Last Night in Soho – Movie Review

TL;DR – Well Last Night In Soho is a film that threatens to go off the rails at any moment yet somehow manages to hold on just by its fingertips   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene, but there are images during the credits

Disclosure – I was invited to a press screening of this film

Warning – This film depicts scenes of abuse

Warning – This film features sequences with flashing lights

Last Night in Soho. Image Credit: Universal Pictures.

Last Night in Soho Review

Some directors out there have built up such a strong reputation that you know you will be checking out their next film no matter the genre/tone/story. For me, one of those directors is Edgar Wright, who has never once bored me with one of his films. Indeed, we have already gotten his take on a talking-heads documentary this year with The Sparks Brothers, and I was not going to turn down the chance to see two new films from him in the one year. I will say that this is a film that is best seen with as little information as possible, so if you are intrigued, you may want to stop reading here.

So to set the scene, Eloise “Ellie” Turner (Thomasin McKenzie) lives in rural Cornwell but has always dreamed of being a major fashion designer in London. She is obsessed with the style of the 1960s and capturing that time in her work. It was good news for Ellie when she got accepted into the London College of Fashion; thus, she made the long trip into the big city. After some interesting interactions with her roommate Jocasta (Synnøve Karlsen), Ellie moves into a bed/sit in Goodge Place being rented out by Ms Collins (Diana Rigg). This old lady had owned the property for decades. It is perfect for Ellie, but as she sleeps, she visits an apparition from the past, Sandie (Anya Taylor-Joy), a singer and dancer in 1960s London. 

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The Sparks Brothers – Movie Review

TL;DR – An absurd story of an equally odd yet compelling bad that survived many different seismic changes.    

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I was invited to a press screening of this film

The Sparks Brothers. Image Credit: Universal Pictures.

The Sparks Brothers Review

To be honest, when  I heard the pitch of a documentary about a band that has been both hugely influential but also under the radar? Well, I didn’t know quite what to think about it? Then you find out that Edgar Wright of Hot Fuzz and Baby Driver fame was directing it, and well, then you go from unsure to very interested in a moment, and I am glad that I did.

So to set the scene, we open all the way at the start, where brothers Ron Mael and Russell Mael growing up in California. Then coming together after college to form the band Sparks after a couple of failed starts. From here, they would put out some well-received but not as popular albums until someone in their record had the idea “let’s try them in England”, and the story snowballs from there. Now I should say that my screening was interrupted by a fire alarm, which may have influenced my thoughts on the film, but given the documentary style, there was a moment at the start when I thought the warnings were some sort of immersive element, so I think it was fine.

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Countdown – My Personal Top 10 Films of All Time List

TL;DR – Today we countdown my Top 10 films of all time; from towns where there are a lot of ‘accidents’, to all forms of Sci-Fi, to do you know the man with six fingers on his right hand, and everything in between.

Countdown

Recently I watched the CineFix crew countdown their Top 10 films, and it had me thinking what are mine? Now it was at this point where I of course naturally spiralled as how can you reduce thousands of films that you have seen into only a Top 10. Just before I threw my hands up in resignation and chucked in the towel I happened to catch an episode of Movies with Mikey on how he determined the best sequel. With this in mind I wondered if there was a set of criteria that I could use to categorise the films into a list that I would be happy with, and after some work, I came up with the following criteria that work for me.

  • Films that are beautifully constructed
  • Films that mean something to me
  • Films that are always re-watchable
  • Films that have added to my love of the craft of cinema

With this criterion in mind I went through all the likely candidates and with a bit of a struggle I think I have been able to come to a final list, well at least until I change my mind next week, which is always a chance.

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Awards – Key Moments in Cinema in 2017 Part 3

TL;DR – This is the end of the year, so let’s take a look back at the year that was by examining twenty categories across cinema, ranging from exquisite to the obscured and all between

Awards Banner

Awards

It is the end of the year (well a bit later than that but life happened) and while I will have the traditional Best of 2017 and Worst of 2017 lists, I have found that both of those lists miss some of the important facets that make films work, or not work. To eligible for these awards, they simply had to be a film I reviewed in 2017, and there may be some notable absences simply because we have not got those films here yet. So in Part 3 of 4, we look at five different categories that deal with the cinema of 2017.

  • The films that were just fun
  • The films that dragged on too long
  • Masterclasses in film
  • Recurring themes
  • Stupid Character Deaths

So let’s dive into TL;DR Movie Review’s Awards of 2017 Part 3

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Movie Review – Baby Driver

TL;DR – If you love the art of filmmaking, or cars pulling off impossible yet possible stunts, or well make films, then this is one for you

Score – 4 out of 5 stars

Baby Driver. Image Credit: Sony.

Review

Today I’m doing something I have not had the chance to do before, see an Edgar Wright film up on the big screen. I have been a fan of his work for a while now, I would put Hot Fuzz on my top ten films of all-time list. However, I have never been able to see one of his films up on the big screen, well depending on how you classify Ant-Man (review). So as I walked into the screening there was a giddiness that I have not experienced before, but also some hesitation. Could I have built this film up so much that it would never live up to the hype?  Well to make sure I was an impartial viewer, and not wearing rose-tinted glasses, I brought a friend along with me to keep me grounded. So what did I think? Well, let’s get started, but come on you already saw the score.

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