Tag Archives: American Cinema

Movie Review – Guns Akimbo

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TL;DR – There is a kernel of a good idea here, and there are parts of it where you can see how it could have made a really good film, just maybe not the one we got    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Guns Akimbo. Image Credit: Madman

Review –

When you here that the premise of a film is that someone has bolted guns to Daniel Radcliffe’s hands and let him loose in the world. Well, that congers up a lot of images and expectations, indeed Daniel has been bouncing from one delightfully odd film to the next since his time in/as Harry Potter. At the very least, it is the kind of set up when you know before walking in that it is either going to be amazing or a dumpster fire but not in-between. Well trust me, I am just as surprised as you that I got it very wrong.   

So to set the scene, Miles (Daniel Radcliffe) is your usual loner who lives a less than great life as a code monkey for a soul-sucking corporation. But at night, he finally comes alive as he trolls, well other trolls. One night, however, things take a turn as he discovers ‘Skizm’, which is kind of like Twitch but with murder, indeed we are introduced to the program with Nix (Samara Weaving) annihilating another contestant because two people start and only one comes out alive. Well, Miles starts trolling the chat and eventually gets noticed by the admin Riktor (Ned Dennehy) who smashes down his door, knocks him out, and performs a little surgery. Miles wakes up with a splitting headache … oh and two guns bolted to his hands.

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Movie Review – The Invisible Man (2020 film)

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TL;DR – A film filled with amazing acting, and technical brilliance, however it was one of the most difficult films I have reviewed due to the issues of abuse that it explores.

Score – I am honestly not sure what to score to give this film

Post-Credit Scene – There is no post-credit scene that I saw

Warning – Depicts scenes of abuse

Awards –

Nominated: Explosive Action, Best Australian Film & All The Tension
Winner: All The Tension

The Invisible Man (2020 film). Image Credit: Universal Pictures.

Review –

A couple of years ago I stumbled upon Upgrade and thus discovered the wonderful work of Leigh Whannell. Since then, I have been waiting to catch his next film, so I was really excited to get the invite to see The Invisible Man. This was also a film that was going to reframe an old classic monster film and bring it into the modern age, which also intrigued me because that is my jam. However, while watching the film, I found myself feeling very conflicted with the subject material. All of this left me very unsettled in a way that I have spent the past two weeks wondering if the film approached it in an appropriate way or not.  

So to set the scene, we open in on a mansion on the top of a cliff, waves crash against the rocks on a cold winters night as we zoom in on the isolated house. In the house, there is a couple asleep in a bed, Cecilia Kass (Elisabeth Moss) and Adrian Griffin (Oliver Jackson-Cohen), but only one of them is actually asleep. We watch as Cecilia slowly slips out of the bed, at first you think it is just that she does not want to disturb Adrian, but soon you discover there is something more to it than that. In fact, she is leaving him in the middle of the night, the only time she could, which means that when every sound could be her undoing. The moment she grabs her hidden go bag you immediately understand why she is leaving. As she escapes over the high walls of the house everything starts to get better, that is until things start moving in rooms that should be empty.

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TV Review – Lost in Space: Season 2

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TL;DR – A really great continuation of the first season showing the strengths of this new interpretation at every turn

Score – 4 out of 5 stars

Lost in Space: Season 2. Image Credit: Netflix

Review –

We are currently living through a second Golden Age for Science Fiction on TV and one of the first really cool examples of that was a new Lost in Space landing on our screens a couple of years ago. It was energetic, delightful, but also had some thematic weight behind it. Well, Season Two is upon us, so it’s time to see how well it did.    

So to set the scene, at the end of Season One, the family Robinson, that is Maureen (Molly Parker), John (Toby Stephens), Will (Maxwell Jenkins), Judy (Taylor Russell), and Penny (Mina Sundwall) along with Don West (Ignacio Serricchio) and Dr Smith (Parker Posey) got launched through a warp portal by Robot (Brian Steele) to protect them. This leads them to land on a planet that is habitable, bar all the methane in the atmosphere. The warp drained most of the Jupiter 2’s power meaning they can breathe and stay warm but not a whole lot else. All of this changes when Maureen notices that there is a patch of lightning in the distance that comes so regularly that you can schedule it, and maybe a lighting jolt is just what the Jupiter 2 needs. Now as we go on there will be some [SPOILERS] as we will be looking at the season as a whole, so just be warned if you have not seen it yet.     

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TV Review – The Expanse: Season 4

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TL;DR – This series continues to be the benchmark for modern Science Fiction, the benchmark for novel adaptation, and the benchmark for great TV.  

Score – 5 out of 5 stars

The Expanse Season 4: Image Credit: Amazon Studios.

Review –

Last year I wrote an article about how we are in a new Golden Age of Science Fiction and at the heart of that theses was the joy that was The Expanse. At the time Season Three had come out, and we still were not sure if that would be the end of the TV show. It would have been sad if the show’s story had ended there, but at least we still had the books, which was a little consolation. However, I was overjoyed to hear that it got a last-minute pick-up for Season Four on Amazon, ecstatic when I discovered that it was already greenlit for Season Five, and over the moon now that I have watched Season Four and have discovered the joy that it is.    

So to set the scene, at the end of last season, disaster had been forestalled and new opportunities have arrived when thousands of gates to thousands of new solar systems opened up. Fearing the new disaster that could come for an out of control gold rush, or worse a new proto-molecule infection, the powers at be, the new alliance of Earth, Mars, and the OPA work together to set up a blockade at the Solar System side of the network. But before they could get it set up a bunch of Belter refugees took the gamble and broke through the blockade. Months later and somehow the Belter have survived, which is causing Chrisjen Avasarala (Shohreh Aghdashloo) all levels of grief because the Royal Charter Energy (RCE) Company has legal claim to the planet and has sent their ship the Edward Israel to what they call New Terra, but what the Belters call Ilus. So who better to go and meditate, well that would be the crew of the Rocinante James Holden (Steven Strait), Alex Kamal (Cas Anvar), Naomi Nagata (Dominique Tipper), and Amos Burton (Wes Chatham). Now from here, we will be looking at the season as a whole so there will be [SPOILERS] ahead.    

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Movie Review – The Lighthouse

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TL;DR – One of the weirdest films I have ever watched and I don’t know if that is a good or bad thing, maybe both?

Score – I honestly don’t know out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Lighthouse. Image Credit: Universal.

Review –

Quite often a film will come across your desk that has elements of oddness to it, sometimes that oddness is a sprinkling of seasoning over the finished production, sometimes that oddness is a core component of the meal. However, I have never seen a film that had its oddness so baked into the film that it permeated every aspect of the filmmaking from start to finish. Well, that changes today with The Lighthouse.

So to set the scene, Ephraim Winslow (Robert Pattinson) has arrived by small boat onto a desolate island in the middle of the Atlantic. He is to be an assistant wickie or lighthouse keeper under Thomas Wake (Willem Dafoe). They have to work four hard long weeks isolated on the small island, but then they get to go home with decent pay. The work is hard and the close quarters start to come to bare on the two men, made worse when the winds turn and the waves crash and the island becomes isolated from everything and everyone. Now because of the nature of this film it hard to really discus it on any level without spoiling the film a little bit, so be cautious of that as you read on.

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Movie Review – Jojo Rabbit

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TL;DR – A very ambitious film and while it does not quite reach the lofty goals it sets for itself, I give it credit for trying when so many others don’t bother.     

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Jojo Rabbit. Image Credit: Searchlight Pictures.

Review –

I have seen films that have embraced absurdism before, I have seen films that have explored World War Two before, I have never seen an absurdist film about World War Two before, well that is until today. This is a film that honestly I would have loved to be in the pitch meeting for because I have no idea how the hell it got greenlit even though I am glad that it did.

So to set the scene, in the midst of WW2 and living in Nazi Germany we find a young boy called Johannes “Jojo” Betzler (Roman Griffin Davis). In the aftermath of his sister dying and his father being away “fighting on the Italian front”, he spends his days at a Deutsches Jungvolk Hitler Youth training camp with his friend Yorki (Archie Yates) run by a very nonplussed Wehrmacht Captain Klenzendorf (Sam Rockwell). When recovering from an accident involving a grenade Jojo discovers that his mother Rosie (Scarlett Johansson) has been hiding a Jewish girl called Elsa (Thomasin McKenzie) in their attic, which brings Jojo into a moral quandary not helped by the suggestions from his good friend Hitler (Taika Waititi).   

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Movie Review – Little Women (2020)

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TL;DR – I highly recommend this astounding film    

Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated: Beautiful Cinematography, Stunning Costumes & The Emotion
Winner: The Emotion

Little Women. Image Credit: Sony.

Review –

It has been a long time since I have had a good cry in the cinemas, and I don’t mean a good one solitary tear gallantly making its way down the side of my face as the music soars around. No I mean some good old fashioned weeping, the kind that makes you wish you had brought a hankie or at least some tissues as you try to compose yourself after as you thank God that you were not wearing any mascara because there would be no coming back from that. Well, today we look at a film that is all that and more. 

So to set the scene, we open in New York City back in 1868 where Josephine “Jo” March (Saoirse Ronan) works as a teacher in a boarding house as she tries to be published as a writer. The publisher Mr Dashwood (Tracy Letts) is interested in her work, but it needed to be more salacious and the female characters must end the book either married or dead. In France, Jo’s sister Amy (Florence Pugh) is enjoying some time painting and finding a husband under the guidance of her Aunt (Meryl Streep) when she spies Theodore “Laurie” Laurence (Timothée Chalamet) a childhood friend of her and her sisters Meg (Emma Watson) and Beth (Eliza Scanlen), as well as the former suiter of Jo, in the gardens of Paris. It is a moment of joy, but there and across the Atlantic, there is a cloud on the horizon because the past is not going to stay in the past.

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Movie Review – Star Wars: The Rise of Skywalker

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TL;DR – This is a film that feels both incredibly safe but yet also incredibly weird and that dissidence is really odd.     

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Star Wars: The Rise of Skywalker. Image Credit: Disney/LucasArts.

Review –

Well, it is an interesting time for a new Star Wars film, for maybe the first time in a long time. The last film Solo had a lacklustre reception and had issues in production as did Rogue One, and indeed as did Rise. To add to this, the discourse in and around Star Wars films has just been wholly unpleasant for quite a while. So for the first time in a very long time, I walked into a Star Wars film with a lot of trepidation. Now while thankfully a lot of that trepidation was unneeded, unfortunately, some of it was.     

So to set the scene, at the end of The Last Jedi everything is in flux. The Resistance has survived annihilation but has been stretched to almost breaking point as The First Order storms across The New Republic. However, all is not dandy for The First Order as well, as their leader was assassinated by Kylo Ren (Adam Driver) and their main battle cruiser was destroyed. The game is set for the final* battle between the light side and the dark with the whole galaxy’s future is at stake. However, just at the cusp of this, a dark voice from the past pierces into the vale. For it appears that Emperor Palpatine (Ian McDiarmid) has come back from the dead and is gunning for Rey (Daisy Ridley). Now with this review, we will try to be as general and non-spoilery as possible but there will be a section towards the end that will explore three big story points that will have spoilers but we will clearly label it for you (also if you don’t want spoilers maybe avoid the cast list at the bottom).

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Movie Review – 6 Underground

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TL;DR – An incredibly stylish and well-produced film that just didn’t quite nail the substance portion.     

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

6 Underground. Image Credit: Netflix.

Review –

Sometimes in life, you want to shut your brain off for a bit, sit down, and watch some explosions flare to life on your screen. The action flick is the king of this, especially if you pivot it in the direction of an action/comedy. However, today we are looking at a film that should be all this and more, but I walked away feeling that something was missing.   

So to set the scene, we open in on a special ops team, which is having a very bad day, because everything is going very wrong, very, very, wrong. This is not your usual black ops team because while black ops teams are sometimes called ghosts, this team is for all intents and purposes are actually ghosts because the world thinks they are all dead.  We have One (Ryan Reynolds) The Billionaire, Two (Mélanie Laurent) The CIA Spook, Three (Manuel Garcia-Rulfo) The Hit Man, Four (Ben Hardy) The Skywalker, Five (Adria Arjona) The Doctor, and Six (Dave Franco) The Driver. Their aim was to find information out about Rovach Alimov (Lior Raz) a dictator with the predilection for using chemical weapons against civilians.   

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