Tag Archives: American Cinema

Movie Review – Ghosts of Sugar Land

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TL;DR – An interesting exploration of one of the big topics of our days that just doesn’t quite come together.      

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Ghosts of Sugar Land. Image Credit: Netflix.

Review –

There is this moment when people find out someone has done truly awful, where those who know them have to reconcile the person you knew with the person they now are. This is a common reaction across the world but today for some people it has even more complication due to outside pressures. When people head off to ISIS, there is this clamour as to why nothing was done, why didn’t people know?

This short film explores the life of “Mark” and the reception to his apparent departure to Syria to fight for ISIS by his friends back in Sugar Land, Houston, Texas. Right from the start, this documentary captures your interest by yes the content but also from the presentation. Everyone in the document bar “Mark” has their face covered by vintage pop-culture masks like Thor and Spider-Man. This is such an odd choice but then it is a good juxtaposition to what they are talking about and everyone is wearing it for a good reason.

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Movie Review – Fractured

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TL;DR – While there is an interesting concept at play here, some clunky delivery stops it from being what it could have been    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Fractured. Image Credit: Netflix.

Review –

I’m not a parent, but I can say with some certainty that having your child go missing would be one of the biggest fears that you could have. This is why it is so commonly used in film/tv/video games as a way to draw people in because it is a fear we all have and can quickly internalise. There have been some films that have used this technique to real aplomb and others that use it for a quick shorthand to get us to engage with the protagonist. Today we look at a film that tries to do both.

So to set the scene, Ray (Sam Worthington), his wife Joanne (Lily Rabe), and daughter Peri (Lucy Capri) are on the long drive home after a stressful thanksgiving meal at with Joanne’s family. Ray is a recovering alcoholic and Joanne’s dad kept asking him to have some wine, which leads to tension in the car on the way home. They pull over at a random roadside stop because Peri needed to use the toilet only for her to lose her little makeup container. As they search Peri gets spooked by a dog and falls into a construction pit. They rush her to the local ER and as a precaution they run a CAT scan to make sure there is no bleeding and that is the last time Ray saw his wife and daughter and no one knows where they went.

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Movie Review – Joker

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TL;DR –  A hollow film trying to say something but knowing it actually has nothing to say and hoping you will be distracted by Phoenix’s performance not to notice.  

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Joker. Image Credit: Warner Bros.

Review –

It has been a couple of days since I watched Joker and instead of writing the review right away I needed to let this film sit a percolate in my brain for a bit before I started writing. Part of that is because I have talked to a lot of people because there are a lot of different experiences with the film, so I wanted to make sure I knew the different perspectives before I dived in. But also because there are aspects of the film I quite like and those that I really don’t and I needed to work through that juxtaposition.    

So to set the scene, in the 1980s Gotham City is beset by a garbage strike and tempers are starting to flare as the piles of rubbish start to accumulate. On the outskirts of the city lives Arthur Fleck (Joaquin Phoenix) who works as a clown during the day and looks after his housebound mother Penny (Frances Conroy) in the evenings. Which would be difficult enough for any person but Arthur suffers from a neurological condition that required multiple types of medication and still causes spontaneous uncontrollable laughter. Things are manageable for Arthur but as his life starts to unravel so does he.

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TV Review – Star Trek Short Treks: Q&A

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TL;DR – This is a great episode that shows the strength of the Short Trek formula with some truly delightful moments

Score – 4 out of 5 stars

Star Trek Short Treks: Q&A

Review –

We are back with another season of Short Treks, one of the more novel experiments that have come out of this third Star Trek TV resurgence. These are a number of shorts in and around the Star Trek universe (mostly but this season not exclusively around Star Trek Discovery). Like last year’s The Escape Artist that looked at Harry Mudd. Today we get to dive back into this world with a fun look at someone’s first day on the job.

So to set the scene, it is Ensign Spock’s (Ethan Peck) first day on the job. After a long flight to Starbase 40, he beams aboard and is welcomed by Number One (Rebecca Romijn). After some pleasantries, Number One decides to show the new ensign the Bridge only for the turbolift to fail on transit giving them a lot of time to chat.

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TV Review – The Expanse: Season 3

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TL;DR – This is and continues to be the gold standard to adaptations of literature, capturing the heart of the books, even if it does not hit every plot beat along the way.  

Score – 4.5 out of 5 stars

The Expanse. Image Credit: Amazon Studios.

Review –

I mentioned back in my look at the New Golden Age of Science Fiction that The Expanse is one of the best adaptations on TV at the moment. Here in Australia, I got to watch the first two seasons on Netflix and was constantly entranced with just what a good job they did of bringing James S. A. Corey’s books to life. The third season has been tricky to find but today I was able to hunt it down on Amazon and gave it a watch. Well, how does it do? Well, I can tell you that I watched the entire first arc of the season in one session, being so completely engrossed that I didn’t realise how late in the evening it had gotten … so that it is always a good sign.

So to set the scene, we open in the aftermath of season two and the turn that put Chrisjen Avasarala (Shohreh Aghdashloo) from a position of absolute power to her running for her life after being betrayed by Sadavir Errinwright (Shawn Doyle). Stuck on a ship that has just been fired upon by her own side there is not much hope for escape but then that is why she brought Bobbie Draper (Frankie Adams) a former Martian marine along. They manage to escape, but they are still under pursuit, and while they were gone the whole solar system has erupted into war and the Jupiter planetary system is ground zero for the conflict. Meanwhile, on the Rocinante the crew are dealing with two big problems, the fact that Naomi (Dominique Tipper) lied to them, and they have done nothing really to help Prax (Terry Chen) find his daughter. With everything falling apart the question is: will James Holden (Steven Strait) going to step in and help stop this war, or is he going to sit back and let others make the tough calls?    

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Movie Review – In the Shadow of the Moon

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TL;DR – A fascinating look at an issue and how people would react to it as we watch a man’s life fall apart around him.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

In the Shadow of the Moon. Image Credit: Netflix.

Review –

If you want my interest in a film, you need to take something familiar and twist it, say a serial murder with more going on. Of course, once you have an interesting premise, you need to follow it up, which is not always the case, but today we see a film that comes very close to nailing those two parts. So very close.    

So to set the scene, it is a quiet night in Philadelphia when all of a sudden a woman collapses while driving a bus crashing into multiple cars before being taken out but a cement truck. When the police get to the scene they discover that the driver is covered in her own blood after something liquefied her brain. Three puncture wounds were in her neck, which would be bad, but across the city three more people collapse in the same way. Beat cop Thomas (Boyd Holbrook) makes the link between the three victims and after finding a forth still alive they have a clue only to find everything is much more complicated than they ever thought because the Jane Doe (Cleopatra Coleman) know who Tom is and that his daughter is about to be born.   

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TV Review – The Good Place: A Girl from Arizona Part 1

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TL;DR – A great start to propel the season forward.

Score – 4 out of 5 stars

Review –

Well, it is time for all good thing to come to an end, in this case today we are looking at the beginning of the end as we explore the first episode of The Good Place’s fourth and final season. As much as there is sadness, there is also a certain joy that at least the show will get to go out on their own terms. Indeed, from what everyone has said it was a creative decision to end the show at this point and I will always respect that. Well let’s dive into the weird and quirky world of the ever after. 

So to set the scene, in the Season Three finale Pandemonium, The Judge (Maya Rudolph) gave everyone a chance to show that the point system is broken by creating a new neighbourhood to test it out with new people. However, The Bad Place, devious as ever, did not pick the worst people in the world, just the worst people for the team, including Chidi’s (William Jackson Harper) ex Simone (Kirby Howell-Baptiste). Knowing that he could not remain impartial Chidi has his mind wiped of everything including his love for Eleanor (Kristen Bell). Now they have one chance to show that everything is wrong and it is not going to be easy. Just a reminder that we will be looking at the episode at the whole, so there will be [SPOILERS] ahead.

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Movie Review – Scary Stories to Tell in the Dark

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TL;DR – A solid horror film, with a good premise that meanders a bit in the middle before coming back strong in the end.   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Scary Stories to Tell in the Dark. Image Credit: Universal.

Review –

I have to admit that I am not as big of a horror aficionado as a lot of the critics out there. I prefer the tension and suspense of a film like Get Out over a horror gorefest. However, I have made it a plan to try and broaden the films I see and also if you ever want me to see a film having the story by Guillermo del Toro is a great way to do it. With that in mind let’s have a look at a film that champions what goes bump in the night.

In 1968 a lot of things are happening, the Vietnam War is in full swing, Richard Nixon is up for re-election, and in a small town called Mill Valley in Pennsylvania, the local residents are getting ready for Halloween. Stella (Zoe Colletti) does not want to go out but is coaxed out by her friends Auggie (Gabriel Rush) and Chuck (Austin Zajur) because this might be their last Halloween together. After running into local bully Tommy (Austin Abrams) who is on a date with Chuck’s sister Ruthie (Natalie Ganzhorn) they hide in Ramón’s (Michael Garza) car. Ramón is from out of town, so Stella suggests they take him to the Bellows’ House, the town’s local haunted house. Legend says that the family that founded the town locked their daughter Sarah (Kathleen Pollard) in the basement but she would tell stories through the wall to local children and then the kids would die. Everything is going fine until Stella finds a book, a book of Sarah’s stories, a book that is still writing more stories one by one.

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Movie Review – Between Two Ferns: The Movie

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TL;DR – This is a film of two halves that actively make each side worse for being there. This film was a frustrating experience from start to finish.    

Score – 1.5 out of 5 stars

Post-Credit Scene – There is a mid and a post-credit scene

Between Two Ferns: The Movie. Image Credit: Netflix.

Review –

There are a lot of ways movies come into being, some come from novels, some from comic books, and some are even original ideas. However, there is a new trend of finding popular content from the internet and turning it into the new hotness. Well if you are going to head in that direction then one where you can have every celebrity cameo under the sun is a good place to start.   

So to set the scene, up in North Carolina there is Flinch Public Access Television and here we find a TV show host Zach Galifianakis (Zach Galifianakis). For years he has produced the Between Two Ferns with Zach Galifianakis, an interview show that is truly horrible. Well after years of doing the show, a camera crew is here to film how the show is put together. Interviewing Producer Carol (Lauren Lapkus), Cam the cameraman (Ryan Gaul), and all the guests. However, things go wrong when a leak in the celling destroys the studio forcing him to go on the road fulfilling Will Ferrell ludicrous demands.

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Movie Review – Abominable

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TL;DR – A truly charming film from start to finish.     

Score – 4 out of 5 stars

Post-Credit Scene – There are some pictures during the credits that tell a story.

Abominable. Image Credit: Universal.

Review –


Films targeted at children often have a perception that they are of lower quality than other forms of cinema. Indeed some of the trailers for upcoming films I watched before this backed that assessment up. But every now and again a film casts off those assertions and shows that if you focus on quality it should not matter whom your target audience is. Well, today we get just such a film, as we explore a monster on the run through China.

So to set the scene, we open in a laboratory in Shanghai scared and alone and not knowing where we are. After hearing Dr Zara’s (Sarah Paulson) intentions for us we flee captivity and that is when you discover the animal fleeing is a yeti. Everest (Joseph Izzo) flees into the city and tries to hide after being hit by a truck only to end up on the roof of Yi’s (Chloe Bennet) apartment complex. Yi is focusing all her life on doing odd jobs so she can earn enough money to go on a tour of China her dad always promised to take her on. But when she finds the injured Everest there is only one thing on her mind, getting him to his home.

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