she grabs her hidden go bag you immediately understand why she is leaving. As she escapes over the high walls of the house everything starts to get better, that is until things start moving in rooms that should be empty.

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Movie Review – Sonic the Hedgehog

TL;DR – Unfortunately this is a film that mostly falls flat in-between shout outs to Olive Garden.  
Score – 3 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Review

For a long time, there has been a drive to find a great adaptation of a video game, and on the whole, the best we have gotten is mediocre. Well, today we look at a film that is trying to break through that history and alas it does not quite get there even though it is clear that all the cast is giving their all.  

So to set the scene, in a magical kingdom far away, there was a young blur bouncing across the green world with in-built loop-d-loops. His power is almost limitless, but that comes with danger and one day that danger comes home to roost. As they are attacked, Sonic’s (Ben Schwartz) adopted mother Longclaw (Donna Jay Fulks) helps him flee by giving him rings that allow him to jump from world to world keeping ahead of the kidnappers. Well, many years later, one of those jumps leads him landing on Earth where he watched the residents of Green Hills, Montana like the local sheriff Thomas Michael “Tom” Wachowski (James Marsden) go about their lives. All is good, until one day when he accidentally sets off an EMP, drawing danger in the form of Dr Robotnik (Jim Carrey) right to his door.

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Movie Review – The Lighthouse

TL;DR – One of the weirdest films I have ever watched and I don’t know if that is a good or bad thing, maybe both?

Score – I honestly don’t know out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Lighthouse. Image Credit: Universal.

Review

Quite often a film will come across your desk that has elements of oddness to it, sometimes that oddness is a sprinkling of seasoning over the finished production, sometimes that oddness is a core component of the meal. However, I have never seen a film that had its oddness so baked into the film that it permeated every aspect of the filmmaking from start to finish. Well, that changes today with The Lighthouse.

So to set the scene, Ephraim Winslow (Robert Pattinson) has arrived by small boat onto a desolate island in the middle of the Atlantic. He is to be an assistant wickie or lighthouse keeper under Thomas Wake (Willem Dafoe). They have to work four hard long weeks isolated on the small island, but then they get to go home with decent pay. The work is hard and the close quarters start to come to bare on the two men, made worse when the winds turn and the waves crash and the island becomes isolated from everything and everyone. Now because of the nature of this film it hard to really discus it on any level without spoiling the film a little bit, so be cautious of that as you read on.

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Exploring the Past – Stardust (2007)

TL;DR – A pure fun ride from start to finish, the kind that leaves a smile on your face for a time after you finish watching it.   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Stardust. Image Credit: Paramount.

Review

There are some films out that that you can only watch once and then there are those that you can watch any time someone suggests it. Today we are looking at the latter, a film that is full of joy from start to finish.

So to set the scene, in the 1800s in Great Brittan there was a little town called Wall. It was a mostly unremarkable little hamlet bar for one odd feature an old wall that runs along its boundary that has an old man (David Kelly) guarding the only opening. Well, one day a young man from the village call Dunstan Thorn (Ben Barnes) decided to go see what was on the other side of the wall. Here he found a marketplace full of bizarre creatures for sale and also servant girl (Kate Magowan) enslaved to an evil witch Ditchwater Sal (Melanie Hill). It was almost a fever dream until nine months later when a baby arrived at Dunstan’s door. Eighteen years later and the young boy Tristan (Charlie Cox) is now grown up and trying to court Victoria (Sienna Miller) when he makes a suggestion that he chases down a falling star and brings it back as proof of his affections. The only problem is that the Star fell across the wall in Stormhold, the star is not an it but a she in Yvaine (Claire Danes), and also Stormhold’s king (Peter O’Toole) has just died and the remaining heirs are trying to track down the necklace that brought Yvaine crashing to the ground, and also also, there is a witch Lamia (Michelle Pfeiffer) who is very interested that a new star has fallen because she would very much like to cut out its heart and eat it.

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