Tag Archives: Anya Taylor-Joy

The Gorge – Movie Review

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TL;DR – The oddest meet-cute I have ever watched, which could have been interesting if that narrative was there to support it.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the AppleTV+ service that viewed this film.

A helicopter over a gorge.

The Gorge Review –

When you have been poorly sick for a while, it is hard to get that motivating spark going again. The more you are away, the more content you miss and the deeper the backlog gets. But sometimes, it is best to just dive headfirst into something and see what happens, which is what we did with our film today.  

So, to set the scene, Levi (Miles Teller) is a very successful sniper who has been out of the Marines for several years, working for private military contractors until he was deemed unfit to serve. He didn’t have a reason or drive to contest the results, but maybe an old spook that could command the Army around might give him that drive. He is taken to an undisclosed location in the middle of a no-fly zone, so secretive that they have scanners to stop it from being seen by satellites. Western powers control one side, the Eastern powers control the other, and there is one person on each side. But they are not stopping people from getting into the gorge. Oh no, they have to make sure what is in the gorge never comes out.   

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Furiosa: A Mad Max Saga – Movie Review

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TL;DR – It is a film that roars to life and explodes on to the screen, captivating you with every turn.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit sequence.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Furiosa stands alone in the desert.

Furiosa: A Mad Max Saga Review –

Well, this was always going to be an interesting film for me. The last entry in the Mad Max Saga, as we are now calling it, Fury Road, blasted onto the world and had a profound effect on me. It is one of those rare films that I have watched over and over again, and each time, I found a new detail I had missed before. It is in my Top 10 Films of All Time list for a reason. This means that there was some trepidation when I walked into the theatre wondering how a prequel to that film could stand up, but the second my seat reverberated with a motorcycle roar, I knew that I was in for something exciting.

So, to set the scene, a young Furiosa (Alyla Browne) is living in the green land of many mothers when she comes across three bikers who have discovered their hidden sanctuary. Being captured, her mother (Charlee Fraser) chases Furiosa across the desert till they make it to the roving camp of Praetorian Jack (Chris Hemsworth). He sees her value as the one person who knows where the place of abundance is and brings her into his collection, which is where she first meets the leader of the Citadel, Immortan Joe (Lachy Hulme).

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Dune: Part Two – Movie Review

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TL;DR – Even with such a weight of expectation that I had for it, Dune: Part 2 still stuck the landing with a gusto I was not expecting.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Paul stands in front of an explosion.

Dune: Part Two Review –

I need to be clear when coming into this that this might have been the most excited I have been to see a film since maybe The Lord of the Rings. I adore this universe (okay, only the first three books, don’t @ me), and to see the First Film not only get the universe they were adapting but also have the budget to show it off. Well, there is a reason it was my favourite film of 2021. However, that is a lot of expectation, and in my experience, that can be a recipe for disaster.

So to set the scene, the plan of Baron Vladimir Harkonnen (Stellan Skarsgård) has succeeded. With the help of  Padishah Emperor Shaddam IV (Christopher Walken), Arrakis/Dune is his, the Atreides are dead, the millennia-long feud is over, and Feyd-Rautha Harkonnen (Austin Butler) is getting ready to take over from his incompetent brother Glossu Rabban Harkonnen (Dave Bautista). There is only one problem: not all the Atreides are dead, for Paul (Timothée Chalamet) and Lady Jessica (Rebecca Ferguson) made it through the desert to the Fremen people and are now in the hands of Stilgar (Javier Bardem) and Chani (Zendaya). It was safety brought with a blood price, which is increasing as the Harkonnen troops send patrols deeper into the desert. For Paul, his new place with the Fremen could be a way to find revenge for the destruction of his family, but is he ready for leadership to be thrust upon him? For once the Fremen are unleashed, can they be stopped?

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The Super Mario Bros. Movie – Movie Review

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TL;DR – While frustrating in more places than it should be, it shines when it lands on the fun.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid and end-credit scene

Disclosure – I was invited to a screening of this film

Bowser arrives.

The Super Mario Bros. Movie Review –

When this film was first announced, you could feel a general odd bemusement permeate through the internet, with relocations back to the last time they tried this in live action [a film that I have fond remembrances of, but that might be just the distance of time and youth as I have not seen it in decades]. That amusement was only highlighted when the lead cast was announced. A feeling that was only slightly abated when the first trailers landed. However, 2023 has been the year for good video game adaptations, so maybe this could work … maybe.

So to set the scene, Mario (Chris Pratt) and Luigi (Charlie Day) are two brothers that have just started their own plumbing company in Brooklyn and Queens. They are trying to make a name for themselves when a water main bursts, and only they can fix it. But as they go underground to find the source, they stumble across a giant green pipe lying open. What harm could that do? Was the thought right before both brothers were sucked into a new world, one full of mushrooms and the other dark and foreboding.

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The Menu – Movie Review

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TL;DR – This is one of those films that revels in subverting something that brings me great joy and captivates me the entire time it is doing that.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Warning – Some scenes may cause distress.

Oyster Foam, with lemon lemon gel

The Menu Review –

There is always a delight when you walk into s film with no idea what you are about to witness. Even more so when that film goes to places, you would never have expected. Well, today we have just such a film which was taken to the next level with me only seeing it because of a mix-up, and I am delighted that mix-up happened because goodness, what an experience.

So to set the scene, we open at a boat dock as Margot (Anya Taylor-Joy) and her date Tyler (Nicholas Hoult) wait in fancy evening attire. They and a bunch of important critics, celebrities, foodies, and businessmen are taking a trip to one of the world’s most exclusive restaurants, Hawthorne, run by Julian Slowik (Ralph Fiennes), hidden away on its own island. The restaurant’s maître d’ Elsa (Hong Chau) takes them on a tour of the island, revealing all its natural bounties and constructed eccentricities. Everything has been tailored to each guest. The only issue is that Margot was not meant to be there, and no one let the restaurant or Chef know.

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The Northman – Movie Review

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TL;DR – The Northman is unrelenting, uncomfortable, unyielding, and uncompromising

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Bjork as a witch in a wheat headdress

The Northman Review –

When I heard that Robert Eggers was making a new film, I was interested because his last work, The Lighthouse, well, it was ‘a lot’, but it was also fascinating from start to finish. Then I heard it would be a Norse epic tale of revenge and carnage. Well, I was intrigued. But when I heard that early reviews were calling it ‘impenetrably Norse’, I had to check it out because that is my jam.

So to set the scene, in 985AD, on the Atlantic coast, young Prince Amleth (Oscar Novak) looks out into the sea and sees that his father, King Aurvandill War-Raven (Ethan Hawke), has returned from his raids. With his Mother, Queen Gudrún (Nicole Kidman), he greets his father and discovers that he was wounded in the last battle. After Aurvandill’s brother Fjölnir (Claes Bang) arrives, Gudrún counsels her husband that Amleth needs to start the process of becoming a man. Aurvandill takes Amleth to the Heimir (Willem Dafoe), the fool and seer, to have a vision. But as they leave the temple, Aurvandill is ambushed and murdered, and as Amleth runs, he sees that the murderer is his uncle Fjölnir. Many years later, in the Lands of the Rus, Amleth (Alexander Skarsgård) is a berserker taking out villages when he is reminded of his duty to avenge his father’s murder.

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Last Night in Soho – Movie Review

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TL;DR – Well Last Night In Soho is a film that threatens to go off the rails at any moment yet somehow manages to hold on just by its fingertips   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene, but there are images during the credits

Disclosure – I was invited to a press screening of this film

Warning – This film depicts scenes of abuse

Warning – This film features sequences with flashing lights

Last Night in Soho. Image Credit: Universal Pictures.

Last Night in Soho Review –

Some directors out there have built up such a strong reputation that you know you will be checking out their next film no matter the genre/tone/story. For me, one of those directors is Edgar Wright, who has never once bored me with one of his films. Indeed, we have already gotten his take on a talking-heads documentary this year with The Sparks Brothers, and I was not going to turn down the chance to see two new films from him in the one year. I will say that this is a film that is best seen with as little information as possible, so if you are intrigued, you may want to stop reading here.

So to set the scene, Eloise “Ellie” Turner (Thomasin McKenzie) lives in rural Cornwell but has always dreamed of being a major fashion designer in London. She is obsessed with the style of the 1960s and capturing that time in her work. It was good news for Ellie when she got accepted into the London College of Fashion; thus, she made the long trip into the big city. After some interesting interactions with her roommate Jocasta (Synnøve Karlsen), Ellie moves into a bed/sit in Goodge Place being rented out by Ms Collins (Diana Rigg). This old lady had owned the property for decades. It is perfect for Ellie, but as she sleeps, she visits an apparition from the past, Sandie (Anya Taylor-Joy), a singer and dancer in 1960s London. 

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Emma – Movie Review

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TL;DR – Charmingly silly, yet deeply compelling    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated: Beautiful Cinematography, Stunning Costumes, Most Fun, Exquisite Musical Score & Fascinating Worldbuilding

Emma. Image Credit: Universal.

Emma Review –

It has been said of me lately that I have been rather a bit dismissive of the old works of writers like Jane Austen. Well, in my attempt to catch up on some of the films I missed in 2020, I thought it would be the perfect time to remedy this, a little.

In England’s Regency-era, a local matchmaker has made her latest match in the rural countryside village of Highbury. Emma Woodhouse (Anya Taylor-Joy) has set up her governess Miss Taylor (Gemma Whelan) and local widower Mr Weston (Rupert Graves). She loves the game, and her latest intrigue is Harriet Smith (Mia Goth) who brings her into a confrontation with George Knightley (Johnny Flynn), a friend and yet sometimes rival.

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The New Mutants – Movie Review

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TL;DR – A perfectly okay film but a bit of a missed opportunity.     

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

The New Mutants. Image Credit: 20th Century Studios.

Review –

After thirteen films, and running for twenty years, the current X-Men franchise has drawn to a close. Today we review the last movie in the series The New Mutants, though it was never planned or designed to be a swan song it is what it has become. Well, let’s dive into a film that swerves into the horror of what it would be like to wake up one day with powers.

So to set the scene, we open in on a reservation in America when Danielle “Dani” Moonstar (Blu Hunt) is woken up by her father William (Adam Beach) and told to run. All around them, some outside force is destroying the reservation with snow and flames everywhere. William asks Dani to hide in a tree and goes back to help only to be killed, Dani runs form the oncoming storm and crashes down the side of the hill, hitting her head. When she wakes up, she is handcuffed to a medical gurney in what looks like an old hospital. Over the speaker Dr Cecilia Reyes (Alice Braga) askes her to calm down and lets her know she is safe, but that she was the only survivor of her reservation, everyone she knows is dead.  

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