Movie Review – Searching

TL;DR – A film that is both revolutionary filmmaking, but also deeply centred on the question of what would you do if you lost everything

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Searching. Image Credit: Sony

Review

Films can be revolutionary for a number of reasons, maybe they have a new actor that blows the world away, maybe they are looking at a subject that no one dared venture before, or maybe they revolutionise filmmaking in some way. With Searching, we have the later because this is a film that is shot entirely from the perspective of a computer screen. We see the YouTube video, the webcam, the documents as if we were living in the screen and peering out in the world. It is both disorientating but also oddly comfortable as it has all the tactile notions of the world we live in. With that in mind, today we are going to see if this is a film that is just a gimmick, or if it is using this new technique to tell a story.

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Movie Review – Mandy

TL;DR – This is a film that is all about the style, and if you dig it you find it to be one of the best movies ever, or like me you if you don’t, well then it turns out to be a dull frustrating mess

Score – 2.5 out of 5 stars

Post-Credit Scene – There is a post-credit thing, but you don’t need to stay for it

Warning – There are several scenes that have extensive strobe effects

Mandy. Image Credit: RLJE Films

Review

Style is something that can make or break a film for people, it is one of the reasons that you tend to see a lot of dull monotonous films pumped out, desperately trying to be something for everyone. So in this regards, I deeply respect Mandy, for in no way playing it safe, and committing to its style like there is no tomorrow with a full line-up of sex, violence, and nudity. Unfortunately, the style did not gel with me at all, so while I appreciate what the film was trying to do, I cannot say I found it to be a particularly good film at all.

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Movie Review – Ladies in Black

TL;DR – This is a film that is filled with joy from start to finish, a truly beautiful film   

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Ladies in Black. Image Credit: Sony

Review

There are times when you need to delve into the complex machinations of a political intrigue or see two superheroes brawl in the ruins of a fallen civilization or explosions in space as ships rocket past. However, there are times when you need to take a step back and just immerse yourself in the world of other people living extraordinary lives filled with glamour and beauty.

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Movie Review – Mile 22

TL;DR – This is a film that fails at almost everything it sets out to do bar maybe one or two decent action sequences

Score – 1.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Mile 22. Image Credit STX Entertainment

Review

I really enjoy action films, I appreciate the skill that has gone into the fight choreography, the explosions, and gunfights, brawls, all of it. While films that are about something are better for incorporating those themes, I don’t think it is necessarily barrier to enjoy an action film if the craft is there. This week I had not been feeling the best so I thought I would go see Mile 22 as I kind of pick me up, and well the fact I was the only one in the cinema should have been the first clue that this was not going to go as planned.

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Movie Review – The Predator (2018)

TL;DR – There is a lot of great production here, and strong acting, but it has clearly been hacked apart in the edit leaving a disjointed mess.

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Predator. Image Credit: 20th Century Fox

Review

The first Predator film was maybe the pinnacle of the 1980s macho-action film genre, I can remember watching it for the first time, probably far younger than I should. It was Arnie at his best hunting down an alien hunting people for sport and while there were sequels nothing ever captured the intensity of the first film. When I heard they were bring it back and giving it to Shane Black I had high hopes that at the very least it would be an interesting film … and then the last week happened and I can’t believe how disappointed I could be at such a promising director. Now the film is here and well, you can see the vision, but you can also see where the studio has taken a hatchet to it.

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Movie Review – A Simple Favor

TL;DR – Crazy, absurd, ridiculous, tense, and an amazing ball of fun

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

A Simple Favor. Image Credit: Lionsgate

Review

The tone is something that can make or break a film, and you would think it would be an easy thing to get right, but alas it can be a tightrope to walk at times. This is especially important when you are blending genres and still trying to make it feel like a constant whole. Today we look at a film A Simple Favor that walks that tightrope from absurdity to high strung tension and makes it look effortless. Now before we get into the review proper, I do want to say that I have not read the book so I will leave it to others more knowledgeable than me to let you know if it is a good adaption or not, and I’ll just focus on the film.

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Movie Review – Crazy Rich Asians

TL;DR – During the film, I along with the whole cinema, laughed, cried, gasp ‘oh no you didn’t and I can’t remember a film that had that same reaction

Score – 5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Crazy Rich Asians. Image Credit: Warner Bros.

Review

There are some films that simply be being made are making a statement of intent. These are films like last year’s Black Panther (see review) and Wonder Women (see review), films that “conventional” Hollywood wisdom states that they shouldn’t be made because they won’t make any money. There is a long history of information coming from focus groups that people are not interested in films helmed by women and people of colour, information which is inevitable proven wrong time after time when the box office numbers are released. To put this in perspective, the last live-action film from Hollywood to feature a predominately Asian cast was The Joy Luck Club twenty-five years ago in 1993. This means a whole generation of people have grown up and not seen their stories or people like themselves up on the big screen, and well folks this is why representation matter. So while Crazy Rich Asians is important for just existing, it is even more power from the fact that it is also a fantastic film in its own right and one of my films of the year so far.

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Movie Review – Mirai (Mirai no Mirai, 未来のミライ)

TL;DR – Mirai is a film that ricochets from one emotion to the next, from joy, to despair, from excitement, to an existential crisis, but at no point does it lose its heart, and that is such a tough act to get right.

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Mirai. Image Credit: Studio Chizu/Madman

Review

Have you ever walking into a film with absolutely no idea what it was going to be about? No TV ads, no trailers, no opinion peaches, a complete blind experience. For me, it has only truly happened once with The Forbidden Kingdom. Well, today I have another entry for that list with Mirai. Not only did I have no idea what it was going to be about, I had no idea it was about to hit me in the feels in a very complex way.

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Movie Review – The Happytime Murders

TL;DR – Take everything wrong with Bright, smash it into Who Framed Roger Rabbit with all the charm removed, and sprinkle in some jokes about puppet sex and you pretty much have this film.

Score – 1.5 out of 5 stars

Post-Credit Scene – There is some behind the scenes footage during the credits

The Happytime Murders: Image Credit: STK Films/Roadshow Films

Review

Well … that was an experience, I’ll tell you that much. I mean it has a lot of bits that usually I really like, like the noir setting, a ‘who done it’ mystery, and a story that is wanting to subvert a genre. I also really like Melissa McCarthy as an actor, and well they also upset Sesame Street and well that’s interesting all in itself. However, none of this matters because at no point does the film come together and at best it hits moments of being mediocre.

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Movie Review – To All the Boys I’ve Loved Before

TL;DR – It looks at the complicated emotions of love and how we respond to it.

Score – 3.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

To All the Boys I've Loved Before. Image Credit: Netflix

Review

The teen romance is a genre that use to be very popular but you don’t see it as much anymore in recent times. Part of the reason is that quite often these were the mid-tier films falling between Indy and Blockbusters that got squeezed out of oblivion in the rush for everyone to make their tent pole crossover franchises. Also the genre has gone through some shifts in the wake of works like John Green’s The Fault In Our Stars. However, as people realise that the big multi-film franchise can’t happen all the time, we have started to see the resurgence of these mid-tier budget films and all of this brings us to today’s film To All the Boys I’ve Loved Before a Young Adult/Coming of Age film about love and loss and the need to hide your letters better from well-meaning but potentially destructive siblings.

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