Category Archives: Oscar Nominees

Elvis – Movie Review

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TL;DR – A film that is equal parts electric, chaotic, and uncomfortable       

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Elvis about to perform

Elvis Review –

If there is one genre that has exploded across the screen in recent years, it is the Biopic. Everyone from Aretha Franklin to the Sparkes Brothers and all in between being brought to life in a dramatic presentation or documentary. Given the strengths of these films, it was only a matter of time before someone would attempt to contextualise the life of the “King of Rock and Roll”. This would be no easy task given the life and death of Elvis and the legacy he has left in the world. Today we look at a film that might still be flawed in many ways, but it excels in capturing his energy and passion. 

So to set the scene, we open in the 1990s, and a frail Col. Tom Parker (Tom Hanks) wants us to know the story of Elvis (Chaydon Jay), well, the story that he wants to tell. From here, we jump back in time as Elvis (Austin Butler), a young boy who discovers the power of music and movement and who incorporates it into his world. As he grows older, his sound spreads around the south when Parker runs a travelling show. Watching one show, Parker knew the skinny kid in the pink suit would be a star, and he needed to get in on the ground floor before someone else grabbed his meal ticket.    

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Top Gun: Maverick – Movie Review

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TL;DR – A glorious sequel from start to finish, filled with heart-pounding adrenalin and a boost to the more dramatic parts of the script.    

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

A Jet over the desert.

Top Gun: Maverick Review –

Two different reactions can happen when you try a sequel decades after the first film. The first is that you are trying to capture something whose time has passed, and you can’t walk back into that world. The second is that they tap into a nostalgia that is there and use it to propel them forward. Today we look at a film that lands with the latter as it soars across the screen. Because Top Gun: Maverick fixes those elements that did not work in the first film and then takes what did work and amps it up to 11.                           

So to set the scene, it has been decades since the first Top Gun, and after flying planes in Bosnia, Afghanistan, and both Iraq’s Captain Pete “Maverick” Mitchell (Tom Cruise) now works as a test pilot for experimental jets in the Mojave Desert. When told that his unit is about to be shut down because Rear Admiral Chester “Hammer” Cain (Ed Harris) thinks that drones are the future. Well, one illicit test later and intervention of Admiral Tom “Iceman” Kazansky (Val Kilmer), Maverick is not grounded, but instead, he is sent back to Top Gun to be a teacher. Because they need to undertake a perilous mission, and only Maverick can teach them. The only issue is that one of the possible recruits for this potential suicide mission is Lieutenant Bradley “Rooster” Bradshaw (Miles Teller), the son of Maverick’s late radar co-pilot.   

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Everything Everywhere All at Once – Movie Review

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TL;DR – You may have been told how wild this film is, but trust me, whoever was talking to you was completely underselling it.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Everything Everywhere All at Once. Image Credit: A24.

Everything Everywhere All at Once Review –

The word surreal gets thrown around quite a bit and usually means something that might be a bit cerebral or weird or maybe both. But for something to be genuinely surreal, it needs to challenge the nature of reality, to contest the very bedrock we live our lives on. Films will often dip their toes into the surreal, but every now and again, a film will dive in headfirst. Today, we are looking at just such a film that just might nail everything it sets out to do.

So to set the scene, in a city in America, Evelyn Wang (Michelle Yeoh) lives above the laundromat that she runs with her husband Waymond (Ke Huy Quan). Things are pretty stressful for Evelyn at the moment. The IRS is auditing the business. She is trying to put together a party for he estranged father, Gong Gong (James Hong), she is feuding with her daughter Joy (Stephanie Hsu), and Waymond is about to drop divorce papers on her. As they arrive at the IRS to be audited by Deirdre Beaubeirdra (Jamie Lee Curtis), Waymond suddenly changes into a completely different person. He declares that Evelyn is in trouble because a force from another universe is hunting her down, and it just might have found its prey, and that is when the alarms go off.

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RRR – Movie Review

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TL;DR – This is a film that is a slow burn right up to the point that it goes from 0 to 1000km in a second and does not stop for its entire runtime.    

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid to watch this film

RRR. Image Credit: DVV Entertainment.

RRR Review –

In 2020, I started dipping my toes into the mammoth that is Indian Cinema. However, as the pandemic erupted, that was one area that slipped away. Now that things are sort of coming back to normal, it is time to begin this chapter again, and what a film to start on.

So to set the scene, in Adilabad forest, the Governor of India Scott Buxton (Ray Stevenson) has been out hunting. In contrast, his wife Catherine Buxton (Alison Doody) has the whole village on a show for her entertainment. As the village looks on, the young Malli (Twinkle Sharma) sings while painting on her hand. The governor throws Malli’s mother (Ahmareen Anjum) some coins that she things were for the song, but they were to buy her daughter. The tribe is distraught at the crime and calls on their protector Komaram Bheem (N. T. Rama Rao Jr.), to travel to Delhi and rip it apart to get the girl back. Hearing that Bheem is on the way and not knowing who they are, the colonial police force gets Alluri Sitarama Raju (Ram Charan) to hunt him down before he can succeed.    

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The Batman – Movie Review

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TL;DR – After a long time, they nailed what it is to do a Batman film.   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene, there is a thing at the end, but you can Google it rather than stay back for it.

Disclosure – I paid to watch this film

Warning – some scenes in this film use flashing lights.

The Batman. Image Credit: Warner Bros. Pictures.

The Batman Review –

 I don’t think it will be news to anyone that the DC Extended Universe has been a bit hit and miss. The race to get to the Justice League film meant that there was no time to establish your characters, and one of the significant casualties of that was Batman. While it was clear that Ben Affleck was throwing his all into it, the character never found its feet. This all led to a mix of emotions when it was announced that there would be a stand-alone Batman film, but DC adjacent and starring Robert Pattinson. Thankfully, I should not have worried.

So to set the scene, it is Halloween in Gotham City, a city that is barely holding it together after years of corruption and nepotism. However, that night Mayor Don Mitchell Jr. (Rupert Penry-Jones) looks at his dwindling polling numbers. A figure appears in the background and strikes. The Riddler (Paul Dano) has made his first kill. However, while the city might be on the precipice, there is at least one farce trying to stop the crime, the masked crusader, the dark night, vengeance himself, the Batman (Robert Pattinson).  

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Turning Red – Movie Review

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TL;DR – A true delight of a film on an animation and narrative level.    

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-credit scene

Disclosure – I paid for the Disney+ subscription that viewed this movie.

Turning Red. Image Credit: Disney+.

Turning Red Review –

When it comes to depicting stories outside of its cultural expertise, the Disney Corporation has had a mixed track record. Even when trying to do something in good faith, they stumble. But they took their time making sure Moana worked, and then Bao showed they could nail a complicated narrative if they supported creatives with their vision. When I heard the writer/director of Bao is making a feature film, well, I had to check that out.

So to set the scene, Meilin “Mei” Lee (Rosalie Chiang) is a 13-year-old girl living in 2002 Toronto, Canada. She has become an adult, at least that is what she thinks, and has started making her mark in the world. Mei has three friends Miriam (Ava Morse), Abby (Hyein Park), and Priya (Maitreyi Ramakrishnan), and together they make a core group trying to survive high school and live with joy with their mutual love of 4*Town. Mei works with her mother Ming (Sandra Oh) at their family’s temple that venerates their ancestors, including Sun Yee, who was famously friends with animals, including red pandas, which is quite a coincidence when Mei wakes up one morning to find herself turned into a giant red panda.   

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Article – Oscars 2020 Predictions

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TL;DR – This is a list of not what we think will actually win in today’s 2020 Academy Awards, but who we would give the awards to if we could

Article –

It is Oscars time again, and for the first time in a long time I can’t watch the ceremony live, but that does not mean I can’t enjoy the vicariously through the form of an article. So here we will be going through all the nominees and picking which ones we would have picked if we were a voting member of the academy.

Now, I should preface this with the notice that we have not seen every film nominated, so we will only be picking form those we have seen. To be fair, we will only be covering the categories where we have seen at least three of the nominees.  Also, if you would like to see our reviews for said films you can clink on the links to be taken to them. So with out any further prattling on here are the nominees.

Writing (Original Screenplay)

Nominees:

1917
Knives Out
Marriage Story
Once upon a Time … in Hollywood
Parasite

Parasite (Gisaengchung, 기생충). Image Credit: Madman Films.

I actually quite liked all the nominees in this category, even the films that didn’t quite grab me like Once in Hollywood and Marriage Story you could tell was still well written. However, I think one did just make it out on top and that has to be Bong Joon-ho & Han Jin-won exploration of class and wealth in modern South Korea.

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Movie Review – Jojo Rabbit

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TL;DR – A very ambitious film and while it does not quite reach the lofty goals it sets for itself, I give it credit for trying when so many others don’t bother.     

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Jojo Rabbit. Image Credit: Searchlight Pictures.

Review –

I have seen films that have embraced absurdism before, I have seen films that have explored World War Two before, I have never seen an absurdist film about World War Two before, well that is until today. This is a film that honestly I would have loved to be in the pitch meeting for because I have no idea how the hell it got greenlit even though I am glad that it did.

So to set the scene, in the midst of WW2 and living in Nazi Germany we find a young boy called Johannes “Jojo” Betzler (Roman Griffin Davis). In the aftermath of his sister dying and his father being away “fighting on the Italian front”, he spends his days at a Deutsches Jungvolk Hitler Youth training camp with his friend Yorki (Archie Yates) run by a very nonplussed Wehrmacht Captain Klenzendorf (Sam Rockwell). When recovering from an accident involving a grenade Jojo discovers that his mother Rosie (Scarlett Johansson) has been hiding a Jewish girl called Elsa (Thomasin McKenzie) in their attic, which brings Jojo into a moral quandary not helped by the suggestions from his good friend Hitler (Taika Waititi).   

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Movie Review – Little Women (2020)

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TL;DR – I highly recommend this astounding film    

Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated: Beautiful Cinematography, Stunning Costumes & The Emotion
Winner: The Emotion

Little Women. Image Credit: Sony.

Review –

It has been a long time since I have had a good cry in the cinemas, and I don’t mean a good one solitary tear gallantly making its way down the side of my face as the music soars around. No I mean some good old fashioned weeping, the kind that makes you wish you had brought a hankie or at least some tissues as you try to compose yourself after as you thank God that you were not wearing any mascara because there would be no coming back from that. Well, today we look at a film that is all that and more. 

So to set the scene, we open in New York City back in 1868 where Josephine “Jo” March (Saoirse Ronan) works as a teacher in a boarding house as she tries to be published as a writer. The publisher Mr Dashwood (Tracy Letts) is interested in her work, but it needed to be more salacious and the female characters must end the book either married or dead. In France, Jo’s sister Amy (Florence Pugh) is enjoying some time painting and finding a husband under the guidance of her Aunt (Meryl Streep) when she spies Theodore “Laurie” Laurence (Timothée Chalamet) a childhood friend of her and her sisters Meg (Emma Watson) and Beth (Eliza Scanlen), as well as the former suiter of Jo, in the gardens of Paris. It is a moment of joy, but there and across the Atlantic, there is a cloud on the horizon because the past is not going to stay in the past.

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Article – Oscars 2019 Predictions

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TL;DR – Today we run through the 2019 Oscars Nominees to predict who we think will win

Article –

Today is Oscars day and in a couple of hours, we will know all the winners in what has been one of the more fraught Oscar campaigns that I have personally seen. But as we prepare for the night of glitz, glamour, and maybe not having an awkward opening monologue that still has to live in Hugh Jackman’s shadow, I thought I would take a moment to look at the nominees to give our views as to who we think will win.

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