Tag Archives: American Cinema

Movie Review – Point Blank (2019)

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TL;DR – A solid, if not very imaginative action flick   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Point Blank. Image Credit: Netflix.

Review –

It has been a while since I have sat down and watched a solid action flick, the kind where you can get out some popcorn, sit back and not think that hard about what is going on. Well, today we have an example of just that with Point Blank which is a reimaging of À Bout Portant, a French film from a couple of years ago.

So to set the scene, we open with Abe (Frank Grillo) smashing his way out of a window leaving a dead District Attorney in his wake. On the run, with a gunshot wound, he texts his brother Mateo (Christian Cooke) for a pickup, but just when he arrives Abe is hit by a car. Later that night Paul (Anthony Mackie) is doing his rounds as a nurse at the local hospital leaving his very pregnant wife Taryn (Teyonah Parris) at home resting when he comes to examine the John Doe. Only to be ambushed by a masked figure, dramatically changing his life.  

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Movie Review – Spider-Man: Far From Home

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TL;DR – As the swan song for the Phase 3 it delivers of nearly every front but mostly in heaping amounts of charm

Score – 4.5 out of 5 stars

Post-Credit Scene – There is a mid and post-credit scene (you 100% need to stay for the mid-credit at least)

Spider-Man: Far From Home. Image Credit: Sony.

Review –

To be a bit honest I had some concerns about this film before I walked into the cinemas. I quite liked the first Spider-Man and the films since has showed that Tom Holland was one of Marvel’s best casting choices. However, this film was coming off the double whammy of being the follow up to both Endgame and also the first film since the revolutionary Into the Spider-Verse, and they are tough acts to follow. However, literally five minutes into the movie I knew I was in for a good time, but I didn’t know was how much of an impact this film would have on the greater landscape.

So to set the scene, we open with a quick recap of everyone who dies in Endgame, so if you have not seen it yet get ready for that band aid to get ripped off real quick. It also gives a little perspective as to how the world adapted to what they now call the blip with half of the people disappearing then reappearing 5 years later. It looks like most of Peter Parker’s (Tom Holland) friends got snapped and have to suffer through doing the school year all over again. Well after all the stress of Endgame, Peter is happy that he is able to take a break because he and his friends MJ (Zendaya), Jacob (Jacob Batalon), Betty (Angourie Rice) and unfortunately Flash (Tony Revolori) are going to Europe on a school trip. However, before he leaves Happy (Jon Favreau) arrives at his aunt May’s (Marisa Tomei) charity dinner to let Peter know that Nick Fury (Samuel L. Jackson) is looking for him and Peter does the only normal thing and ghosts Nick Fury. Well you can guess how well that went.

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Movie Review – Silent Panic

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TL;DR – While there is a kernel of a really good idea here, all the moving parts never quite connect    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Silent Panic. Image Credit: Indie Rights.

Review –

When reviewing films, I really like when I come across a scenario that intrigues me. Well today we have just such a scenario where people’s lives become unravelled through no fault of their own, okay maybe a little fault of their own. However, while an interesting idea is a good start, it is not the end of the equation and unfortunately that is the case here.

So to set the scene, three friends Eagle (Sean Nateghi), Bobby (Joseph Martinez), and Dominic (Jay Habre), are out one weekend camping in the hills. They are catching up and talking about their past and future as Eagle is just out of jail after being set up in a break and enter. The weekend was great but when they get back to their car they discover that while they were gone someone had dumped a body in the back of their car. Immediately the question of what to do splits the group and things spiral out from there.

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Movie Review – Men in Black: International (MIB: International)

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TL;DR – A film that is funny in places, has some good effects and cast, but can’t escape its boilerplate plot    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Men in Black: International. Image Credit: Sony.

Review –

Back in the day, oh goodness, 1997 was over two decades ago, I had no idea that a moth floating through the air was going to lead to something just magical. That first Men in Black film was like lighting in a bottle, hell I still have that theme song playing in my head from time to time. However, since then the follow-up films have never been able to capture, or even come close to that first film (though the cartoon series almost did). Flash forward to last year when I heard that they were taking another shot at the series, honestly, I felt a bit mostly meh. But then they announced that it was going to be headed by Tessa Thompson and Chris Hemsworth. Well if there is a way to get me instantly interested in something it is to cast Tessa Thompson and Chris Hemsworth and let’s see how they did.

So to set the scene, back in 2016 Agent H (Chris Hemsworth) and High T (Liam Neeson) arrive in Paris to stop a catastrophe, for the Hive, a destructive species, was about to use The Eiffel Tower to gate onto Earth and take it over. We then find ourselves with a young girl called Molly (Mandeiya Flory) who got to see the Men in Black in action and hid so she never had her memories wiped by the Neuralyzer. Now in 2018, all grown up Molly (Tessa Thompson) tries to find the MIB and after a lifetime hunt, she is given status as a probationary officer and sent to the London Branch where something does not seem right.      

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Movie Review – Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese

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TL;DR – An interesting juxtaposition of the past and present, through music, Bob Dylan, and a very particular look at the 1970s.    

Score – 4 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. Image Credit: Netflix.

Review –

Recently I’ve been listing in to a weekly Twitch podcast about music, exploring all the different genres that had no experience with. This has gotten me more interested in exploring the world behind music and Hollywood’s recent biopic spree has helped a bit in this regard. But when you find that a film about Bob Dylan has dropped on Netflix, by Martin Scorsese no less, you stop what you are doing and jump back to the 1970s.

So to set the scene, Rolling Thunder Revue tells the story of Bob Dylan and friends tour across New England and beyond during 1975. This was a year where America was at crossroads, Nixon had just resigned, the Vietnam War debacle was still in everyone’s mind, and economic recession had started in places of the Rust Belt. All in all, it is a time very similar to the one we find ourselves in right now. It is at this moment of flux that Bob decided to get a group of folk/rock pals and do a tour, something he had not done in a while, and we get to see it all.

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Movie Review – Midnight Runner

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TL;DR – A competent film from first-time filmmakers that shows that struggles of trying to start your life again     

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Midnight Runner. Image Credit: Global Digital Releasing.

Review –

All filmmakers have to start somewhere, a place where they can get their feet wet, practice their crafts, and work on telling stories. Today we are looking at a film from John Mathis & Jared Sprouse, which is the first feature film from them as both directors and writers, and it is clear this was a bit of a passion project. However, like all first-time filmmakers, while there is a promise, there is also room from improvement.

So to set the scene, Ian (Ben Weinswig) arrives at his Aunt Renee’s (Dawn O’Donoghue) house to come live. While we don’t know what happened in his past life, it is clear from the way people act that something significant happened with him and his parents. Ian is trying to stay out of trouble and restart his life, however, life is not fair and he gets drawn back into a world of violence where you can’t go to the cops because they are in on it.

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Movie Review – Dark Phoenix (X-Men: Dark Phoenix)

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TL;DR – In what might be the last major release of a Fox X-Men film, instead of going out with a bang, it goes out with a meh.     

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Dark Phoenix (X-Men: Dark Phoenix). Image Credit: 20th Century Fox.

Review –

With Fox being bought by Disney we know that the current X-Men film franchise is going to be reaching its end sooner rather than later, and with the New Mutants film having a difficult production, there is a chance that this is the last time we will see these characters on the big screen. With that in mind, there are many words I have used to describe the X-Men films in the past. There have been the highs of X-2, Deadpool, and Logan. There have been the lows of X-Men Origins: Wolverine, The Last Stand, and Apocalypse. However, today I have a new descriptor for an X-men film, and unfortunately, that word is dull.

So to set the scene, we open with a young Jean Grey (Summer Fontana) back in the 1970s driving with her parents when tragedy strikes and she becomes an orphan. Back in the present day of 1992, the Space Shuttle Endeavour has been hit by a solar flare and the president (Brian d’Arcy James) has only one team he can call. Since the time of Apocalypse, mutants have come out of hiding and the X-Men have become almost celebrities, using their powers, to help save the day. While in space, they discover that it was not a solar flare, but some kind of entity. While Jean (Sophie Turner) is trying to keep the shuttle together, the entity attacks and is absorbed by her. Back on Earth, she seems fine, but slowly they find out that this is not the case because Charles (James McAvoy) did something to her back in the day and that secret just burst forth.

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Movie Review – Always Be My Maybe

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TL;DR – Charming, awkward, delightful, weird, and a hell of a good time.     

Score – 4 out of 5 stars

Post-Credit Scene – Stay for the mid-credit song

Always Be My Maybe . Image Credit: Netflix.

Review –

Well, Netflix is currently creating a niche for itself with the romantic comedy genre and today we get to look at another entry into this lineup. However, while some might feel that this is the service limiting itself, I don’t, especially when we get gems like this. Today we look at a film that completely knows what it wants to be, and how best to use their main leads to achieve that as we dive into the world of garage bands and upmarket transcendent Asian restaurants.  

So to set the scene, we open in on Sasha (Miya Cech) who lives with her parents in San Francisco but often spends time alone because her parents work for long hours at their shop. However, Sasha is not really alone because her best friend Marcus (Emerson Min) lives next door and his parents Harry (James Saito) and Judy (Susan Park) teach Sasha about cooking and the joy of using scissors for everything (seriously scissors are an amazing tool in the kitchen). For years they were best friends until one fateful day when Sasha (Ali Wong) and Marcus (Randall Park) became a bit more than friends and then it all fell apart. Fifteen years later, they are both in completely different places in their lives and in different relationships when their old friend and Sasha’s business partner, Veronica (Michelle Buteau) puts them on a collision course with each other.

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Movie Review – Kin (2018)

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TL;DR –  An example of a great concept and acting, not quite working due to the format.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Kin. Image Credit: Lionsgate.

Review –

As a fan of Science Fiction, I really enjoy seeing new ideas brought to the screen, even if they don’t always work out as well as they hoped. Today we get to look and just such a film that is filled with heart and some really interesting ideas, but maybe a film was not the right format to properly express it. With that in mind let’s delve into a story about a boy and his gun.

So to set the scene, we open in on Elijah “Eli” Solinski (Myles Truitt) who lives in Detroit with his adopted father Hal (Dennis Quaid). Eli has been struggling at school, he is a good kid but he has anger management issues (well if kids were making fun of your dead mother, I would not be shocked if you threw a punch or two). One day as Eli was stripping out some wiring from an abandoned factory we stumble across the site of a battle between two alien forces. On the ground are a number of corpses and on box shape gun that Eli drops when one of the bodies move. Back home Hal lets him know to set another plate for dinner because Eli’s older brother Jimmy (Jack Reynor) just got out of prison, but Eli needs to be careful around Jimmy. Which is not an unreasonable statement because what they don’t know is that Jimmy is in debt to Balik (James Franco) a local gangster to the tune of $60,000 for protection while he was in jail and soon Jimmy brings that damage into the house.

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Movie Review – Godzilla: King of the Monsters (Godzilla II: King of the Monsters) (2019)

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TL;DR – The action in the third act is some of the best monster action I have ever seen, however, the story is so incredibly dull that it is a slog to get to it.

Score – 3 out of 5 stars

Post-Credit Scene – There is some mid-credit important information and a post-credit scene

Godzilla: King of the Monsters. Image Credit: Warner Bros. Pictures.

Review –

It is odd to see a film that has two such disparate parts that are almost in conflict with each other. Where one part of a film is so amazing that you feel it could be a game changer for the industry. However, there is another part of the film that works so poorly that you wonder how it made it off the drawing board. This is something that actually makes reviewing this film quite difficult because you have to ask how much you should let the story side just because the visuals were so good. Well, today we will try an unpack this all, as we explore Godzilla: King of the Monsters.

So to set the scene, we open the film on the attack in San Francisco in the first Godzilla as we see Dr Mark Russell (Kyle Chandler) and Dr Emma Russell (Vera Farmiga) desperately look for their son amount the rubble of their house. In the years that passed since it is clear that the tragedy irreparably damaged their relationship as Mark is now charting wolves in Colorado and Emma is working for Monarch in China with her daughter Madison (Millie Bobby Brown). Emma is working on ORCA an interface that uses biodata to communicate with the Titans. The first trial of the device works as they can control a newly born Mothra caterpillar. However, just when they think it is all going well eco-terrorist Alan Jonah (Charles Dance) attacks the lab killing everyone and taking Emma, Madison, and the ORCA. Which is a problem because if the ORCA can control the Titans, what damage can it unleash?

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