The SpongeBob Movie: Search for SquarePants – Movie Review

TL;DR – An interesting concept for a SpongeBob Movie, that unfortunately, does not have the legs, or fins, or tentacle suckers to stretch to a feature-length movie.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

The Flying Dutchman on an eyrie sea.

The SpongeBob Movie Review Introduction

Today, I think I need to preface everything that I am about to say with one clear addendum: I am not the target audience for this film. I feel I need to make that clear from the front because not every film will be written for you, and you should have the wherewithal to understand that before dumping on something. But then I did also sit through it all, so, as we are here …


So, to set the scene, after measuring himself every day, SpongeBob SquarePants (Tom Kenny) is finally a “Big Guy”. Someone tall enough to go on the adult rides at the local amusement park. But when SpongeBob is not able to find the courage to hop on the rides with his dear friend Patrick Star (Bill Fagerbakke), he is crushed. But that is when Mr. Krabs (Clancy Brown) tells him about his time as a swashbuckler with the crew of The Flying Dutchman (Mark Hamill). SpongeBob becomes enamoured with the idea of being a swashbuckler as the way to become a genuine big guy; however, Mr. Krabs might not have been telling the whole truth.

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The History of Sound – Movie Review

TL;DR – It is both profoundly moving and also downright frustrating. The visual construction was some of the best all year, yet it pondered along, afraid to commit to what its thesis statement was.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

A river flowing in a forest.

The History of Sound Review Introduction

Today, we are looking at a film that existed in a state of dissonance for me, from the heights of beauty that you see throughout, to the despair of frustration. Some of this dissonance is purposely built into the film, an intentional conversation in subtext. However, while that is important, you can’t forget the actual text.
 
So, to set the scene, Lionel Worthing (Paul Mescal) has always had a special relationship with music since he was a child, able to feel it, see it, and manipulate it. It was this gift that took him in 1917 from the rural farm in Kentucky where he grew up to the Boston Conservatory to study music. It is here that he came across fellow student and composer, David White (Josh O’Connor). They had an instant bond, but war broke out, and David was drafted. David returned in 1919 and asked Lionel to join him on a trip collecting and recording folk songs, a trip that would have a marked impact on both their lives.

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Dogpile – Video Game Review

TL;DR – Charm from the first click to the last.

Rating: 4 out of 5.

Disclosure – I paid for this game.

A sleeping dog.

Dogpile Review Introduction –

Every now and again, you don’t need a hundred-hour RPG or twitch shooter or even a dudes diving into an asteroid to mine dig-fest, what you need is something quaint and full of charm. The sort of charm that knocks your socks off or makes you say audible ‘awwww’. Well, today we look at just such a game, one that has charmed me all week. It is also interesting that two of the games that I have gotten the most out of this year, this and Peak, have been indie-studio collaborations. I am not sure what that means, but it is a fun anecdote for me.

So, to set the scene, you run a kennel where many dogs with many different behaviours come to be found. You’ll need to keep everything from spiralling out of control, while making sure you get to the dog wash, buy items in the shops to help you, and also, don’t forget to give your dogs all the pats in the world.

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Savage Hunt – Movie Review

TL;DR – It commits one of the most cinematic of crimes: it makes a film about a bear on a slashing spree dull.

Rating: 1.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

A blood stained torch.

Savage Hunt Review Introduction

Unfortunately, today, we are looking at a film that flounders at almost every single possibility. Partly because of the budget, I assume, and also because the narrative and the characters are written in such a way that I found every single one of them insufferable before the end credits rolled.   

So, to set the scene, we open on a forest being cut down to build a new resort and spa. But deep in these woods might lurk something that you don’t want to disturb, something that might be stalking you, hunting you, and if you are not careful, killing you. When a man walks into the construction site covered in blood and clearly mauled by an animal, the local rangers get called in, shutting down the site, but not even they were prepared for what is out there.

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Fight or Flight – Movie Review

TL;DR – This is what happens when you build a film entirely around your leading star’s personality, and it works.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A phone with a bounty image of Josh Hartnett.

Setting the Scene

If there is anything that 2025 cinema is going to be known for, it has been the bountiful number of action films we have gotten. Some look back to the past to find inspiration, some work in the medium as it stands, and some are still looking forward and charting their own path. Today’s entity is trying to do a bit of all three, and while I don’t think it landed all the aspects, it does get points for the pun in the title.  

So, to set the scene, Aaron Hunter (Julian Kostov) is not having a good day because one of the teams he is overseeing just got wiped out in Bangkok by a ghost. Not a literal ghost, but given how The Ghost has eluded capture so far, it might as well have been one. His boss, Katherine Brunt (Katee Sackhoff), knows that capturing The Ghost will be a fantastic stepping stone in her career; the only problem is that, with the Bangkok team dead, and The Ghost heading to the airport, she doesn’t have time to get a team onto the plane to capture the target. She is left with only one choice, Lucas Reyes (Josh Hartnett), a man burned by the intelligence agencies, but might be willing to take the gig, only to get off the no-fly list. He agrees, reluctantly, however, as he boards the plane, what he does not know is that he might not be the only person on the plane hunting The Ghost.

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Him – Movie Review

TL;DR – A fascinating film full of a brooding presence that builds throughout, leading to an ending that feels less satisfying the more I ponder on it.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Warning – Contains sequences that include flashing lights.

Jets blasts over a goal post.

Setting the Scene

If there was ever a time to get me interested in a sports horror film, it is this week, as we are currently sitting in between the AFL and the NRL grand finales, and my teams are in both. It gives you a little buzz around the sporting world and prepares you to dive into some of the more questionable sides of the industry.

So, to set the scene, Cam’s (Tyriq Withers) whole life has revolved around football, conspicuously not the NFL, but I digress. All his life has been focused on making it to the top, and just when he is about to make his debut, someone cracks him in the back of the head. The doctor is sure that if he gets another crack on the head, it could stop him playing for good. But when Cam’s manager, Tom (Tim Heidecker), calls with an offer to train with his idol, Isaiah (Marlon Wayans), the current quarterback of the San Antonio Saviors, it is an opportunity he can’t turn down, even when all the red flags start popping up.   

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Kangaroo (2025) – Movie Review

TL;DR – This is a profoundly Australian film, and in that I mean more its structure than the narrative. But once it gets going, you can’t help but get caught up in the charm, because it has it in spades.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Joeys.

Kangaroo Review Introduction

While Australia is known as a place where big-budget films come to film, where you can walk down the street of Brisbane one day and suddenly it is New York for Thor. However, we also have a vibrant domestic film culture, or we do at the moment, looking at you politicians not doing enough to support the local industry. However, there are times when you could tell a film is Australian, even if no sound of an accent passed your ears, and today’s film is a good example of this.  

So, to set the scene, Chris Masterman (Ryan Corr) is the local weather reporter for Channel 6’s Rise and Shine Australia. He wants to be more than the person they cut to in the morning when they need someone to get a bucket of water thrown at them. But no one takes him seriously. Well, Chris is going to change that when the opportunity to go viral presents itself. Unfortunately, it blows up so spectacularly in his face that not only is he not up for promotion, but he is fired and put on the instant reject list for every production team in Sydney and beyond. He has one shot to get his career back on track, and that is to drive to Broome and do some regional work. But when his car accidentally hits a kangaroo on the outskirts of Silver Gum, he is stuck in the small town waiting for his car to be fixed, but also looking after a now orphaned joey with the help of Charlie (Lily Whiteley).

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The Bad Guys 2 – Movie Review

TL;DR – A film full of energetic characters, stunning animation, and a wonderful, uplifting vibe that permeated every part of the story.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I was invited to a press screening of this film.

The Bad Guys driving a car out of a building.

The Bad Guys 2 Review Introduction

Back in 2022, Dreamworks Animation was in a bit of a creative quandary. It had just finished up its Kung Fu Panda and How to Train Your Dragon series, but then it kind of just floundered for a while. But then The Bad Guys happened. It was an explosion of energy in a way the studio hadn’t found in the past years. But it was also stepping into a brand-new animation style that blended 2D and 3D styles into something that perfectly understood the medium they were adapting. We dipped back into this world with The Bad Guys: Little Lies and Alibis earlier in the year, but I am glad to say that it is time to dive into the sequel I have been waiting for.


So, to set the scene, ever since the events of The Bad Guys where the team of Mr Wolf (Sam Rockwell), Mr Snake (Marc Maron), Mr Piranha (Anthony Ramos), Mr Shark (Craig Robinson), and Ms Tarantula (Awkwafina) turned good to stop the master villain Professor Marmalade (Richard Ayoade). They have been serving their time and trying to reemerge in society. But they can’t find a job, because everyone thinks that they are just undercover waiting to rob everyone. This is made more complicated when the Phantom Bandit starts robbing the city of all its MacGuffinite in the style of The Bad Guys. What’s worse: being blamed for a crime you didn’t commit, or knowing someone’s out there copying your old moves? Well, The Bad Guys need to get to the bottom of this before Governor Diane Foxington (Zazie Beetz) and police commissioner Misty Luggins (Alex Borstein) must act.

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The Roses – Movie Review

TL;DR – A film built entirely on the chemistry of Benedict Cumberbatch and Olivia Colman, which is a fundamentally good idea. But then the film makes several choices that make you pause.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Benedict Cumberbatch and Olivia Colman.

The Roses Review Introduction

Unfortunately, 2025 has not been kind to the satirical Dark Comedy, with many noted filmmakers falling in the attempt to capture that vibe. With film after film falling in its wake. However, can a remake of a classic from 1989 find its footing? Well, to pull that off, you would need to cast two leads with impeccable chemistry and bring it into the 21st century, but there is a chance you can pull it off.    

So, to set the scene, Theo (Benedict Cumberbatch) and Ivy (Olivia Colman) are both professionals working in London and being held back by their respective bosses. However, fate brought them together one day, and the chemistry was instant, so instant that they took a gamble to fly off to California after one meeting. Ten years later, they are married with twins, and Ivy has put her career on hold to raise the family. But when a calamity strikes and Theo is fired, Ivy steps up to take the slack, working in her new restaurant. It is a complete 180° shift in their marriage dynamic, which I am sure will have no lasting repercussions.   

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Honey Don’t! – Movie Review

Honey Don’t! – No matter how much style, Honey Don’t! has, and it has a lot, none of that makes up for the hollow narrative that meanders around before realising it needs to finish at some point.

Rating: 2 out of 5.

Post-Credit Scene – There is an audio sting at the end of the credits, but it’s not something you need to stay for.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress

HNYDONT number plate on a car.

Honey Don’t! Introduction

Today, we are looking at a film that is confounding. Honey Don’t! has style, is filled with a strong cast, and an interesting setting. Throw in one of the Coen brothers, and this should have been absolute gold. But no matter what they threw at the screen, none of it stuck. To the point where it is almost interesting just how much it misses the mark
 
So, to set the scene, we arrive at a car crash, a lady drove over an embankment and ended up at the bottom of a canyon. Oddly, police detective Marty Metakawich (Charlie Day) from homicide is there, but why is Honey O’Donahue (Margaret Qualley), a private investigator, on the scene? Well, for you see Mia (Kara Petersen), who is now dead, we assume, was a potential client of Honey’s, and the question remains: was she killed before she could talk?   

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