Tag Archives: American Cinema

Movie Review – Hobbs & Shaw (Fast and Furious Presents: Hobbs and Shaw, Fast and Furious: Hobbs and Shaw)

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TL;DR – A film that soars when it is in the banter/action grove but falters when it needs to move the story forward.     

Score – 3.5 out of 5 stars

Post-Credit Scene – There are multiple mid-credit scenes as well as an end credit scene

Hobbs & Shaw. Image Credit: Universal Pictures.

Review –


 To be honest, if I have a blind spot in modern cinema it is the Fast and Furious franchise. When the films started to come out, I didn’t really jell with the super-serious machismo in what was an inherently silly premise. This looked to be the way for all the films but when The Fate of the Furious came out two years ago, I thought I would give it another watch. Well about the time they used a car to take out a submarine I realised that they had finally realised just how silly it all was and had leaned into it, and that is something I can get behind. That being said, a spin-off the film is still a bit of a gamble, but given how well the director and cinematographer are at actions filmmaking, I walked in being quietly optimistic and with the action, I was not let down.

So to set the scene, two years since the last adventure and Luke Hobbs (Dwayne Johnson) is enjoying his life as a DSS agent and a father to his daughter Sam (Eliana Su’a). However, at that moment in London, an MI6 team is taking out a band of mercenaries that have a manufactured virus and who are about to sell it on the black market. After a clinical takedown of the gang, all is right but then a mysterious figure (Idris Elba) arrives and single handily kills all of the MI6 bar Hattie (Vanessa Kirby) the lead agent. Fearing the virus would get into the hands of evil people Hattie injects herself with the virus to hold on to it while she escapes. The MI6 think she has turned rogue and the CIA, MI6, and the criminal organisation are now hunting her. The only chance she has is if Luke teams up with Deckard Shaw (Jason Statham) and well that has disaster written all over it.

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Movie Review – Booksmart

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TL;DR – While it follows a lot of the plot beats of similar films, it stands out on its own by focusing on the characters that are the heart of the movie.      

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Booksmart. Image Credit: Annapurna Pictures.

Review –

There are some scenarios that you see get plaid out in cinema over and over again. Indeed, one of the most popular scenarios is looking at that last few days before you graduate high school. I think it is so popular because it is something that nearly every person in the target audience has or will go through. So it becomes a nexus of past nostalgia and future promise. Either way, it is a scenario that I have seen put to film over and over again, especially in the R-rated comedy genre. However, in all the scenarios, I have never seen a film quite like this.

So to set the scene, high school is drawing to a close and class valedictorian Molly Davidson (Beanie Feldstein) and her best friend Amy (Kaitlyn Dever) are getting ready to survive the final day of classes. Molly is going to Yale and spent all her time at school making that happen, and Amy is getting ready to spend a summer in Botswana as an aid worker. However, Molly’s certainty about her past is shaken when she discovers that all the kids that partied throughout high school also got into top universities. Well, there is only one night left before graduation and Molly know just what to do, she needs to go to Nick’s (Mason Gooding) party so she can have the full high school experience and she is dragging Amy along with her.

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Movie Review – The Lion King (2019)

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TL;DR – An animated marvel that unfortunately comes off as a disjointed mess at times   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Lion King. Image Credit: Disney.

Review –

I’m going to be honest right from the start here, I had some real trepidation on walking into The Lion King today. I consider the original animated film to be one of my all-time top animated films. In the 25 years since I first watched it, it still holds a special place in my heart, even though those 25 years were filled with hot takes about authoritarianism and plagiarism accusations. However, something about this remake just was not jiving with me. Well now that I have seen the full film I am happy to say that it was not the disaster I thought it would be, but wow does it have issues.

So to set the scene, and if you have seen the original film you can probably skip this section. We open with dawn breaking on a very special day in Pride Rock. Because this is the day that the new prince Simba (JD McCrary) is being presented to the animal kingdom. As Rafiki (John Kani) raised the young cub up in front of all the animals that have gathered Mufasa (James Earl Jones) and Sarabi (Alfre Woodard) watch on with pride, but someone is missing. Scar (Chiwetel Ejiofor) the brother of the king is absent and his absence is notable. He wants the throne for himself and he will stop at nothing to make that happen. Well, one day when young Simba and Nala (Shahadi Wright Joseph) escape their watcher Zazu (John Oliver) and take a trip to the elephant’s graveyard an opportunity lands in Scar’s lap.

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Movie Review – Frankenstein’s Monster’s Monster, Frankenstein

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TL;DR – Absurdist and silly, and while the mockumentary is fun at the start it does feel like it never quite came together.     

Score – 3 out of 5 stars

Post-Credit Scene – There is a post-credit scene

Frankenstein's Monster's Monster, Frankenstein. Image Credit: Netflix.

Review –

Well let me tell you a story, we have a famous actor creating a mockumentary of a fictional ancestor that he also plays, and we are going to jump back and forth between him finding out things today and a pretend performance of a televised play in the 60s. This is a truly bonkers scenario, but that is the one we have with us today as we explore Frankenstein’s Monster’s Monster, Frankenstein.

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Movie Review – Point Blank (2019)

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TL;DR – A solid, if not very imaginative action flick   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Point Blank. Image Credit: Netflix.

Review –

It has been a while since I have sat down and watched a solid action flick, the kind where you can get out some popcorn, sit back and not think that hard about what is going on. Well, today we have an example of just that with Point Blank which is a reimaging of À Bout Portant, a French film from a couple of years ago.

So to set the scene, we open with Abe (Frank Grillo) smashing his way out of a window leaving a dead District Attorney in his wake. On the run, with a gunshot wound, he texts his brother Mateo (Christian Cooke) for a pickup, but just when he arrives Abe is hit by a car. Later that night Paul (Anthony Mackie) is doing his rounds as a nurse at the local hospital leaving his very pregnant wife Taryn (Teyonah Parris) at home resting when he comes to examine the John Doe. Only to be ambushed by a masked figure, dramatically changing his life.  

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Movie Review – Spider-Man: Far From Home

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TL;DR – As the swan song for the Phase 3 it delivers of nearly every front but mostly in heaping amounts of charm

Score – 4.5 out of 5 stars

Post-Credit Scene – There is a mid and post-credit scene (you 100% need to stay for the mid-credit at least)

Spider-Man: Far From Home. Image Credit: Sony.

Review –

To be a bit honest I had some concerns about this film before I walked into the cinemas. I quite liked the first Spider-Man and the films since has showed that Tom Holland was one of Marvel’s best casting choices. However, this film was coming off the double whammy of being the follow up to both Endgame and also the first film since the revolutionary Into the Spider-Verse, and they are tough acts to follow. However, literally five minutes into the movie I knew I was in for a good time, but I didn’t know was how much of an impact this film would have on the greater landscape.

So to set the scene, we open with a quick recap of everyone who dies in Endgame, so if you have not seen it yet get ready for that band aid to get ripped off real quick. It also gives a little perspective as to how the world adapted to what they now call the blip with half of the people disappearing then reappearing 5 years later. It looks like most of Peter Parker’s (Tom Holland) friends got snapped and have to suffer through doing the school year all over again. Well after all the stress of Endgame, Peter is happy that he is able to take a break because he and his friends MJ (Zendaya), Jacob (Jacob Batalon), Betty (Angourie Rice) and unfortunately Flash (Tony Revolori) are going to Europe on a school trip. However, before he leaves Happy (Jon Favreau) arrives at his aunt May’s (Marisa Tomei) charity dinner to let Peter know that Nick Fury (Samuel L. Jackson) is looking for him and Peter does the only normal thing and ghosts Nick Fury. Well you can guess how well that went.

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Movie Review – Silent Panic

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TL;DR – While there is a kernel of a really good idea here, all the moving parts never quite connect    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Silent Panic. Image Credit: Indie Rights.

Review –

When reviewing films, I really like when I come across a scenario that intrigues me. Well today we have just such a scenario where people’s lives become unravelled through no fault of their own, okay maybe a little fault of their own. However, while an interesting idea is a good start, it is not the end of the equation and unfortunately that is the case here.

So to set the scene, three friends Eagle (Sean Nateghi), Bobby (Joseph Martinez), and Dominic (Jay Habre), are out one weekend camping in the hills. They are catching up and talking about their past and future as Eagle is just out of jail after being set up in a break and enter. The weekend was great but when they get back to their car they discover that while they were gone someone had dumped a body in the back of their car. Immediately the question of what to do splits the group and things spiral out from there.

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Movie Review – Men in Black: International (MIB: International)

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TL;DR – A film that is funny in places, has some good effects and cast, but can’t escape its boilerplate plot    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Men in Black: International. Image Credit: Sony.

Review –

Back in the day, oh goodness, 1997 was over two decades ago, I had no idea that a moth floating through the air was going to lead to something just magical. That first Men in Black film was like lighting in a bottle, hell I still have that theme song playing in my head from time to time. However, since then the follow-up films have never been able to capture, or even come close to that first film (though the cartoon series almost did). Flash forward to last year when I heard that they were taking another shot at the series, honestly, I felt a bit mostly meh. But then they announced that it was going to be headed by Tessa Thompson and Chris Hemsworth. Well if there is a way to get me instantly interested in something it is to cast Tessa Thompson and Chris Hemsworth and let’s see how they did.

So to set the scene, back in 2016 Agent H (Chris Hemsworth) and High T (Liam Neeson) arrive in Paris to stop a catastrophe, for the Hive, a destructive species, was about to use The Eiffel Tower to gate onto Earth and take it over. We then find ourselves with a young girl called Molly (Mandeiya Flory) who got to see the Men in Black in action and hid so she never had her memories wiped by the Neuralyzer. Now in 2018, all grown up Molly (Tessa Thompson) tries to find the MIB and after a lifetime hunt, she is given status as a probationary officer and sent to the London Branch where something does not seem right.      

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Movie Review – Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese

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TL;DR – An interesting juxtaposition of the past and present, through music, Bob Dylan, and a very particular look at the 1970s.    

Score – 4 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. Image Credit: Netflix.

Review –

Recently I’ve been listing in to a weekly Twitch podcast about music, exploring all the different genres that had no experience with. This has gotten me more interested in exploring the world behind music and Hollywood’s recent biopic spree has helped a bit in this regard. But when you find that a film about Bob Dylan has dropped on Netflix, by Martin Scorsese no less, you stop what you are doing and jump back to the 1970s.

So to set the scene, Rolling Thunder Revue tells the story of Bob Dylan and friends tour across New England and beyond during 1975. This was a year where America was at crossroads, Nixon had just resigned, the Vietnam War debacle was still in everyone’s mind, and economic recession had started in places of the Rust Belt. All in all, it is a time very similar to the one we find ourselves in right now. It is at this moment of flux that Bob decided to get a group of folk/rock pals and do a tour, something he had not done in a while, and we get to see it all.

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Movie Review – Midnight Runner

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TL;DR – A competent film from first-time filmmakers that shows that struggles of trying to start your life again     

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Midnight Runner. Image Credit: Global Digital Releasing.

Review –

All filmmakers have to start somewhere, a place where they can get their feet wet, practice their crafts, and work on telling stories. Today we are looking at a film from John Mathis & Jared Sprouse, which is the first feature film from them as both directors and writers, and it is clear this was a bit of a passion project. However, like all first-time filmmakers, while there is a promise, there is also room from improvement.

So to set the scene, Ian (Ben Weinswig) arrives at his Aunt Renee’s (Dawn O’Donoghue) house to come live. While we don’t know what happened in his past life, it is clear from the way people act that something significant happened with him and his parents. Ian is trying to stay out of trouble and restart his life, however, life is not fair and he gets drawn back into a world of violence where you can’t go to the cops because they are in on it.

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