TL;DR – Despite the fact that none of this should work, it is surprisingly touching and quite funny
Score – 3 out of 5 stars
Post-Credit Scene – There is a Mid-Credit scene
Review –
This is a film that shouldn’t really work at all. It is smashing storylines of what feels like two completely different films from different genres together and it should be an unmitigated mess, yet somehow it all kind of works. So today we will take a look at what makes Blockers work when it really shouldn’t.
TL;DR – A masterpiece in tension and the bonds of family, where every moment has you on the edge of your seat.
Score – 5 out of 5 stars
Post-Credit Scene – There is no Post-Credit Scene
Review –
Now today before we start I want to do something a little be different than the norm. If you are a fan of sci-fi, horror, monster films, or films that take creative risks then I want you to stop reading this review right now and go see A Quiet Place, Trust me it is well worth your time, and you will want to go in with as little pre-knowledge as possible other than it is an expertly created film with a compelling narrative. For those who have seen the film or everyone else who is jumping ahead let’s take look at the masterpiece that is A Quiet Place.
Continue readingTL;DR – A great story about love and everything that it takes to get there.
Score – 4 out of 5 stars
Post-Credit Scene – There was no post-credit scene
Review –
Your last year in high school is difficult at the best of times, but when you have a secret that could rip your life apart, it adds to it a bit. In Love, Simon, that secret is that the titular Simon (Nick Robinson) is gay, and he hasn’t told anyone yet. So today we are going to look at a story that is part coming of age, part love story, and party mystery novel.
Continue readingTL;DR – This film is so thirsty for you money with that nostalgia dollar, but like most mirages, there is not an oasis at the end, just a barren wasteland
Score – 2.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
Well, um, well, that was very much a film, and it is a film that both fascinating to watch, yet also deeply hollow. It was honestly weird to see a film with so many contradictions, made by one of the best filmmakers of our time. However, it feels in many ways like a lot of the throwaway faff that we see on screen all the time, completely without substance. So just a quick aside, with today’s review I can’t really comment on how well this is an adaption of the source material because I have never read it. As well as that, unfortunately, this does mean that I can’t tell you if this movie does not work because of the directions that they took in the adaptation, or because the source material just gave them not much to work with. With that in mind, let’s take a look at a film that launched a thousand top 10 lists.
Continue readingTL;DR – Bombastic as always, but it doesn’t set itself apart from what came before, and the story struggles to find its voice.
Score – 3 out of 5 stars
Post-Credit Scene – There is a post title scene at the start of the credits
Review –
As we talked about in our look back at the first Pacific Rim (see review), I was a real big fan of the original. Guillermo del Toro’s film about giant monsters called Kaijus attacking the cities around the Pacific Ocean being stopped by giant mechas called Jaegers. There was something easy and yet compelling with the setup and the world they created. With Pacific Rim Uprising we get more of the same as the first film yet somehow it feels like something got lost along the way, and that, unfortunately, it just does not work as well as the first film. So with that in mind, we are going to dive into Pacific Rim Uprising to look at what worked and what didn’t.
Continue readingTL;DR – “At one point a giant mech picks up a cargo ship to use as a cricket bat to take down a giant monster stomping its way through Hong Kong” you will probably know if this film is for you from that snippet alone.
Score – 4 out of 5 stars
Post-Credit Scene – There is a mid-credit scene
Review –
Back in the relatively calm year of 2013, how five years can change the world, there was this little gem of a film. It was a homage to the mecha and giant monster films of Japan and at the heart was the simple message that we should all work together. Well, it has been years since I have watched Guillermo del Toro’s monster epic, well at least his giant monster epic, and with the sequel coming out later this week, now is as good as time as ever to dive back into the world of Jaegers* and Kaijus*.
Continue readingTL;DR – A solid action flick, with a good homage to the titular video game, but it is not the golden gem the video game adaptation that is still eluding filmmakers
Score – 3.5 out of 5 stars
Post-Credit Scene – There is a mid-credit scene after the title card
Review –
The elusive video game adaption, for years Hollywood has tried to crack that particular gem. While comic book films like The Avengers and unfilmable literary epics like Lord of the Rings have found their feet, video game adaptations have remained just out of reach for the industry. In this battle, we have had disasters like Super Mario Bros. and close-but-no-cigar films like Warcraft. So today we have our first major attempt in a while to cross that divide … and it almost gets there.
Continue readingTL;DR – Annihilation is a slow burn that then hits you like a freight train and then messes with your mind till it becomes putty, would recommend watching this, but maybe not at night.
Score – 4 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
What is good sci-fi? As someone who loves this gene in all of its permutations, good sci-fi could be the grand space operas of Star Wars, Stargate or The Expanse, the more character driven works like Moon and The Martian. They can be thought-provoking works like Star Trek or Arrival, or thumping action set-pieces of Mad Max. Now sometimes they can be the weird contemplative works that dip into science, horror, supernatural, blending that hard and soft sci-fi into new and wonderful ways, and today’s Annihilation is the later. Now before we jump in I do have to say because the film begins in medias res, that is it opens on the ending, it is hard to talk about the film without getting into [SPOILERS] straight from the start, even with our setting the scene part of the review. If you have not seen Annihilation you may need to be a bit more careful going forward, as there will be major plot points discussed throughout.
Continue readingTL;DR – A deeply confronting and often times dull film, there is a single moment that will probably determine if you like Red Sparrow or not, which is a huge gamble for a film like this
Score – 3.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
Wow, just like Jennifer Lawrence’s last film mother! (see review), Red Sparrow is running the gauntlet of reviews from amazing to trash and everything in between, and after seeing it I completely understand how you could come to such vastly different opinions on it. This is a film that is banking everything on its ending and how much you are going to gel with that is going to dramatically shape how you engage with this film because it can be a slog to get through at times. So what we are going to do today is look at the good, the bad, and the ugly of Red Sparrow. Then we will take a moment to look at that ending in a full spoilery moment.
Continue readingTL;DR – There are some interesting character and filmmaking choices, but none of that really helps this film do anything more than mediocre-ing its way through to its ending.
Score – 2.5 out of 5 stars
Post-Credit Scene – There is a mid-credit sequence and an end credit stinger
Review –
Game Night is really an odd duck of a film, it has some good character moments, and it is clear that the directors know what they are doing. However, as I walked out of the cinemas I kind of felt it was all a bit meh. So today we are going to unpack what happened by looking at the characters and the story.
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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong
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freelance film critic with an interest in multilingualism, feminist perspectives in cinema and crime dramas.
TL;DR Movie Reviews and Analysis 