Movie Review – Mirai (Mirai no Mirai, 未来のミライ)

TL;DR – Mirai is a film that ricochets from one emotion to the next, from joy, to despair, from excitement, to an existential crisis, but at no point does it lose its heart, and that is such a tough act to get right.

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Mirai. Image Credit: Studio Chizu/Madman

Review

Have you ever walking into a film with absolutely no idea what it was going to be about? No TV ads, no trailers, no opinion peaches, a complete blind experience. For me, it has only truly happened once with The Forbidden Kingdom. Well, today I have another entry for that list with Mirai. Not only did I have no idea what it was going to be about, I had no idea it was about to hit me in the feels in a very complex way.

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Movie Review – The Happytime Murders

TL;DR – Take everything wrong with Bright, smash it into Who Framed Roger Rabbit with all the charm removed, and sprinkle in some jokes about puppet sex and you pretty much have this film.

Score – 1.5 out of 5 stars

Post-Credit Scene – There is some behind the scenes footage during the credits

The Happytime Murders: Image Credit: STK Films/Roadshow Films

Review

Well … that was an experience, I’ll tell you that much. I mean it has a lot of bits that usually I really like, like the noir setting, a ‘who done it’ mystery, and a story that is wanting to subvert a genre. I also really like Melissa McCarthy as an actor, and well they also upset Sesame Street and well that’s interesting all in itself. However, none of this matters because at no point does the film come together and at best it hits moments of being mediocre.

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TV Review – Disenchantment: Season One

TL;DR – What we get is a series with some interesting moments and characters, but feels more of a prologue to something than a season in its own right

Score – 3.5 out of 5 stars

 

Disenchantment. Image Credit: Netflix/Rough Draft Studios

 

Review

When you think over the parody genre, it is surprising that there are not more quality entries into it. Part of this is because many take the easy way out and just fill their shows with pop-culture references that instantly date them. To really do a parody justice you really have to understand the genre and works you are parodying to an almost obsessive level. These are your Galaxy Quests, and your 22 Jump Streets. Today we take a look at a new series working in this territory Disenchantment which delves into the myriads of tropes around the Fantasy genre, and mostly succeeds. Now we will be looking at the season as a whole, so there will be [SPOILERS] ahead.

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Movie Review – To All the Boys I’ve Loved Before

TL;DR – It looks at the complicated emotions of love and how we respond to it.

Score – 3.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

To All the Boys I've Loved Before. Image Credit: Netflix

Review

The teen romance is a genre that use to be very popular but you don’t see it as much anymore in recent times. Part of the reason is that quite often these were the mid-tier films falling between Indy and Blockbusters that got squeezed out of oblivion in the rush for everyone to make their tent pole crossover franchises. Also the genre has gone through some shifts in the wake of works like John Green’s The Fault In Our Stars. However, as people realise that the big multi-film franchise can’t happen all the time, we have started to see the resurgence of these mid-tier budget films and all of this brings us to today’s film To All the Boys I’ve Loved Before a Young Adult/Coming of Age film about love and loss and the need to hide your letters better from well-meaning but potentially destructive siblings.

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TV Review – Disenchantment: A Princess, an Elf, and a Demon Walk Into a Bar

TL;DR – An interesting start that gives us a real direction as to the tone and where the series is going.

Score – 4 out of 5 stars

 

Disenchantment. Image Credit: Netflix/Rough Draft Studios

 

Review

I was coming into Disenchantment with a bit of a mixed mind as I have an interesting relationship with Matt Groening’s work. When I was growing up we were not allowed to watch The Simpsons so when you did see it at a friend’s place it was this little rebellion, so I hold some of those early episodes to be quite dear to me. However, I can’t tell you the last episode I watched, at this point, I could be over seven seasons behind. On the flip side, while all this was happening Futurama came and went, and then came again and then went again, and I would count it in the top ten TV Shows I have ever seen. So where would Disenchantment fall? Well from the first episode we can see that it is at least going to be interesting.

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Movie Review – BlacKkKlansman

TL;DR – Spike Lee’s BlacKkKlansman is at times hilarious, at times deeply provoking, and at no time will it hold your hand as it explores the deep centred racism in America (spoiler: it is not just America)

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

BlacKkKlansman. Image Credit: Focus Features/Universal Pictures

Review

I was not one hundred per cent sure what it was that I was getting myself into when I walked into to see BlacKkKlansman. I knew it was about a black police officer infiltrating the KKK and that it was based on a true story but that was about it. Spike Lee is a filmmaker whose work I am unfortunately not that familiar with, so was this going to be a comedy, was it going to play it straight, was it going to do both while being deeper for it? Well with that in mind let’s take a look at the race relations of the 1970s which in no way reflects on America of today … in no way …

So to set the scene, in 1972 Ron Stallworth (John David Washington) is hired as the first black police officer in Colorado Springs. While this is meant to be a step forward for race relations, Ron is hidden away in the records room taking abuse from his fellow police officers. That is until one day an important African-Amerian activist Kwame Ture (Corey Hawkins) comes to town and they need someone to go undercover at the speech and well every other member of the police force would stand out. It is here where he meets Patrice Dumas (Laura Harrier) one of the event organisers, and listens to the speech which focuses on promoting the cause of African people from white oppression, up to and including armed resistance. Happy with his success the police decide to move Ron into the intelligence division and on his first day he responds to an ad in the paper about a new KKK chapter starting up in the town. One slight problem, just a small thing really, but it kind of won’t work if they ever have a face to face meeting. So Ron enlists officer Flip Zimmerman (Adam Driver), Ron is Ron on the phone, and Flip is Ron in person, and all of it flows from there.

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Movie Review – The Spy Who Dumped Me

TL;DR – At times deeply funny, and also quite shocking, while it doesn’t quite reach fantastic it is clear that a lot of talent and care has gone into the film, even though the full frontal nudity and language will be a barrier for many.

Score – 3.5 out of 5 stars

Post-Credit Scene – There are mid-credit scenes

Image Credit: Lionsgate

Review

This was actually quite a bit of a surprise, there had been a lot of bad buzz about the film floating around, and I honestly had no idea what to expect of the film other than the most blatant rip off of a Bond title since Austin Powers: The Spy Who Shagged Me. However, the one thing that was clear from the first few minutes is that a lot of care has gone into the construction of this film, because there is a lot they could have phoned it in, but no they put the effort in.

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Movie Review – Extinction

TL;DR – This is a film with a lot of promise and an interesting hook, but it’s missing that final level of polish needed for a film like this and the ending did feel like a cop-out.

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Extinction. Image Credit: Netflix.

Review

It has been a good year for Science Fiction TV on Netflix, I mean it is only halfway through the year and we have already had such gems as Altered Carbon (see review), Lost in Space (see review), Star Trek Discovery (see review) & The Rain (see review). However, when it comes to Science Fiction films it is a bit more of a mixed bag, ranging from the excellent Annihilation (see review) to the quite disappointing TAU (see review). Today we look at the next film that Netflix has saved after having its theatrical release pulled Extinction, which has some good ideas going on but didn’t quite get there with the execution.

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Movie Review – The Breaker Upperers

TL;DR – At times hilarious, at times incredible farcical, and at times a deeply moving look at the trials of friendship.

Score – 4 out of 5 stars

Post-Credit Scene – There is a post-credit scene

The Breaker Upperers. Image Credit: Piki Films/Madman.

Review

For a long time, there has been this growing bubble of particular dry absurdist comedy coming out of New Zealand. You see it in the work of Taika Waititi, Jemaine Clement, Bret McKenzie, Rhys Darby, Rachel House, and also some of Peter Jackson’s early films. These are films that mix comedy and emotional understanding in equal measures. Whenever one of these movies like Hunt for the Wilderpeople (see review) or Hibiscus & Ruthless (see review) make it across the ditch I always really look forward to seeing it. Well, today we get the chance to look at a new entry into this wonderful genre The Breaker Upperers, from the comedic team of Madeleine Sami and Jackie van Beek.

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Movie Review – Mission: Impossible – Fallout

TL;DR – Heart pounding, electric, bombastic, edge of seat, high octane, adrenaline rush, these are all things I would use to describe Fallout.

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Hunt jumps out of a plane, he jumps out of a lot of things. Image Credit: Paramount Pictures/Bad Robot

Review

When I think back to 1996 when the first Mission: Impossible film came out all those years ago I can remember it being enthralling and as it was one of the first big action films I ever saw in the cinemas that opening mission still holds a special place in my personal cinematic history. However, I didn’t think I would still be talking about these films over twenty years later, I mean there were a lot of great action films in the 1990s but few if any have had the same persistence as Mission: Impossible. Now to be fair, not every film in the series has been a gem, and I even stopped watching after a while, but people told me I should catch the last entry into the franchise with Rogue Nation (see review) and I really enjoyed it. Well, jump forward to 2018 and the director/writer of that last film Christopher McQuarrie is back for a second jump into this world of spies. With this in mind, I had high hopes that they could continue the good work here, and I am so happy to say that they did.

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