Movie Review – Little Women (2020)

TL;DR – I highly recommend this astounding film    

Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated: Beautiful Cinematography, Stunning Costumes & The Emotion
Winner: The Emotion

Little Women. Image Credit: Sony.

Review

It has been a long time since I have had a good cry in the cinemas, and I don’t mean a good one solitary tear gallantly making its way down the side of my face as the music soars around. No I mean some good old fashioned weeping, the kind that makes you wish you had brought a hankie or at least some tissues as you try to compose yourself after as you thank God that you were not wearing any mascara because there would be no coming back from that. Well, today we look at a film that is all that and more. 

So to set the scene, we open in New York City back in 1868 where Josephine “Jo” March (Saoirse Ronan) works as a teacher in a boarding house as she tries to be published as a writer. The publisher Mr Dashwood (Tracy Letts) is interested in her work, but it needed to be more salacious and the female characters must end the book either married or dead. In France, Jo’s sister Amy (Florence Pugh) is enjoying some time painting and finding a husband under the guidance of her Aunt (Meryl Streep) when she spies Theodore “Laurie” Laurence (Timothée Chalamet) a childhood friend of her and her sisters Meg (Emma Watson) and Beth (Eliza Scanlen), as well as the former suiter of Jo, in the gardens of Paris. It is a moment of joy, but there and across the Atlantic, there is a cloud on the horizon because the past is not going to stay in the past.

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Movie Review – NiNoKuni (Ni no Kuni/二ノ国)

TL;DR – A really good film up until the point it gets bogged down in its own worldbuilding   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is a post-credit scene

NiNoKuni (Ni no Kuni/二ノ国). Image Credit: Netflix.

Review

It has been a long road trying to adapt video games to the big screen and so far there have not been many (if any) that have actually pulled it off. Some have got close and today we take a look at one that also is very close, even if it just does not quite get there.  

So to set the scene, in Japan, there are three good friends Kotona (Abby Trott), Haru (Alejandro Saab), and Yu (Max Mittelman). Kotona and Haru are a couple and Yu is the third wheel, but not really, though he is confined to a wheelchair after a childhood accident that killed his parents. Life is great, school is good, however, all is ripped apart when one-day Kotona realises that she is being stalked by a creep. Yu and Haru rush to help her but they are too late when they arrive a masked figure stabs Kotana with a weird blade. They rush to try and get her to a hospital when in the middle of the street they are ripped into another world and now Kotona is missing, their phones are compasses, and everything is different.

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Movie Review – Just a Breath Away/Hold Your Breath (Dans la Brume) (2018)

TL;DR – A good concept for a disaster film, but it does not quite hit where it needed to hit.     

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Just a Breath Away/Hold Your Breath (Dans la Brume). Image Credit: Mars Distribution.

Review


Given the state of Australia, where I live at the moment, it has been difficult to turn on the television and not see another disaster unfold. With that in mind, it was interesting timing that saw a film about not being able to breathe outside just as it is happening in real life. Today we dive into a film that does just that, though not in the streets of Australia, but in Paris, France.

So to set the scene, in the not too distant future Mathieu (Romain Duris) lives across the road from his ex-wife Anna (Olga Kurylenko) and their daughter Sarah (Fantine Harduin). While they are no longer together, they work to help raise their daughter who has Stimberger’s Syndrome and is confined to a protective bubble to isolate her and keep her safe. One day Paris is shaken by an earthquake and as Mathieu goes out to investigate he discovers a deadly mist exploding from underground killing all those who breathe it in. Running he is able to get Anna to safety upstairs, but they have to leave Sarah behind in her bubble as the smoke comes pouring in.

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Movie Review – Star Wars: The Rise of Skywalker (Round Two)

TL;DR – This is a film that feels both incredibly safe but yet also incredibly weird and that dissidence is really odd and is enhanced on a second viewing.     

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Star Wars: The Rise of Skywalker. Image Credit: Disney.

Review

I have been thinking a lot about Star Wars in the weeks since I first watched The Rise of Skywalker. Was I too harsh with it? Did I let one story beat distract me from the rest of the film? Do I want to see a buddy cop film starring John Boyega and Oscar Isaac? Okay, that last one was an easy answer, of course, I do. However, for the first two, I was truly left wondering, well that is until yesterday when I went with some friends as saw the same film twice in cinemas (not something I have done in quite a while). Which means it is time to explore if a second viewing of Star Wars helps or hurts it and what I found is that it focuses you into the good, the bad, and the ugly.  

So to set the scene, at the end of The Last Jedi everything is in flux. The Resistance has survived annihilation but has been stretched to almost breaking point as The First Order storms across The New Republic. However, all is not dandy for The First Order as well, as their leader was assassinated by Kylo Ren (Adam Driver) and their main battle cruiser was destroyed. However, just at the cusp of this, a dark voice from the past pierces into the vale. For it appears that Emperor Palpatine (Ian McDiarmid) has come back from the dead and is gunning for Rey (Daisy Ridley). Now in this review, we will be going FULL SPOILER discussing some really important plot points. If you want to read our spoiler-free review you can find it here.  

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Movie Review – All the Freckles in the World (Todas las Pecas del Mundo)

TL;DR – If this was just a paint by numbers film it would be okay, but it does not even hit that level.    

Score – 1.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

All the Freckles in the World (Todas las Pecas del Mundo). Image Credit: Netflix.

Review

When you get to watch films from across the world you get to find some real gems that explore life in weird and wonderful ways. However, there are some things that can translate across cultures, like the coming of age story. Today we look at a version of that from Mexico full of football, unrequited love, and a school that really should have a governmental audit.

So to set the scene, it is 1994 in Mexico City and World Cup fever is everywhere. However, for José Miguel Mota Palermo (Hanssel Casillas) things are going from worse to worse. He has to move to a new school and on the first day of class was not what you would call a success. His father might be famous at his new school, but that does not make is life any better. But there is one ray of hope, a girl called Cristina (Loreto Peralta), one problem, she is dating Kenji (Luis de La Rosa), but then that is not going to stop José Miguel. All he has to do is learn how to play football, how hard could that be.     

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Movie Review – Star Wars: The Rise of Skywalker

TL;DR – This is a film that feels both incredibly safe but yet also incredibly weird and that dissidence is really odd.     

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Star Wars: The Rise of Skywalker. Image Credit: Disney/LucasArts.

Review

Well, it is an interesting time for a new Star Wars film, for maybe the first time in a long time. The last film Solo had a lacklustre reception and had issues in production as did Rogue One, and indeed as did Rise. To add to this, the discourse in and around Star Wars films has just been wholly unpleasant for quite a while. So for the first time in a very long time, I walked into a Star Wars film with a lot of trepidation. Now while thankfully a lot of that trepidation was unneeded, unfortunately, some of it was.     

So to set the scene, at the end of The Last Jedi everything is in flux. The Resistance has survived annihilation but has been stretched to almost breaking point as The First Order storms across The New Republic. However, all is not dandy for The First Order as well, as their leader was assassinated by Kylo Ren (Adam Driver) and their main battle cruiser was destroyed. The game is set for the final* battle between the light side and the dark with the whole galaxy’s future is at stake. However, just at the cusp of this, a dark voice from the past pierces into the vale. For it appears that Emperor Palpatine (Ian McDiarmid) has come back from the dead and is gunning for Rey (Daisy Ridley). Now with this review, we will try to be as general and non-spoilery as possible but there will be a section towards the end that will explore three big story points that will have spoilers but we will clearly label it for you (also if you don’t want spoilers maybe avoid the cast list at the bottom).

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Movie Review – 1917

TL;DR – This is a film that captures you in the first frame and does not let you go until the ending credits start scrawling     

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards

Nominated: Explosive Action, Beautiful Cinematography, All The Tension & Exquisite Musical Score
Winner: Beautiful Cinematography & Exquisite Musical Score

1917. Image Credit: Universal.

Review

Sometimes you go into to see a film and you have no idea that what you are about to watch has been almost tailored just for you. In this case, we have a war film, about just two characters, presented as if it was all filmed in one take. If I was explaining to you what would be the perfect film for me this would not be far off. I bring this up to put some context down before we dive into the world of explosions, gun shots, and every trench under the sun.

So to set the scene, we are in the heights of World War One on the front lines in France, with Germany and their allies on one side and Brittan and their allies on the other. This is trench warfare and every centimetre of territory has been won through a considerable loss of life. It is here where one day Lance Corporal Blake (Dean-Charles Chapman) is roused from his sleep and asked to go on a mission with Lance Corporal Schofield (George MacKay) by General Erinmore (Colin Firth). For you see, overnight the German forces have retreated and many commanders believe that they have them on the run. However, it is actually a ruse, the Germans have just retreated to a more fortified line and they are leading those chasing them into a trap. The boy’s mission is to cross into no-man’s land, travel through enemy controlled territory so they can make it to Colonel Mackenzie (Benedict Cumberbatch) in time to call off the attack and save 1600 lives. Now due to the nature of the film and that it has a staggered release date across the world, I am going to be a bit more cautious with my examples so as to not spoil anything.

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Movie Review – 6 Underground

TL;DR – An incredibly stylish and well-produced film that just didn’t quite nail the substance portion.     

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

6 Underground. Image Credit: Netflix.

Review

Sometimes in life, you want to shut your brain off for a bit, sit down, and watch some explosions flare to life on your screen. The action flick is the king of this, especially if you pivot it in the direction of an action/comedy. However, today we are looking at a film that should be all this and more, but I walked away feeling that something was missing.   

So to set the scene, we open in on a special ops team, which is having a very bad day, because everything is going very wrong, very, very, wrong. This is not your usual black ops team because while black ops teams are sometimes called ghosts, this team is for all intents and purposes are actually ghosts because the world thinks they are all dead.  We have One (Ryan Reynolds) The Billionaire, Two (Mélanie Laurent) The CIA Spook, Three (Manuel Garcia-Rulfo) The Hit Man, Four (Ben Hardy) The Skywalker, Five (Adria Arjona) The Doctor, and Six (Dave Franco) The Driver. Their aim was to find information out about Rovach Alimov (Lior Raz) a dictator with the predilection for using chemical weapons against civilians.   

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Movie Review – The 9th Precinct (局分九第)

TL;DR – An interesting look at the barrier between life and death but takes some short cuts to get there    

Score – 3 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

The 9th Precinct (局分九第). Image Credit: Netflix.

Review

Generally, the time we get films about what goes bump in the night it is around Halloween and not Christmas. So, it was a nice change of pace to get a film that explores the darker side of the world and what happens after death. With this in mind, today we explore a film that looks at that bridge between the living and the dead and what happens when you start playing with that fixed barrier.

So to set the scene, Chen Chia-Hao (Roy Chiu) works as a police officer for the Houli Police Agency. However, he has always led a special life because he can see the undead. This has led to him only rising to the rank of traffic cop even though he shows exemplary skill. One day while on patrol he finds a killer but during the arrest, his partner is shot and killed. He would have been killed too but a ghost stepped in and saved him. He refuses to change his report about a ghost and is fired but on his way out he is grabbed by the mysterious Mr Chang (Chia-Chia Peng) and given an offer to continue working for the police as a member of the secretive 9th Precinct, the ghost crimes bureau.

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Movie Review – Knives Out

TL;DR – A charmingly delightful film about murder filled with fantastic performances and a real heart.    

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Knives Out. Image Credit: StudioCanal.

Review

For reasons that are far above my pay grade, there are film genres that come in and out of fashion all the time. One of these is the murder-mystery. I honestly can’t remember how long it has since I have seen a good old-fashioned murder-mystery up on the big screen. A film where you don’t know who done it because everyone is lying about something and there are many motives to go around. Well fear no more because today I get to talk about a film that takes this genre and not only produces a great version of it, but it also elevates the genre in the process.

So to set the scene, one-night wealthy murder-novel writer Harlan Thrombey (Christopher Plummer) is celebrating his 85th birthday with every member of his extended family in attendance. There is his daughter Linda (Jamie Lee Curtis) the real estate mogul and her husband Richard (Don Johnson), his son Walt (Michael Shannon) who runs his publishing agency, Joni (Toni Collette) the wife of his now-deceased son and her daughter Meg (Katherine Langford), and of course the black sheep of the family Hugh ‘Ransom’ Drysdale (Chris Evans).  It is a fun evening of catching up and putting plans into place but the next morning as Fran (Edi Patterson) the housekeeper brings up his morning meal she discovers that Harlan has killed himself in the night. A week later everything has settled but then Marta (Ana de Armas), Harlan’s nurse, is called back to the house with the family by Detective Lieutenant Elliot (Lakeith Stanfield) because famed private eye Benoit Blanc (Daniel Craig) has been hired to look into the matter. Why is he there? Well because someone does not think Harlon’s death was suicide… they think it was murder. Now because of the nature of the film, it is hard to discuss it without getting into spoilers, so keep that in mind if you have not seen the film.

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