Tag Archives: Los Angeles

Movie Review – Chase

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TL;DR – It explores what happens when a hitman’s work and life collide    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Chase. Image Credit: Vertical Entertainment.

Review –

The hitman is a character that has been around as long as cinema has been a medium. Sometimes they are the bogeyman lurking in the shadows, sometimes they are a threat to contend with in running gun battles, and sometimes you kill the wrong person’s dog and you forfeit your life. One area that does not get as explored as much as it should is what happens when the hitman goes home and how does that affect their lives. How can you kill people by day and go home to your family at night and what happens if those worlds collide together? Well, today we look at a film that explores this intersection with Chase.  

So to set the scene, we open in as Chase (Damien Puckler) and his best friend who is also his sort of boss Miles (Aries Spears). Chase and Miles have been inseparable since they were 15 and ran off from foster care together. Miles is the boss and always seems to be in the position to manipulate the people around him and Chase is his best hitman. Chase has a simple system, he has a flat rate, double for women, and triple for kids and his only rules that he is paid in full up front, he not a repeat service so you will never see him again, and that he does not leave orphans. Chase has been living that life for a long time but in recent years he has found two attachments, his girlfriend Blair (Jessica Morris) and their child Micah (Eli Michael Kaplan). However, while Chase is good at compartmentalising, Miles thinks he is going soft and well as you can imagine this is a recipe for disaster.

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Map-It: Chef’s Table

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TL;DR – With Volume 5 just released and Volume 6 just around the corner we take a moment to map out all of Chef’s Table

 

Chef's Table. Image Credit: Netflix

 

Map-It –

 

If you have been reading my reviews for a long time then you will undoubtedly know that I have a deep love for David Gelb’s striking food documentary series Chef’s Table on Netflix. It is a world full of beautiful food, fascinating stories, and a deep exploration into a world that I don’t really get to visit. Well today the fifth volume (six if you add in France which we do) has dropped and I wanted to take a moment to combine my love of both food and cartography and thus chart out every restaurant visited throughout the series so far (and even into the next volume since the names of the chefs have already been announced). With the maps, if a chef had more than one location featured, we picked the central place explored in the episode.

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TV Review – Ugly Delicious: Season One

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TL;DR – A fascinating documentary dissecting every facet of food, from its history, its traditions, and the future.

Score – 4 out of 5 stars

Ugly Delicious banner

 

Review –

As a food culture, we have really started to focus on tradition, authenticity, style and presentation, but have we lost something in the process? This is something that chef David Chang is trying to get to the heart off in his new series Ugly Delicious which he hosts with food writer Peter Meehan. Chang who is known from his Momofuku restaurants is pulling apart what makes food the way it is, what makes something traditional and something rebellious, and what is the soul of the food we may eat on a daily basis.

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Movie Review – Molly’s Game

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TL;DR – Exploring the interplay of power and greed, and how lives can change in an instant, also you got Aaron Sorkin walk and talks, so what’s not to like?

Score – 3.5 out of 5 stars

Post-Credit Scene – No

Molly's Game

Review –

Today is an interesting week because we are looking at a film that is both from a first-time director but also one of the industries long-time greats, Aaron Sorkin. So today we will see if his walk and talk dialogue works when he is the one behind the camera? Now before we start, because of the way the film is structured it is hard to talk about it at all without getting into [SPOILER] territory almost immediately, so if you have not seen the film probably be careful when proceeding.

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Movie Review – The Disaster Artist

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TL;DR – The Disaster Artist is … Well, it is certainly … Well um … what did I just watch?

Score – I have no right idea out of 5 stars

P.S. – There is a very odd post-credit scene

The Disaster Artist. Image Credit: A24.

Review –

Ok let’s get this out of the way right from the start, I have never watched The Room the film by Tommy Wiseau on which The Disaster Artist based on. Have I heard about it? Yes of course, whenever there is a discussion of worst films or scenes or actors or scripts or well you name it The Room is there. So while I have not watched it, I am familiar with it, but I have never felt the need to watch it all the way through. Look I know it has become a bit of a cult classic, but unlike films that have become cult classics like the Rocky Horror Picture Show or Tron, it always felt that people were more than a little mean-spirited watching something just to make fun of how bad it is. But here we are 20 odd years later and so let’s take a dive into the production of what is considered the worst film ever made by some.

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Movie Review – Blade Runner 2049

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TL;DR – Visually stunning, and a wonderful follow up to a true Sci-fi classic.

Score – 4.5 out of 5 stars

Blade Runner 2049. Image Credit: Warner Bros.

Review –

Besides Star Wars later in the year, I don’t think there has been a film as anticipated in the sci-fi world more than Blade Runner 2049. As I mentioned in my retrospective of Blade Runner (see retrospective) the first time I watched the original was just the other day so I came into 2049 with that whole story being very fresh in my mind. Which turns out was a good thing, because Blade Runner 2049 is not just a sequel in name only. So without getting into spoilers here, you may want to go watch the first film in preparation of seeing it here, not that you should need an excuse to see one of the most transformative science fiction films of the last century. I do have to say from the start that I went see Blade Runner 2049 at a premium showing (Gold Class for those in Australia) which I paid for, and I went during the middle of the day when there is usually fewer people. However, still with all this, I was in a session with a couple that loud talked throughout the film, in the quiet contemplative moments, and even answered an unmuted phone at some point. So while I am professional, I can’t put aside the possibility that this might have impacted my perception of the film. Now overall I really liked Blade Runner 2049 but it is hard to talk about it without hitting spoilers, hell even the cast list is a spoiler at this point. So just for the sake of precautions be prepared for [SPOILERS] ahead if you have not seen the film, which you should.

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Exploring the Past – Blade Runner (1982)

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TL;DR – The legacy of Blade Runner is not overstated, even if parts of the film have not aged well.

Blade Runner. Image Credit: Warner Bros.

Review –

I continue my look into the gems of films from the past that I missed the first time round by today looking at the most topical of films Blade Runner. Like 2001: A Space Odyssey (see review), Blade Runner is one of those films that came out before I was born, so I missed it the first time around, and due to its content it didn’t get a lot replay on TV as I was growing up. Now while I haven’t seen the film before today, I have read the book Do Androids Dream of Electric Sheep? As well as this, Blade Runner has appeared in so many countdown and best of lists, and multiple parodies and had homages have been made of it over the years. So even though I have never see the film, I have seen so many separate bits that I have probably seen a decent chunk of the film over the years. So with all of this I was a bit apprehensive before sitting down and watching it, would it live up to the huge cultural impact it has had, well could anything really, let’s find out. Now before we go on just a moment of clarification, the version I saw was The Final Cut, which as far as I can tell is the cut that Ridley Scott prefers, so there is likely to be differences between this and the theatrical release.

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TV Review – GLOW: Season 1

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TL;DR – An oddly compelling, yet still really raw look at creating a women’s wrestling TV show in the 1980s

Score – 4 out of 5 stars

GLOW

Review –

Wow, this came out of nowhere, the first I knew anything about was an odd email alert from Netflix, and even from that all you could tell was that this was something vaguely 80s related. Indeed, I didn’t even know that GLOW (Gorgeous Ladies of Wrestling) was actually a real thing until I started doing some research for this review. So I came into GLOW with very little idea of what I was getting myself into, and now that I have finished it, well I can honestly say that this has left a lasting impression.

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TV Review – Chef’s Table: Season 3

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TL;DR – Chef’s Table is at the pinnacle food documentaries, indeed it is one of the best documentary series I have ever watched and season 3 is no different.

Score – 4.5 out of 5 stars

Chef's Table

Review –

For those of you who read my review on the last season of Chef’s Table, their mini-season in France, then you should know that I really love Chef’s Table (for those who didn’t, just to catch you up, I really love Chef’s Table). From a filmmaking perspective, to the featured guests, to the spectacular food, it is a joy to watch. However, that means that I come to the next season with very high expectations, so bon appétit, 맛있게 드세요, прия́тного аппети́та, and mahlzeit, and welcome to Chef’s Table season 3.

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Movie Review – La La Land

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TL;DR – La La Land has its issues, but it was such a joy to watch and I walked out of the cinema with a smile on my face and a song in my heart, and I can’t remember the last movie to do that to me.

Score – 4 out of 5 stars

La La Land. Image Credit: Lionsgate.

Review –

La La Land is a rare movie for these days, not only is it a live-action musical in an age where musicals are mostly restricted to animated children’s movies (with the odd Les Misérables to change things up), but it is also is an unapologetic homage to the films of the classical era, your Singin’ in the Rain and such like. However on top of all this, La La Land is also a very modern movie set in modern times, so at its core is this juxtaposition of old and new. Now this is a very difficult tightrope to manage, if you go too old the film will feel dated rather than the homage it is, and indeed if you go too new, then all those call-backs start to feel gimmicky and forced. Luckily for La La Land, it turns out to be the goldilocks of filmmaking, and a case study in getting that balance right, look there is a reason it is an Oscar favourite for many.

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