Category Archives: 5/5

Aftersun – Movie Review

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TL;DR – An emotional whirlwind – Stunning, Beautiful, and Heartbreaking.     

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Warning – This film contains a lot of flashing lights.

An image of Sophie pixelated by the old camera

Aftersun Review –

If one film has been bubbling away in my subconscious since last October, it was Aftersun. Everyone who had seen it spoke of it almost like a transcendent experience, but it has taken a long time to make it down to my realm and longer for me to make it to the cinema. However, if the saying all good things come to those who wait had a physical manifestation, it would be Aftersun.

So to set the scene, it is sometime in the past [I think the late 1990s before everyone had mobile phones], and Calum (Paul Mescal) goes on a family trip to Turkey with his daughter Sophie (Frankie Corio). Sophie lives with her mother, which is a chance for them to bond, but there is some apparent awkwardness for all. Calum is trying to build a relationship, while Sophie is at the age where she is finding her independence. Is this trip the start of something better or the beginning of the end?

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Creed III – Movie Review

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5

TL;DR – Creed III is electric, every punch matters, every emotion hits, and I was captivated from start to finish.   

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Creed III Review –

If there was ever a film to remind you not to judge a book by its cover, it is the first Creed film. Creed I was a film that, on the surface, felt like it would not amount to much. A spin-off of a film series that itself had already gone well past its prime. But boy, was I wrong. That first Creed was an emotional punch to the stomach while also being a technical masterclass in how to film boxing for cinema. Then they followed it up with Creed II, which came out swinging just as much as the first. Now, Creed III is one of my most anticipated films this year as we see if they can pull off a hat trick.    

So to set the scene, since winning his rematch with Viktor Drago (Florian Munteanu), Adonis “Donnie” Creed (Michael B. Jordan) has been going from strength to strength on and off the ring, especially in his family life with Bianca Taylor (Tessa Thompson) and their daughter Amara (Mila Davis-Kent). But when he finally retires, his past comes back to haunt him. When Donnie (Thaddeus James Mixson Jr) was young, he had a friend Dame (Spence Moore II). But, unlike Donnie, Dame never got a lifeline and has spent a long time in jail. Now he is out, Dame (Jonathan Majors) is looking to show the world that he deserves to be in the ring, that it was not handed to him, and now former friends find each other on opposite sides.

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The Last of Us: Kin – TV Review

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TL;DR – This week, we wallow in the murky grey of a fallen world.  

Rating: 5 out of 5.

Disclosure – I paid for the Binge service that viewed this show.

Warning – Contains scenes that may cause distress.

Sunset in the grass.

The Last of Us Review –

One of the best tests of a show is how it can capture your attention in both the loud and quiet moments. Yes, you can do a good action scene, but do I believe two characters are family with troubled pasts? Can you pull off tenderness as well as bombast? Well, this week, we get an episode of television that can nail both extremes.

So to set the scene, it has been three months since Joel (Pedro Pascal) and Ellie (Bella Ramsey) left Kansas City in Endure and Survive, but the legacy of what happened there still weighs heavily on Joel. They are making their way to Wyoming but being on foot and in a post-apocalyptic world means you can get lost quite easily. This is when they run into the cabin of Marlon (Graham Greene), and Florence (Elaine Miles), who tell them where they are going is past the River of Death, where no one comes back from. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead for the show.

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Guillermo del Toro’s Pinocchio – Movie Review

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TL;DR – A work of art that hits on every emotional level from start to finish.    

Rating: 5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

Pinocchio but just a puppet.

Guillermo del Toro’s Pinocchio Review –

Some names instantly intrigue you when you hear they are attached to a project. Which is entirely what happened when I heard that Guillermo del Toro was going to make a Pinocchio film. This alone was enough to interest me. Then you discover that it will be an animated film, not just that, a stop-motion animation film, and the masters of puppets, The Jim Henson Company, will produce it. Well, that is a combination that could not be missed, and I am fundamentally glad I watched it.   

 So to set the scene, master craftsman Geppetto (David Bradley) lost his only child Calro (Gregory Mann), during the Great War when he was only ten years old. A stray bomb destroyed the church that they were working in, and it is a loss that he has never recovered from. Sometime later, Sebastian J. Cricket (Ewan McGregor), a travelling cricket, came to live in the tree planted at Carlo’s grave and watched as a drunk Geppetto laments over his lost son. But as that is happening, some old spirits from the forest who typically ignore humanity hear the pleas of the grieving father and when he cuts down the pine tree that was planted at the grave to turn it into a puppet. So The Wood Sprite (Tilda Swinton) looks over the creation and then brings that puppet Pinocchio (Gregory Mann) to life.   

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The Lord of the Rings: The Rings of Power: Udûn – TV Review

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TL;DR – Could I see some of the plot points of this episode coming? Yes. Did that stop it from ripping my heart out? No, it did not.

Rating: 5 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this episode.

Adar looks over his armies.

The Rings of Power Review –

When watching a show or movie, you never quite know when something will connect with you, like really connect with you. Will a story pierce your heart like a barbed arrow and break through even the most hardened layer of cynicism? After not gelling with last week’s Partings, I wondered if the series was running out of steam with me, but nothing prepared me for today.  

So to set the scene, the orcs had completely surrounded Arondir (Ismael Cruz Córdova), Bronwyn (Nazanin Boniadi), Theo (Tyroe Muhafidin) and the remaining townsfolk in the watchtower of Ostirith. However, as Adar (Joseph Mawle) and the Orcs storm the watchtower, they find it empty. Well, almost empty. But while this delays the Orcs, the townsfolk know that soon the horde will be upon them and sure enough, in the distance, torches glow. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.    

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The Lord of the Rings: The Rings of Power: The Great Wave – TV Review

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TL;DR – This is an episode with joy and tears, warmth and horror, action and romance, and warnings for the future

Rating: 5 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this episode.

Queen regent Míriel walks towards the sounds of crushing water.

The Lord of the Rings: The Rings of Power Review –

When they announced that Amazon would commission a new Lord of the Rings prequel series, many people [including myself] doubted if they could pull it off. Especially when it was revealed just what they could work with given the limited window their licence gave them. However, as I sit back from watching the fourth episode, it has become clear that those concerns were misplaced because few episodes of televisionthis year have moved me as much as this one did today.

So to set the scene, in Adar, we were introduced to the island kingdom of Númenor. A land was once given to man by the Elves, but a land that Elves are now unwelcome, something that Galadriel (Morfydd Clark) discovers first-hand when she is brought there by Elendil (Lloyd Owen). However, there is something behind Númenor’s reluctance, which haunts the dreams of the queen regent Míriel (Cynthia Addai-Robinson). However, things are going from bad to worse in the Southlands because the orcs have returned and are capturing people to dig their tunnels. Still, as Arondir (Ismael Cruz Córdova) stands in chains, he looks in horror as the leader of the orcs is an elf called Adar (Joseph Mawle). Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.   

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Top Gun: Maverick – Movie Review

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TL;DR – A glorious sequel from start to finish, filled with heart-pounding adrenalin and a boost to the more dramatic parts of the script.    

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

A Jet over the desert.

Top Gun: Maverick Review –

Two different reactions can happen when you try a sequel decades after the first film. The first is that you are trying to capture something whose time has passed, and you can’t walk back into that world. The second is that they tap into a nostalgia that is there and use it to propel them forward. Today we look at a film that lands with the latter as it soars across the screen. Because Top Gun: Maverick fixes those elements that did not work in the first film and then takes what did work and amps it up to 11.                           

So to set the scene, it has been decades since the first Top Gun, and after flying planes in Bosnia, Afghanistan, and both Iraq’s Captain Pete “Maverick” Mitchell (Tom Cruise) now works as a test pilot for experimental jets in the Mojave Desert. When told that his unit is about to be shut down because Rear Admiral Chester “Hammer” Cain (Ed Harris) thinks that drones are the future. Well, one illicit test later and intervention of Admiral Tom “Iceman” Kazansky (Val Kilmer), Maverick is not grounded, but instead, he is sent back to Top Gun to be a teacher. Because they need to undertake a perilous mission, and only Maverick can teach them. The only issue is that one of the possible recruits for this potential suicide mission is Lieutenant Bradley “Rooster” Bradshaw (Miles Teller), the son of Maverick’s late radar co-pilot.   

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Everything Everywhere All at Once – Movie Review

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TL;DR – You may have been told how wild this film is, but trust me, whoever was talking to you was completely underselling it.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Everything Everywhere All at Once. Image Credit: A24.

Everything Everywhere All at Once Review –

The word surreal gets thrown around quite a bit and usually means something that might be a bit cerebral or weird or maybe both. But for something to be genuinely surreal, it needs to challenge the nature of reality, to contest the very bedrock we live our lives on. Films will often dip their toes into the surreal, but every now and again, a film will dive in headfirst. Today, we are looking at just such a film that just might nail everything it sets out to do.

So to set the scene, in a city in America, Evelyn Wang (Michelle Yeoh) lives above the laundromat that she runs with her husband Waymond (Ke Huy Quan). Things are pretty stressful for Evelyn at the moment. The IRS is auditing the business. She is trying to put together a party for he estranged father, Gong Gong (James Hong), she is feuding with her daughter Joy (Stephanie Hsu), and Waymond is about to drop divorce papers on her. As they arrive at the IRS to be audited by Deirdre Beaubeirdra (Jamie Lee Curtis), Waymond suddenly changes into a completely different person. He declares that Evelyn is in trouble because a force from another universe is hunting her down, and it just might have found its prey, and that is when the alarms go off.

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Dune (2021) (Dune: Part 1) – Movie Review

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21

TL;DR – A cinematic work of genius and masterclass in literary adaptation     

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Dune. Image Credit: Warner Bros Pictures.

Dune Review –

Few films have filled me full of trepidation and promise, like the prospect of another Dune film. Dune is a book series that means a lot to me, and the miniseries fits in as one of those foundational moments where you discover the joys of filmmaking. Add to this the spectacular run of films from Denis Villeneuve from Sicario, Arrival & Blade Runner 2049, one of which was my top movie in 2016. Look, this is a long way of saying I came into this with very high expectations, and can I say that this film exceeded all of them.  

So to set the scene, in an empire that spans the galaxy, the most valuable commodity is The Spice Melange. It extends life, allows intergalactic travel, and can only be found on one planet in the entire galaxy: Arrakis, Dune. The brutal House Harkonnen runs Dune, though its cruel Barron (Stellan Skarsgård) and his nephew Glossu Rabban (Dave Bautista), commonly called “Beast Rabban”. But their time running Arrakis is up, as the Emperor has decreed that House Harkonnen’s mortal Enemies House Atreides, led by Duke Leto Atreides (Oscar Isaac), manages the planet. All is well, but Leto is fearful for him, his son Paul (Timothée Chalamet) and consort Jessica (Rebecca Ferguson). Because while this is a great opportunity, it could also be a trap.

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Finch – Movie Review

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TL;DR – An emotional journal to find safety in a world that has fallen into disaster.     

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Apple TV+ service that viewed this film.

Finch. Image Credit: AppleTV+.

Finch Review –

One genre I have always found interesting is that of the lone survivor. Why they were left alone could be from them being forgotten, marooned, left behind, well, anything. Fighting against the elements and even time to survive. Indeed, Tom Hanks is famous for playing a similar situation in Cast Away, so you knew it had to be an exciting premise to get him back into this realm.

So to set the scene, in the not-so-distant future, a solar flare wiped away Earth’s ozone layer exposing the globe to a massive surge of radiation and also setting off a global EMP. This baked the planet, killing nearly all the plants, animals, and of course, humans. One of the last people alive is Finch (Tom Hanks), who has survived in St Louis in the basement of the robotics company he worked at. He has one mission, to finish building Jeff (Caleb Landry Jones) an android, so there would be someone to look after Goodyear/Dog (Seamus) after he was gone. Things were going well until a supercell arrived. It will last for over 40 days, 40 days too long. So they all have to make a trip across the country to safety.  

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