Lowdown Dirty Criminals – Movie Review

TL;DR – A film of two halves, some interesting characters in a story that fails to deliver

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Lowdown Dirty Criminals. Image Credit: Monster Films.

Review

Today we are looking at a film of two halves, which makes it a difficult movie to review. This is because there are aspects where the film shines, and then there are moments where it all falls apart. These two halves create a disconnect that you can’t help but see throughout the entire runtime.

So to set the scene, we open in on Freddy (James Rolleston) and Marvin (Samuel Austin) in a room that is about to explode in gunfire. We then jump back a night where we see Freddy and Marvin in a car as they completely botch up robbing an ATM, severely damaging their boss’ car. From here they are up a certain creek without a paddle. Their boss Spiggs (Scott Wills) gives them one opportunity, they have to kill the guy sleeping with his wife, and it all goes wrong from here.

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Last Shot – Movie Review

TL;DR – A film that is trying to tell an interesting story but is held back by its narrative.     

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene

Warning – Depicts scenes of abuse

Last Shot. Image Credit: Vision Films.

Review

One of the most important things about a film is its narrative. It ties the characters, events, action, drama, well everything together. While the narrative can be a core driver in how successful a film can be, it can also be affected by other elements in the movie for better or worse. Today we look at a film that presents an interesting narrative that unfortunately fails due to a single action of one of its characters.     

So to set the scene, we open with Nick Heirs (Cody Carter) making his way back through the town. He just got released from prison after spending ten years behind bars. Living with his cousin Mark (Carlo Campbell), Nick has to navigate the difficulties of getting a job and working through parole requirements all while living with the ramifications of his past.

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Peninsula (반도, Bando, Train to Busan Presents: Peninsula) – Movie Review

TL;DR – A film that unfortunately cannot reach the heights of its past.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Peninsula. Image Credit: Well Go.

Review

A few years ago, I stumbled across this fascinating Korean film called The Train to Busan. It was a zombie film where every character acted consistently and understandably throughout its run time. In a sea of mediocre zombie flicks, it instantly rose to the top, and since then maybe only Cargo has come close to meeting it. Thus, I was excited when I heard there was going to be a sequel to that great film. However, now I have seen it. I realise I should have modulated my expectations before going in.

So to set the scene, we open in on the day that South Korea fell. With Seoul burning in the background, Captain Jung-seok (Gang Dong-won) is racing through mountainous back roads to get his family out on the last refugee boat. While driving, they came across a stranded family with a baby and just kept on driving. They make it to the boat in time, however, as it is leaving one of the passengers turns and before they can stop it all of Jung-seok’s family is dead bar his brother-in-law Chul-min (Kim Do-yoon). Four years later, in Hong Kong living in squalor waiting for refugee status, Chul-min and Jung-seok are offered an opportunity by a local gangster to make some real money. All they have to do is go back to Inchon, in what is now just known as The Peninsular, under cover of darkness and recover a food truck with 20 Million Dollars in the back. What could go wrong?   

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An Easy Girl (Une Fille Facile) – Movie Review

TL;DR – A frustrating mess of a film    

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene

An Easy Girl (Une Fille Facile). Image Credit: Netflix.

Review

One of the good things about watching films from around the world is that you get to experience a whole range of new stories. This is usually a boon, however, sometimes it all falls flat, and today, unfortunately, we look at the later.  

So to set the scene, we open in on Cannes on the French seaside where Naïma (Mina Farid) has just turned 16. She is trying to find her place in the world and see her future. At the start of summer her cousin Sofia (Zahia Dehar) who just lost her mother comes to stay from Paris. It is a time for finding oneself under the French sun.

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The Gentlemen – Movie Review

TL;DR – A fascinating and engaging story filled with great performances and many yikes moments     

Rating: 3.5 out of 5.

TL;DR – A fascinating and engaging story filled with great performances and many yikes moments     

The Gentlemen. Image Credit: STXfilms.

Review

When you sign up to watch a Guy Ritchie film, you sort of know what you are going to get yourself into as he has a very specific style. It is one that is a very flash in the pan, but with a lot more substance than similar filmmakers. On the whole, I do tend to enjoy his style of filmmaking and the stories he focuses on because at the very least they will be entertaining. Well let’s dive into his latest that I was not able to catch in cinemas given ‘waves hands around’, but I am looking forward to now.     

So to set the scene, we open with Michael ‘Mickey’ Pearson (Matthew McConaughey) walking into a pub he owns ordering a pint and a pickled egg and phoning his wife Rosalind ‘Ros’ Pearson (Michelle Dockery). Only to find out there is someone unknown in the house with her which is just the moment that someone puts a bullet in the back of his head. Jump to Raymond ‘Ray’ Smith (Charlie Hunnam) arriving at his home only to find general sleazeball and private instigator Fletcher (Hugh Grant) waiting for him with a story and a demand for 20 million dollars. A tale of a bad man who wants to get into the world of legitimacy from a world of danger and it goes about as well as you can expect.      

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Escape From Pretoria – Movie Review

TL;DR – A exploration of tension when one wrong step can be fatal.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Escape From Pretoria. Image Credit: Universal Pictures.

Review

One of the things I like the most about cinema is when they let me know of stories that I have previously been unaware of. As well as this, I have seen a lot of prison break films in my time, some fictional, some real, some ‘we think this is how they did it’, and I have always found them fascinating. Well, today we get to explore both of these with Escape From Pretoria.

So to set the scene, we open in the heart of apartheid South Africa with accrual footage of the time. It is here where we are introduced to Tim Jenkin (Daniel Radcliffe) and Stephen Lee (Daniel Webber) who work setting up leaflet bombs for the African National Congress or ANC. One day after a successful campaign, they are captured by the police and sentenced to twelve and eight years in the all-white political prisoner’s prison in Pretoria. While in Pretoria jail they meet Denis Goldberg (Ian Hart) who was put on trial with Nelson Mandela and fellow prisoner Leonard Fontaine (Mark Leonard Winter). They dream of escaping, but how do you do that when you are locked behind several feet of steel?    

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Fast & Furious Franchise Review – Exploring a Franchise

TL;DR – It starts ridiculously serious for its subject matter before finding its groove after several films.     

The Fate of the Furious (Fast and Furious 8). Image Credit: Universal.

Well, when you are stuck at home unemployed in the middle of a pandemic, you can either head down some very unhelpful rabbit holes, or you can take the time filling in some blanks in your life. After spending too much time with the first, I decided to give the later a chance. So which movie blank should I look at correcting? This was the query set before me. There are a lot of films and genres to choose from but if there is one that most of my friends have seen, but I haven’t it would be the Fast & Furious Franchise, and well where better than to start there.

This has always been an odd franchise for me as I set well out of its target audience, hell I can’t even drive a manual, let alone parse most of the racing dialogue. Indeed, the only reason I know one of the characters is driving a 1970 Plymouth Barracuda and the other is driving a 2012 Nissan GT-R R35 Bensopra is that I looked it up in the Wiki. However, it keeps going from strength to strength, and while I had reviewed some of the later films, it was an oversight not to go back to the beginning and start anew.  To fix this, over the last few days, I have now watched all of the feature films in the franchise. So let’s dive into The Fast Saga a world of fast cars, high-speed crashes, so many different heists, and family above all.

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Movie Review – The Magic School Bus Rides Again Kids In Space

TL;DR – A fun trip down memory lane, while learning a thing or two about the International Space Station.   

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

he Magic School Bus Rides Again Kids In Space. Image Credit: Netflix.

Review


 The Magic School Bus was one of those shows that I can’t help but think back fondly on. Like I can still remember an episode where they went inside a decaying log for some reason. So when a new episode of the show popped up in my feed, and one set in space no less, I had to check it out, and I got sent back in time and into the future all at once.

So to set the scene, we skip all the standard preamble and start with the Bus as a rocket blasting off into space. Ms Frizzle (Kate McKinnon) is taking the whole group up to the International Space Station. The astronauts are heading back to Earth, so the team is watching over the station until the next crew arrives the following day.

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Movie Review – Black is King

TL;DR – A visual masterwork and required viewing if you have Disney+    

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated: Beautiful Cinematography & Stunning Costumes
Winner: Stunning Costumes

Black is King. Image Credit: Disney+.

Review

Today we review a film that might be the oddest film I have watched from a conceptional perspective. It is a reinterpretation of the story of the Lion King remake, a movie I thought was okay but not much more. But this reframing is the barest framework the film uses throughout to explore everything from religion to music to race and more. This should not work, but it does.      

Black is King. Image Credit: Disney+.
It explores many themes during its runtime and gives each and every one of them the justice they deserve. Image Credit: Disney+.
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Movie Review – Shine Your Eyes

TL;DR – A film that presents a lot of interesting questions, but I am not sure it answers everything it sets out to do.    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Shine Your Eyes. Image Credit: Primo Filmes.

Review

One of the great things about World Cinema is that you can explore whole worlds you don’t know about and see them come alive. I have never been to Brazil or Nigeria, but through cinema, I can experience those stories, the pain and the joy.  

So to set the scene, Amadi (O.C. Ukeje) has been tasked by his family to fly across from Lagos, Nigeria to São Paulo, Brazil. He is in the unfamiliar country for one reason, to find out what happened to his estranged older brother Ikenna (Chukwudi Iwuji). What makes things worse is when he discovers that the story that Ikenna has told his family is a lie, and if he does not find out what happened he might have to take on the mantle of the older brother as is required in Igbo society.   

I am going to start with the fact that as someone from Australia, I do not know if the film represents Igbo society or Brazil. So I am proceeding in this review under the assumption that they do in this regard unless I discover otherwise.     

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