TV Review – Disenchantment: A Princess, an Elf, and a Demon Walk Into a Bar

TL;DR – An interesting start that gives us a real direction as to the tone and where the series is going.

Score – 4 out of 5 stars

 

Disenchantment. Image Credit: Netflix/Rough Draft Studios

 

Review

I was coming into Disenchantment with a bit of a mixed mind as I have an interesting relationship with Matt Groening’s work. When I was growing up we were not allowed to watch The Simpsons so when you did see it at a friend’s place it was this little rebellion, so I hold some of those early episodes to be quite dear to me. However, I can’t tell you the last episode I watched, at this point, I could be over seven seasons behind. On the flip side, while all this was happening Futurama came and went, and then came again and then went again, and I would count it in the top ten TV Shows I have ever seen. So where would Disenchantment fall? Well from the first episode we can see that it is at least going to be interesting.

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Movie Review – BlacKkKlansman

TL;DR – Spike Lee’s BlacKkKlansman is at times hilarious, at times deeply provoking, and at no time will it hold your hand as it explores the deep centred racism in America (spoiler: it is not just America)

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

BlacKkKlansman. Image Credit: Focus Features/Universal Pictures

Review

I was not one hundred per cent sure what it was that I was getting myself into when I walked into to see BlacKkKlansman. I knew it was about a black police officer infiltrating the KKK and that it was based on a true story but that was about it. Spike Lee is a filmmaker whose work I am unfortunately not that familiar with, so was this going to be a comedy, was it going to play it straight, was it going to do both while being deeper for it? Well with that in mind let’s take a look at the race relations of the 1970s which in no way reflects on America of today … in no way …

So to set the scene, in 1972 Ron Stallworth (John David Washington) is hired as the first black police officer in Colorado Springs. While this is meant to be a step forward for race relations, Ron is hidden away in the records room taking abuse from his fellow police officers. That is until one day an important African-Amerian activist Kwame Ture (Corey Hawkins) comes to town and they need someone to go undercover at the speech and well every other member of the police force would stand out. It is here where he meets Patrice Dumas (Laura Harrier) one of the event organisers, and listens to the speech which focuses on promoting the cause of African people from white oppression, up to and including armed resistance. Happy with his success the police decide to move Ron into the intelligence division and on his first day he responds to an ad in the paper about a new KKK chapter starting up in the town. One slight problem, just a small thing really, but it kind of won’t work if they ever have a face to face meeting. So Ron enlists officer Flip Zimmerman (Adam Driver), Ron is Ron on the phone, and Flip is Ron in person, and all of it flows from there.

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Movie Review – Vitamania: The Sense and Nonsense of Vitamins

TL;DR – Where this documentary excels is in both illuminating complicating an issue, namely vitamins, that many people take for granted which are part of that is $100 Billion dollar industry with very little or in some cases no regulation.

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Vitamania. Image Credit: Screen Australia/SBS

Review

As a society, I really feel that we are becoming more and more attuned to what it is we are putting in our bodies and the negative consequences that could have. We’ve had the discussions about fat, salt, carbs, and most recently sugar, however, in all those discussions have we missed something that we need to have to give that same level of scrutiny to. This is, of course, vitamins and I think you would have already guessed from the title of the documentary. Many of us take all sorts of dietary supplements, but are they actually beneficial for us? This is the question that the documentary helmed by Sonya Pemberton and hosted by Derek Muller is out to explore. This is a question that I am interested in myself as I grew up taking vitamins and as an adult there is a lot of noise in this issue ranging from “You are just making expensive pee” to “You are killing yourself if you don’t” and it is difficult to work out what is the reality. Which is what this documentary sets out to do through information, interviews, case studies, and the occasional song.

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Movie Review – The Spy Who Dumped Me

TL;DR – At times deeply funny, and also quite shocking, while it doesn’t quite reach fantastic it is clear that a lot of talent and care has gone into the film, even though the full frontal nudity and language will be a barrier for many.

Score – 3.5 out of 5 stars

Post-Credit Scene – There are mid-credit scenes

Image Credit: Lionsgate

Review

This was actually quite a bit of a surprise, there had been a lot of bad buzz about the film floating around, and I honestly had no idea what to expect of the film other than the most blatant rip off of a Bond title since Austin Powers: The Spy Who Shagged Me. However, the one thing that was clear from the first few minutes is that a lot of care has gone into the construction of this film, because there is a lot they could have phoned it in, but no they put the effort in.

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Movie Review – Extinction

TL;DR – This is a film with a lot of promise and an interesting hook, but it’s missing that final level of polish needed for a film like this and the ending did feel like a cop-out.

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Extinction. Image Credit: Netflix.

Review

It has been a good year for Science Fiction TV on Netflix, I mean it is only halfway through the year and we have already had such gems as Altered Carbon (see review), Lost in Space (see review), Star Trek Discovery (see review) & The Rain (see review). However, when it comes to Science Fiction films it is a bit more of a mixed bag, ranging from the excellent Annihilation (see review) to the quite disappointing TAU (see review). Today we look at the next film that Netflix has saved after having its theatrical release pulled Extinction, which has some good ideas going on but didn’t quite get there with the execution.

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Movie Review – The Breaker Upperers

TL;DR – At times hilarious, at times incredible farcical, and at times a deeply moving look at the trials of friendship.

Score – 4 out of 5 stars

Post-Credit Scene – There is a post-credit scene

The Breaker Upperers. Image Credit: Piki Films/Madman.

Review

For a long time, there has been this growing bubble of particular dry absurdist comedy coming out of New Zealand. You see it in the work of Taika Waititi, Jemaine Clement, Bret McKenzie, Rhys Darby, Rachel House, and also some of Peter Jackson’s early films. These are films that mix comedy and emotional understanding in equal measures. Whenever one of these movies like Hunt for the Wilderpeople (see review) or Hibiscus & Ruthless (see review) make it across the ditch I always really look forward to seeing it. Well, today we get the chance to look at a new entry into this wonderful genre The Breaker Upperers, from the comedic team of Madeleine Sami and Jackie van Beek.

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Movie Review – Mission: Impossible – Fallout

TL;DR – Heart pounding, electric, bombastic, edge of seat, high octane, adrenaline rush, these are all things I would use to describe Fallout.

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Hunt jumps out of a plane, he jumps out of a lot of things. Image Credit: Paramount Pictures/Bad Robot

Review

When I think back to 1996 when the first Mission: Impossible film came out all those years ago I can remember it being enthralling and as it was one of the first big action films I ever saw in the cinemas that opening mission still holds a special place in my personal cinematic history. However, I didn’t think I would still be talking about these films over twenty years later, I mean there were a lot of great action films in the 1990s but few if any have had the same persistence as Mission: Impossible. Now to be fair, not every film in the series has been a gem, and I even stopped watching after a while, but people told me I should catch the last entry into the franchise with Rogue Nation (see review) and I really enjoyed it. Well, jump forward to 2018 and the director/writer of that last film Christopher McQuarrie is back for a second jump into this world of spies. With this in mind, I had high hopes that they could continue the good work here, and I am so happy to say that they did.

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Movie Review – The Equalizer 2

TL;DR – While not in any way revolutionary, it takes the familiar pieces and presents them in a really captivating way, anchored by a powerful performance by Denzel Washington.

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Image Credit: Columbia Pictures

Review

So I am going to begin this review with a confession, I have never seen the first Equaliser film, nor the TV series it is based off. Indeed I didn’t even know there was a TV series until I saw it in the credits. To add to this I was not even planning to go see The Equaliser 2 today so I didn’t have the presence to watch the first film before going in, so as I was going in I thought I should at least read through the synopsis. Just reading what happened made me truly wonder how I missed it? However, film history is full of sequels that don’t live up to the original, so let’s take a look at a world power does not protect you.

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Movie Review – Occupation

TL;DR Occupation is an Aussie take on the Alien Invasion genre, with a fantastic setup and ending, though it does meander a bit in the middle.

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Occupation. Image Credit: Pinnacle Films/Sparkefilms

Review

For those who have read my work before you would likely know that I am a big fan of the Science Fiction genre, and one of the types of media that falls under that banner is Alien Invasions. They can be on the small scale like Predator, or on the large scale like Independence Day and X-Com, or that one time with Battleship where it was weirdly mid-scale, that was an odd film. However, the basic premise of all these films is that one day everything is normal, you are going about your day without a care in the world and then everything changes. I really enjoy the Alien Invasion sub-genre, indeed I count Independence Day as one of my favourite films of all time, however, a lot of the recent films have been well disappointing, sorry Independence Day Resurgence (see review). Well, today I take a look at a film that is taking the genre in the right direction with an Aussie twist.

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Movie Review – TAU

TL;DR TAU is one of those films where there is an interesting core of an idea here, but then really the movie spends almost all of its time not exploring it.

Score – 2 out of 5 stars

Post-Credit Scene – There is no Post-Credit Scene

TAU. Image Credit: Netflix

Review

Watching a good film can be joyful, watching a bad film can at least be interesting, but watching a film that clearly had potential only to not deliver on it … well, that can be torturous. This week we look at TAU a film that unfortunately falls into the latter category. It is a film that is trying to take the AI computer genre in a different direction but unfortunately falls into just being a pastiche of other films, and not even a very good version of that.

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