Tag Archives: American Cinema

The Unbearable Weight of Massive Talent – Movie Review

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TL;DR – A bombastic blast of a film that holds its meta-commentary together by the skin of its teeth as it explodes across the screen    

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Nicolas Cage by the pool

The Unbearable Weight of Massive Talent Review –

Some actors can pique your interest by their very presence, and I think Nicolas Cage is high on that list for many people. You can just call your film Pig, and people will go see it out of sheer interest [also, you should go watch Pig]. Today, we look at a film that does not just lean into that phenomenon but makes it the central premise of its narrative.

So to set the scene, Nicolas Cage (Nicolas Cage) is at a precarious point in his professional and family life. He is dead broke, his marriage has fallen apart with Olivia Henson (Sharon Horgan), and therapy is not helping his estrangement from his daughter Addy (Lily Sheen). At his lowest point, he is given a lifeline from his agent Richard Fink (Neil Patrick Harris). A wealthy Spanish benefactor, Javi Gutierrez (Pedro Pascal), is willing to pay a million dollars. All Nic has to do is show up at his party, and surely nothing else will go wrong on the Islands of Mallorca.

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Everything Everywhere All at Once – Movie Review

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TL;DR – You may have been told how wild this film is, but trust me, whoever was talking to you was completely underselling it.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Everything Everywhere All at Once. Image Credit: A24.

Everything Everywhere All at Once Review –

The word surreal gets thrown around quite a bit and usually means something that might be a bit cerebral or weird or maybe both. But for something to be genuinely surreal, it needs to challenge the nature of reality, to contest the very bedrock we live our lives on. Films will often dip their toes into the surreal, but every now and again, a film will dive in headfirst. Today, we are looking at just such a film that just might nail everything it sets out to do.

So to set the scene, in a city in America, Evelyn Wang (Michelle Yeoh) lives above the laundromat that she runs with her husband Waymond (Ke Huy Quan). Things are pretty stressful for Evelyn at the moment. The IRS is auditing the business. She is trying to put together a party for he estranged father, Gong Gong (James Hong), she is feuding with her daughter Joy (Stephanie Hsu), and Waymond is about to drop divorce papers on her. As they arrive at the IRS to be audited by Deirdre Beaubeirdra (Jamie Lee Curtis), Waymond suddenly changes into a completely different person. He declares that Evelyn is in trouble because a force from another universe is hunting her down, and it just might have found its prey, and that is when the alarms go off.

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All the Old Knives – Movie Review

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TL;DR –  While it might not stick the landing, it did engage me right up to that point

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Amazon Prime subscription that viewed this episode.

All the Old Knives. Image Credit: Amazon Studios.

All the Old Knives Review –

Some films spark your interest from the cast list alone. One of those combinations is Chris Pine, Thandiwe Newton, Laurence Fishburne, and Jonathan Pryce, all working together in a film. Add a layer of spies, subterfuge, regrets, and loves lost, and you have the groundwork for something interesting or at least something that speaks to me.  

So to set the scene, we opened in Vienna, where terrorists hijacked a Turkish Airlines plane, Flight 127. At the CIA-Vienna outpost, all the team look in horror as the carnage unfolds. 8-years later, one of the terrorists involved was captured in Afghanistan, who let it be known that the terrorists had help from inside the CIA-Vienna station. Vick Wallinger (Laurence Fishburne) tasks Henry Pelham (Chris Pine) to investigate his former team, the second in command Bill Compton (Jonathan Pryce), his old love Celia Harrison (Thandiwe Newton), and the whole team. They need to find out if there was a mole in the department and if it caused the deaths of all those people.

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Ambulance – Movie Review

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TL;DR – This is non-stop action from the word go, which can get exhausting at times, but it is a riot to watch when Michael Bay is on his game.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Ambulance. Image Credit: Universal Pictures.

Ambulance Review –

For a long time, Michael Bay has been derided for his films, and I think that is both fair and a little bit unfair. Because Michael Bay has a particular style of filmmaking that does not work with every script, however, when a story and cast line up with his filmmaking strengths, well, you can get something special. Today we are looking at a film that does just that as we romp across LA County, one explosion after another.

So to set the scene, Will Sharp (Yahya Abdul-Mateen II) is a war veteran. Still, he is getting shafted by the Department of Veteran Affairs because they won’t pay for his wife Amy’s (Moses Ingram) experimental surgery, and there is no way Will can come up with the $231,000 himself. Well, there is one way, but it means getting in contact with his estranged brother Danny (Jake Gyllenhaal), who followed their father’s footsteps into the world of illicit money. This is good news for Danny because he needs an extra man in his crew to take down one of the biggest bank hauls, and Will has five minutes to pick if he is in or not. The robbery was going well, right up until Officer Zach (Jackson White) comes up to the bank to ask out one of the tellers on a date, and things fall apart from there, including Zach getting shot. Well, the police are surrounding the bank, and there is no way out, or maybe because EMT Cam Thompson (Eiza González) has arrived on the scene to save Zach’s life and that big ambulance looks like the perfect opportunity to slip past a police cordon.  

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The Bubble – Movie Review

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TL;DR –  While the central conceit  is good, and the cast is there for it, unfortunately, the concept runs out of steam about halfway through

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

The Bubble. Image Credit: Netflix.

The Bubble Review –

I don’t think it is a surprise that the pandemic has sucked, impacting every industry, including motion pictures. We have seen films like Spider-Man, where it is clearly filmed in social distancing but were still written beforehand. However, now we are starting to see films that were both written and produced during COVID, and it is going to be interesting to see how it all pans out.

 So to set the scene, in the era of big-budget franchises, one of the somewhat more successful runs was that of Cliff Beasts staring Sean Knox (Keegan-Michael Key), Carol Cobb (Karen Gillan), Lauren Van Chance (Leslie Mann), Dustin Mulray (David Duchovny), and Howie Frangopolous (Guz Khan). Having several successful sequels like Cliff Beasts Re-Extinction, Cliff Beasts Oceana, Cliff Beasts Beijing Beast, and Cliff Beasts Space Fury, the team have come back together to film Cliff Beasts 6. Unfortunately, this occurred during the COVID pandemic, which this documentary explores. How does a film get made in the age of a bubble?       

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The Bad Guys – Movie Review

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TL;DR –  While it is not doing anything ground-breaking, strong animation and voice casting means that this was a blast from start to finish.

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I was invited to a press screening of this film

The Bad Guys. Image Credit: Universal Pictures.

The Bad Guys Review –

If there is one genre of film that I typically enjoy, it is a good heist film. I love the setup, the planning, the twists, the betrayals, and the score at the end. I don’t mind if you are going for a hard heist film or a more loosey-goosey affair. So, I like my Ocean’s 11 and my Ocean’s 13. Well, when I was invited to a screening of a new animated heist film based on a beloved children’s book, I had a feeling I was going to have a good time, and I was right.

So to set the scene, we open with a heist in progress as Mr Wolf (Sam Rockwell) introduces us to himself, and as the car chase continues, the rest of the crew. We have Mr Snake (Marc Maron), a safecracker. Mr Piranha (Anthony Ramos), the muscle. Mr Shark (Craig Robinson), a master of disguise, and Ms Tarantula (Awkwafina), the tech wizard. As they celebrate Mr Snake’s birthday, they wonder what their next heist could be? Maybe the Golden Dolphin, the most un-stealable treasure in the city.

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Morbius – Movie Review

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TL;DR – A soulless husk of a film that is barely made watchable by the fact that at least Matt Smith is having fun  

Rating: 1.5 out of 5.

Post-Credit Scene – There are two mid-credit scenes

Disclosure – I was invited to a screening of this film

Morbius. Image Credit: Sony Pictures.

Morbius Review –

There are moments when the credits roll, and you sit back in your chair and wonder, what did I just waste my time with? Then, of course, you immediately go, well, maybe I am having a bad day, perhaps the film is targeting a different audience, or did I just miss something. But then you look around and feel the audience’s tone and discover that you are not alone with your disbelief. Well, today, we have a film that, when the credits rolled, a whole room of people collectively shrugged at the very meh-ness that they just watched.

So to set the scene, 25-years ago in Greece, two boys who needed three blood transfusions a day to live met in a clinic. The head of the clinic, Emil Nikols (Jared Harris), discovers that young Michael (Charlie Shotwell) is a prodigy and gets him into a private school, and he promises his friend Milo (Joseph Esson) that he will find a cure. In the now, Michael (Jared Leto) takes a helicopter ride to a cave in Costa Rica to capture some bats that only feed on blood. He is hopeful that inserting bat DNA into a human might cure him and Milo (Matt Smith). It works … but at what cost? Well, a boat full of mercs, at least.

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The Batman – Movie Review

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TL;DR – After a long time, they nailed what it is to do a Batman film.   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene, there is a thing at the end, but you can Google it rather than stay back for it.

Disclosure – I paid to watch this film

Warning – some scenes in this film use flashing lights.

The Batman. Image Credit: Warner Bros. Pictures.

The Batman Review –

 I don’t think it will be news to anyone that the DC Extended Universe has been a bit hit and miss. The race to get to the Justice League film meant that there was no time to establish your characters, and one of the significant casualties of that was Batman. While it was clear that Ben Affleck was throwing his all into it, the character never found its feet. This all led to a mix of emotions when it was announced that there would be a stand-alone Batman film, but DC adjacent and starring Robert Pattinson. Thankfully, I should not have worried.

So to set the scene, it is Halloween in Gotham City, a city that is barely holding it together after years of corruption and nepotism. However, that night Mayor Don Mitchell Jr. (Rupert Penry-Jones) looks at his dwindling polling numbers. A figure appears in the background and strikes. The Riddler (Paul Dano) has made his first kill. However, while the city might be on the precipice, there is at least one farce trying to stop the crime, the masked crusader, the dark night, vengeance himself, the Batman (Robert Pattinson).  

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Turning Red – Movie Review

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TL;DR – A true delight of a film on an animation and narrative level.    

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-credit scene

Disclosure – I paid for the Disney+ subscription that viewed this movie.

Turning Red. Image Credit: Disney+.

Turning Red Review –

When it comes to depicting stories outside of its cultural expertise, the Disney Corporation has had a mixed track record. Even when trying to do something in good faith, they stumble. But they took their time making sure Moana worked, and then Bao showed they could nail a complicated narrative if they supported creatives with their vision. When I heard the writer/director of Bao is making a feature film, well, I had to check that out.

So to set the scene, Meilin “Mei” Lee (Rosalie Chiang) is a 13-year-old girl living in 2002 Toronto, Canada. She has become an adult, at least that is what she thinks, and has started making her mark in the world. Mei has three friends Miriam (Ava Morse), Abby (Hyein Park), and Priya (Maitreyi Ramakrishnan), and together they make a core group trying to survive high school and live with joy with their mutual love of 4*Town. Mei works with her mother Ming (Sandra Oh) at their family’s temple that venerates their ancestors, including Sun Yee, who was famously friends with animals, including red pandas, which is quite a coincidence when Mei wakes up one morning to find herself turned into a giant red panda.   

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The Adam Project – Movie Review

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TL;DR –  While it is not doing anything revolutionary, what is there, is perfectly fine.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this movie.

The Adam Project. Image Credit: Netflix.

The Adam Project Review –

There are many things a film can be, it can be revolutionary, it can be a disaster, or worse still, it could just be boring. But then a film can also just be okay, not dull, still perfectly watchable, yet not looking to shake anything up. Today, we look at a film that fits into this category, full of neat things, but not a whole lot else.   

So to set the scene, we open with the very ominous phrase “time travel exists, you just don’t know it yet”, as, in 2050, a fighter pilot Adam Reed (Ryan Reynolds) blasts into the atmosphere and makes a time jump as another ship tries to shoot him out of the sky. In 2022, Adam Reed (Walker Scobell) is running for his life after mothing off to several bullies. His mother, Elli (Jennifer Garner), picks him up from school because he was also suspended even though he was attacked. As his mum goes out for a date, a crash explodes in the forest behind the house, and that is when Adam finds Adam sitting in his late father’s garage.

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